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| Theatrical Performance (US$) | ||
| France Box Office | $2,607,762 | Details |
| Worldwide Box Office | $8,719,182 | Details |
| Further financial details... | ||
| Production Budget: | $1,750,000 |
| France Releases: | October 12th, 2018 (Wide) |
| Video Release: | November 16th, 2018 by Netflix |
| MPAA Rating: | R for some sexual content, graphic nudity and brief disturbing content. (Rating bulletin 2555 (Cert #51702), 11/28/2018) |
| Running Time: | 109 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium, Netherlands |
| Languages: | English, Flemish, French |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Bulgaria | 5/31/2019 | $0 | 0 | 0 | 0 | $1,971 | 6/11/2019 |
| France | 10/12/2018 | $713,823 | 0 | 310 | 1169 | $2,607,762 | 11/23/2018 |
| Italy | 9/27/2018 | $61,067 | 0 | 0 | 0 | $66,890 | 10/1/2018 |
| Lithuania | 11/16/2018 | $4,342 | 15 | 15 | 27 | $7,985 | 12/11/2018 |
| Netherlands | 11/2/2018 | $104,045 | 54 | 55 | 361 | $1,262,811 | 3/5/2019 |
| New Zealand | 7/4/2019 | $0 | 0 | 1 | 4 | $4,358 | 9/5/2019 |
| Portugal | 12/14/2018 | $1,925 | 7 | 7 | 17 | $12,159 | 5/16/2023 |
| Russia (CIS) | 2/8/2019 | $15,868 | 53 | 53 | 143 | $42,902 | 10/19/2022 |
| South Korea | 11/2/2018 | $0 | 0 | 0 | 0 | $850 | 11/9/2018 |
| Spain | 9/28/2018 | $40,651 | 55 | 55 | 103 | $108,816 | 10/11/2018 |
| Turkey | 1/4/2019 | $7,016 | 20 | 20 | 36 | $16,965 | 1/17/2019 |
| United Kingdom | 3/15/2019 | $31,729 | 24 | 24 | 32 | $31,729 | 11/29/2023 |
| Rest of World | $4,553,984 | ||||||
| Worldwide Total | $8,719,182 | 11/29/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Victor Polster | Lara |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Lukas Dhont | Director |
