The Gatekeepers (2013)

The Gatekeepers poster
Theatrical Performance
Domestic Box Office $2,408,553Details
International Box Office $183,755Details
Worldwide Box Office $2,592,308
Further financial details...

Synopsis

Charged with overseeing Israel’s war on terror—both Palestinian and Jewish—the head of the Shin Bet, Israel’s secret service is present at the crossroads of every decision made. For the first time ever, six former heads of the agency agreed to share their insights and reflect publicly on their actions and decisions.

Metrics

Opening Weekend:$61,552 (2.6% of total gross)
Legs:9.59 (domestic box office/biggest weekend)
Domestic Share:92.9% (domestic box office/worldwide)
Production Budget:$1,500,000 (worldwide box office is 1.7 times production budget)
Theater counts:3 opening theaters/131 max. theaters, 6.2 weeks average run per theater
Infl. Adj. Dom. BO $3,193,618

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,769 $2,408,553
All Time International Box Office (Rank 16,301-16,400) 16,332 $183,755
All Time Worldwide Box Office (Rank 12,301-12,400) 12,322 $2,592,308
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 986 $2,408,553

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: February 1st, 2013 (Limited) by Sony Pictures Classics
International Releases: April 12th, 2013 (Wide) (United Kingdom)
Video Release: July 9th, 2013 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violent content including disturbing images.
(Rating bulletin 2245, 10/17/2012)
Running Time: 97 minutes
Comparisons: vs. Food, Inc.
Create your own comparison chart…
Keywords: Terrorism, Political, Israeli Palestinian Conflict, Palestinian, Jewish, Political Documentary
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Dror Moreh Productions, Les Films du Poisson, Le Premier Poisson, Cinephile Academy, Wild Heart Productions
Production Countries: Belgium, France, Germany, Israel
Languages: English, Hebrew

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2013 Theater Average 55 $20,517 Feb 1, 2013 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2013 45 $61,552   3 $20,517   $80,890 1
Feb 8, 2013 49 $42,071 -32% 3 $14,024   $152,538 2
Feb 15, 2013 49 $45,185 +7% 4 $11,296   $216,631 3
Feb 22, 2013 35 $133,740 +196% 19 $7,039   $380,580 4
Mar 1, 2013 29 $251,059 +88% 46 $5,458   $681,177 5
Mar 8, 2013 25 $236,006 -6% 67 $3,522   $1,012,976 6
Mar 15, 2013 29 $227,401 -4% 86 $2,644   $1,332,814 7
Mar 22, 2013 31 $170,606 -25% 94 $1,815   $1,589,300 8
Mar 29, 2013 22 $201,990 +18% 105 $1,924   $1,870,002 9
Apr 5, 2013 25 $172,427 -15% 131 $1,316   $2,116,260 10
Apr 12, 2013 39 $71,873 -58% 90 $799   $2,258,440 11
Apr 19, 2013 54 $29,718 -59% 50 $594   $2,316,554 12
Apr 26, 2013 68 $12,272 -59% 22 $558   $2,342,248 13
May 3, 2013 74 $10,902 -11% 18 $606   $2,347,544 14
May 10, 2013 64 $13,103 +20% 19 $690   $2,376,991 15
May 17, 2013 74 $7,250 -45% 38 $191   $2,391,849 16
May 24, 2013 76 $3,712 -49% 10 $371   $2,400,830 17
Jun 7, 2013 81 $1,498   4 $375   $2,407,469 19
Jun 14, 2013 96 $416 -72% 2 $208   $2,408,553 20

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2013 44 $91,129   3 $30,376   $110,467 1
Feb 8, 2013 52 $60,979 -33% 3 $20,326   $171,446 2
Feb 15, 2013 51 $56,982 -7% 4 $14,246   $228,428 3
Feb 22, 2013 35 $183,278 +222% 19 $9,646   $430,118 4
Mar 1, 2013 28 $346,852 +89% 46 $7,540   $776,970 5
Mar 8, 2013 27 $328,443 -5% 67 $4,902   $1,105,413 6
Mar 15, 2013 28 $313,281 -5% 86 $3,643   $1,418,694 7
Mar 22, 2013 31 $249,318 -20% 94 $2,652   $1,668,012 8
Mar 29, 2013 22 $275,821 +11% 105 $2,627   $1,943,833 9
Apr 5, 2013 25 $242,734 -12% 131 $1,853   $2,186,567 10
Apr 12, 2013 40 $100,269 -59% 90 $1,114   $2,286,836 11
Apr 19, 2013 52 $43,140 -57% 50 $863   $2,329,976 12
Apr 26, 2013 81 $6,666 -85% 22 $303   $2,336,642 13
May 3, 2013 64 $27,246 +309% 18 $1,514   $2,363,888 14
May 10, 2013 64 $20,711 -24% 19 $1,090   $2,384,599 15
May 17, 2013 74 $12,519 -40% 38 $329   $2,397,118 16
May 24, 2013 83 $3,712 -70% 10 $371   $2,400,830 17
Jun 7, 2013 97 $1,498   4 $375   $2,407,469 19

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 4/12/2013 $33,175 14 14 33 $110,144 12/14/2015
 
Rest of World $73,611
 
International Total$183,755 12/14/2015

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Ami Ayalon    Himself
Avraham Shalom    Himself
Yuval Diskin    Himself
Carmi Gillon    Himself
Yaakov Peri    Himself
Avi Dichter    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dror Moreh    Director
Dror Moreh    Screenwriter
Dror Moreh    Producer
Estelle Fialon    Producer
Philippa Kowarsky    Producer
Oron Adar    Editor
Doron Koren    Production Designer
Anna Van Der Wee    Co-Producer
Yael Fogiel    Associate Producer
Laetitia Gonzalez    Associate Producer
Avner Shahaf    Director of Photography
Amos Zipori    Sound Mixer
Alex Claude    Sound Designer

DVD and Blu-ray Releases for July 9th, 2013

July 8th, 2013

It is a very busy week on the home market with four wide releases, five if you count Spring Breakers, which expanded semi-wide during its second weekend of release. None of these films were big hits at the box office. In fact, the five of them combined made $122 million. Additionally, only one of them earned good reviews. Fortunately, not only did Spring Breakers earn good reviews, its DVD and Blu-ray Combo Pack are loaded, enough to be a contender for Pick of the Week. The other main contender is The Legend of Korra - Book One: Air. Unfortunately, I'm still waiting for the screener for both of those releases, and I hate handing out the Pick of the Week when the screener is on its way. Because of that, I'm going with a late review, Wilfred: Season Two on DVD or Blu-ray. More...

Per Theater Chart: Moviegoers are put in a Trace

April 9th, 2013

The buzz certainly helped Trance, as it earned first place on the per theater chart with an average of $32,786 in four theaters. This is not quite as good as Danny Boyle's previous two limited releases, but if it doesn't reach at least one major milestone, I would be shocked. Upstream Color rode the best reviews of the week to second place with $28,649 in its lone theater. The Company You Keep was right behind with an average of $26,344 in five theaters. Mixed reviews will likely hold down its potential to expand. The Place Beyond the Pines was the only holdover to reach the $10,000 mark. It expanded to 30 theaters, but still managed an impressive average of $23,446. More...

Per Theater Chart: Somebody Up There Likes These Films

March 13th, 2013

There were a trio of films to top the $10,000 mark on the per theater chart. Somebody Up There Likes Me earned first place with $34,362 in its one theater. The overall number one film, Oz the Great and Powerful, earned second place with an average of $20,223 in nearly 4,000 theaters. The final film in the $10,000 club was The We and the I, which managed $10,774 in one theater. More...

Weekend Estimates: Identity Thief Regains Top Spot

February 24th, 2013

The box office crown for Oscar weekend will be claimed by Identity Thief, according to studio estimates released on Sunday morning, even though the comedy will fall by a relatively large 41% from last weekend. So its win is in large part due to the low-key new releases: Snitch will be second with $13 million in a modest 2,511 theaters and Dark Skies is headed for 6th place with $8.85 million from 2,313 theaters. Neither new film has particularly low per theater averages ($5,177 and $3,826 respectively), so their so-so debuts are as much a factor of their smallish opening theater counts as lack of demand. More...

Per Theater Chart: No Means Business

February 21st, 2013

No led the way on the per theater chart with an average of $17,936 in four theaters. The Gatekeepers remained strong with an average of $11,296 in four theaters during its third weekend of release. This is very impressive longevity. More...

Per Theater Chart: Gate Keeps Out Thief

February 13th, 2013

The Gatekeepers remained in first place in the per theater chart with an average of $14,024 in three theaters. The only other film to top $10,000 on the per theater chart was Identity Thief with an average of $11,000, which is amazing for a wide release at this time of year. More...

2013 Awards Season: Oscar Contest: Category Highlight: Best Feature-Length Documentary

February 6th, 2013

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary, which is probably not as competitive as I thought it would be. There are two films that earned perfect reviews, so it should be a close race between those two for the Oscar, right? More...

Per Theater Chart: Gated Community

February 5th, 2013

The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly. More...

Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend

February 3rd, 2013

Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own. More...

Limited Releases: Stand Up for Limited Releases

February 1st, 2013

It's a weak week for limited releases with only two films that are earning overwhelmingly positive reviews. Those two films, The Gatekeepers and Koch, have something else in common, they are both documentaries. So, there are probably no breakout hits on this weeks list. More...

2013 Awards Season: Lincoln Oversees a Divided Group of Nominees

January 10th, 2013

The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions. More...

2013 Awards Season: PGA Produces a Few Surprises

January 6th, 2013

Producers Guild of America announced their nominations this week, including the three theatrical categories. There were a number of films on the list that have been mentioned time and time again this awards season, like Zero Dark Thirty, but there were also a few surprises. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Charged with overseeing Israel’s war on terror—both Palestinian and Jewish—the head of the Shin Bet, Israel’s secret service is present at the crossroads of every decision made. For the first time ever, six former heads of the agency agreed to share their insights and reflect publicly on their actions and decisions.

Metrics

Opening Weekend:$61,552 (2.6% of total gross)
Legs:9.59 (domestic box office/biggest weekend)
Domestic Share:92.9% (domestic box office/worldwide)
Production Budget:$1,500,000 (worldwide box office is 1.7 times production budget)
Theater counts:3 opening theaters/131 max. theaters, 6.2 weeks average run per theater
Infl. Adj. Dom. BO $3,193,618

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,769 $2,408,553
All Time International Box Office (Rank 16,301-16,400) 16,332 $183,755
All Time Worldwide Box Office (Rank 12,301-12,400) 12,322 $2,592,308
All Time Domestic Highest Grossing Limited Release Movies (Rank 901-1,000) 986 $2,408,553

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: February 1st, 2013 (Limited) by Sony Pictures Classics
International Releases: April 12th, 2013 (Wide) (United Kingdom)
Video Release: July 9th, 2013 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for violent content including disturbing images.
(Rating bulletin 2245, 10/17/2012)
Running Time: 97 minutes
Comparisons: vs. Food, Inc.
Create your own comparison chart…
Keywords: Terrorism, Political, Israeli Palestinian Conflict, Palestinian, Jewish, Political Documentary
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Dror Moreh Productions, Les Films du Poisson, Le Premier Poisson, Cinephile Academy, Wild Heart Productions
Production Countries: Belgium, France, Germany, Israel
Languages: English, Hebrew

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2013 Theater Average 55 $20,517 Feb 1, 2013 3

Interviewee(s)

Ami Ayalon    Himself
Avraham Shalom    Himself
Yuval Diskin    Himself
Carmi Gillon    Himself
Yaakov Peri    Himself
Avi Dichter    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dror Moreh    Director
Dror Moreh    Screenwriter
Dror Moreh    Producer
Estelle Fialon    Producer
Philippa Kowarsky    Producer
Oron Adar    Editor
Doron Koren    Production Designer
Anna Van Der Wee    Co-Producer
Yael Fogiel    Associate Producer
Laetitia Gonzalez    Associate Producer
Avner Shahaf    Director of Photography
Amos Zipori    Sound Mixer
Alex Claude    Sound Designer

DVD and Blu-ray Releases for July 9th, 2013

July 8th, 2013

It is a very busy week on the home market with four wide releases, five if you count Spring Breakers, which expanded semi-wide during its second weekend of release. None of these films were big hits at the box office. In fact, the five of them combined made $122 million. Additionally, only one of them earned good reviews. Fortunately, not only did Spring Breakers earn good reviews, its DVD and Blu-ray Combo Pack are loaded, enough to be a contender for Pick of the Week. The other main contender is The Legend of Korra - Book One: Air. Unfortunately, I'm still waiting for the screener for both of those releases, and I hate handing out the Pick of the Week when the screener is on its way. Because of that, I'm going with a late review, Wilfred: Season Two on DVD or Blu-ray. More...

Per Theater Chart: Moviegoers are put in a Trace

April 9th, 2013

The buzz certainly helped Trance, as it earned first place on the per theater chart with an average of $32,786 in four theaters. This is not quite as good as Danny Boyle's previous two limited releases, but if it doesn't reach at least one major milestone, I would be shocked. Upstream Color rode the best reviews of the week to second place with $28,649 in its lone theater. The Company You Keep was right behind with an average of $26,344 in five theaters. Mixed reviews will likely hold down its potential to expand. The Place Beyond the Pines was the only holdover to reach the $10,000 mark. It expanded to 30 theaters, but still managed an impressive average of $23,446. More...

Per Theater Chart: Somebody Up There Likes These Films

March 13th, 2013

There were a trio of films to top the $10,000 mark on the per theater chart. Somebody Up There Likes Me earned first place with $34,362 in its one theater. The overall number one film, Oz the Great and Powerful, earned second place with an average of $20,223 in nearly 4,000 theaters. The final film in the $10,000 club was The We and the I, which managed $10,774 in one theater. More...

Weekend Estimates: Identity Thief Regains Top Spot

February 24th, 2013

The box office crown for Oscar weekend will be claimed by Identity Thief, according to studio estimates released on Sunday morning, even though the comedy will fall by a relatively large 41% from last weekend. So its win is in large part due to the low-key new releases: Snitch will be second with $13 million in a modest 2,511 theaters and Dark Skies is headed for 6th place with $8.85 million from 2,313 theaters. Neither new film has particularly low per theater averages ($5,177 and $3,826 respectively), so their so-so debuts are as much a factor of their smallish opening theater counts as lack of demand. More...

Per Theater Chart: No Means Business

February 21st, 2013

No led the way on the per theater chart with an average of $17,936 in four theaters. The Gatekeepers remained strong with an average of $11,296 in four theaters during its third weekend of release. This is very impressive longevity. More...

Per Theater Chart: Gate Keeps Out Thief

February 13th, 2013

The Gatekeepers remained in first place in the per theater chart with an average of $14,024 in three theaters. The only other film to top $10,000 on the per theater chart was Identity Thief with an average of $11,000, which is amazing for a wide release at this time of year. More...

2013 Awards Season: Oscar Contest: Category Highlight: Best Feature-Length Documentary

February 6th, 2013

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary, which is probably not as competitive as I thought it would be. There are two films that earned perfect reviews, so it should be a close race between those two for the Oscar, right? More...

Per Theater Chart: Gated Community

February 5th, 2013

The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly. More...

Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend

February 3rd, 2013

Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own. More...

Limited Releases: Stand Up for Limited Releases

February 1st, 2013

It's a weak week for limited releases with only two films that are earning overwhelmingly positive reviews. Those two films, The Gatekeepers and Koch, have something else in common, they are both documentaries. So, there are probably no breakout hits on this weeks list. More...

2013 Awards Season: Lincoln Oversees a Divided Group of Nominees

January 10th, 2013

The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions. More...

2013 Awards Season: PGA Produces a Few Surprises

January 6th, 2013

Producers Guild of America announced their nominations this week, including the three theatrical categories. There were a number of films on the list that have been mentioned time and time again this awards season, like Zero Dark Thirty, but there were also a few surprises. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2013 45 $61,552   3 $20,517   $80,890 1
Feb 8, 2013 49 $42,071 -32% 3 $14,024   $152,538 2
Feb 15, 2013 49 $45,185 +7% 4 $11,296   $216,631 3
Feb 22, 2013 35 $133,740 +196% 19 $7,039   $380,580 4
Mar 1, 2013 29 $251,059 +88% 46 $5,458   $681,177 5
Mar 8, 2013 25 $236,006 -6% 67 $3,522   $1,012,976 6
Mar 15, 2013 29 $227,401 -4% 86 $2,644   $1,332,814 7
Mar 22, 2013 31 $170,606 -25% 94 $1,815   $1,589,300 8
Mar 29, 2013 22 $201,990 +18% 105 $1,924   $1,870,002 9
Apr 5, 2013 25 $172,427 -15% 131 $1,316   $2,116,260 10
Apr 12, 2013 39 $71,873 -58% 90 $799   $2,258,440 11
Apr 19, 2013 54 $29,718 -59% 50 $594   $2,316,554 12
Apr 26, 2013 68 $12,272 -59% 22 $558   $2,342,248 13
May 3, 2013 74 $10,902 -11% 18 $606   $2,347,544 14
May 10, 2013 64 $13,103 +20% 19 $690   $2,376,991 15
May 17, 2013 74 $7,250 -45% 38 $191   $2,391,849 16
May 24, 2013 76 $3,712 -49% 10 $371   $2,400,830 17
Jun 7, 2013 81 $1,498   4 $375   $2,407,469 19
Jun 14, 2013 96 $416 -72% 2 $208   $2,408,553 20

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2013 44 $91,129   3 $30,376   $110,467 1
Feb 8, 2013 52 $60,979 -33% 3 $20,326   $171,446 2
Feb 15, 2013 51 $56,982 -7% 4 $14,246   $228,428 3
Feb 22, 2013 35 $183,278 +222% 19 $9,646   $430,118 4
Mar 1, 2013 28 $346,852 +89% 46 $7,540   $776,970 5
Mar 8, 2013 27 $328,443 -5% 67 $4,902   $1,105,413 6
Mar 15, 2013 28 $313,281 -5% 86 $3,643   $1,418,694 7
Mar 22, 2013 31 $249,318 -20% 94 $2,652   $1,668,012 8
Mar 29, 2013 22 $275,821 +11% 105 $2,627   $1,943,833 9
Apr 5, 2013 25 $242,734 -12% 131 $1,853   $2,186,567 10
Apr 12, 2013 40 $100,269 -59% 90 $1,114   $2,286,836 11
Apr 19, 2013 52 $43,140 -57% 50 $863   $2,329,976 12
Apr 26, 2013 81 $6,666 -85% 22 $303   $2,336,642 13
May 3, 2013 64 $27,246 +309% 18 $1,514   $2,363,888 14
May 10, 2013 64 $20,711 -24% 19 $1,090   $2,384,599 15
May 17, 2013 74 $12,519 -40% 38 $329   $2,397,118 16
May 24, 2013 83 $3,712 -70% 10 $371   $2,400,830 17
Jun 7, 2013 97 $1,498   4 $375   $2,407,469 19

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 4/12/2013 $33,175 14 14 33 $110,144 12/14/2015
 
Rest of World $73,611
 
International Total$183,755 12/14/2015

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.