Sweden Box Office for The French Dispatch (2021)

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The French Dispatch
Theatrical Performance (US$)
Sweden Box Office $931,176Details
Worldwide Box Office $45,137,404Details
Home Market Performance
North America DVD Sales $208,945 Details
North America Blu-ray Sales $977,195 Details
Total North America Video Sales $1,186,140
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A collection of stories from the final issue of an American magazine published in a fictional 20th-century French city.

Metrics

Movie Details

Sweden Releases: October 22nd, 2021 (Wide)
Video Release: December 14th, 2021 by Fox Home Entertainment
MPAA Rating: R for graphic nudity, some sexual references and language.
(Rating bulletin 2614 (Cert #52467), 1/29/2020)
Running Time: 108 minutes
Keywords: Set in Paris, 1950s, Comedy Drama, Segments, Prologue, Epilogue, Ensemble
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Searchlight Pictures , Indian Paintbrush, American Empirical
Production Countries: United States
Languages: English, French

Weekend estimates: Eternals’ good hold keeps it on top

November 14th, 2021

Eternals

Eternals will, as expected, come out on top at the box office this weekend, but it’ll do so by a healthier margin than expected thanks to a decent hold, and a very slight under-performance by Clifford the Big Red Dog through the weekend. Eternals is set to earn $27.5 million, according to Disney’s Sunday-morning projection, which will take it to $118.8 million domestically. That makes it one of the top 10 films of 2021 already, with quite a way to run. More...

Weekend estimates: Eternals out the gate with a strong $71 million

November 7th, 2021

Eternals

The Marvel Cinematic Universe’s 26th outing is opening this weekend very much in line with similar releases in the franchise. Eternals will land with $71 million domestically, according to Disney’s Sunday-morning estimate. That’s about $4 million less than Shang-Chi earned in September, which was in turn about $5 million less than Black Widow’s $80-million opening in July. But it’s also very much in line with what Doctor Strange opened with before the pandemic. In short, the MCU looks to be doing fine. More...

Weekend predictions: Eternals’ $9.5 million in previews points to weekend in the mid-70s

November 5th, 2021

Eternals

Disney’s Eternals, the latest outing for the MCU, got off to a strong start on Thursday evening, with $9.5 million in preview earnings, according to the studio. That’s a bit more than Shang-Chi’s $8.8 million, but somewhat less than the $13.2 million earned by Black Widow. That points to an opening weekend in the mid-$70 millions. More...

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Weekend predictions: moviegoers spoilt for choice this weekend

October 29th, 2021

Dune

After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening. More...

Weekend estimates: Dune lands with $40.1 million stateside, hits $220 million worldwide

October 24th, 2021

Dune

While Dune isn’t quite living up to the most optimistic predictions, it’s doing enough to be considered a success so far, with Warner Bros. projecting it will earn $40.1 million domestically by close of business today. That includes $9.03 million from 404 IMAX screens, which amounts to 22.5% of the nationwide total—one of the highest opening-weekend shares for IMAX in history. Clearly a segment of the population is keen to see it in all its glory on the biggest screen possible. All told, it’ll do $17.8 million in business from IMAX screens around the world this weekend. More...

Weekend predictions: Dune earns $5.1 million from previews, and heads to $40-million or so opening weekend

October 22nd, 2021

Dune

Dune, one of the longest-awaited films in recent history, finally makes its domestic theatrical debut this weekend, and Warner Bros. will be anxiously awaiting results to see if it has the potential to launch a major franchise—something that doesn’t happen very often in this business. With a reported $5.1 million from previews on Thursday night, the news is good so far. While that’s somewhat behind the best starts of the pandemic era, it’s a very respectable score for a non-sequel, and sets the film on a path towards something around $40 million this weekend. That’s better than what our model expected, given its simultaneous release on HBO Max. More...

The French Dispatch Trailer

February 12th, 2020

Wes Anderson comedy, with an ensemble cast led by Bill Murray opens July 24 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/10/22 - $162,570   0     $162,570 1
2021/10/29 - $107,712 -34% 0     $372,043 2
2021/11/05 - $89,174 -17% 0     $553,588 3
2021/11/12 - $65,382 -27% 0     $665,858 4
2021/11/19 - $41,790 -36% 0     $747,749 5
2021/11/26 - $19,592 -53% 0     $794,875 6
2021/12/03 - $16,779 -14% 0     $826,013 7
2021/12/10 - $11,258 -33% 0     $848,068 8
2021/12/17 - $10,287 -9% 0     $865,238 9
2021/12/24 - $4,149 -60% 0     $874,678 10
2021/12/31 - $8,505 +105% 0     $895,209 11
2022/01/07 - $5,786 -32% 0     $907,161 12
2022/01/14 - $3,264 -44% 0     $914,316 13
2022/01/21 - $4,378 +34% 0     $921,874 14
2022/01/28 - $1,108 -75% 0     $926,691 15
2022/02/04 - $957 -14% 0     $929,027 16
2022/02/25 - $291   0     $930,706 19
2022/03/04 - $259 -11% 0     $931,176 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/18/2021 $44,584 0 0 0 $159,344 10/20/2022
Australia 10/21/2021 $0 0 165 739 $1,651,369 8/7/2023
Austria 10/21/2021 $83,861 0 0 0 $407,761 12/13/2022
Belgium 10/27/2021 $72,459 0 0 0 $511,176 10/20/2022
Brazil 11/18/2021 $40,990 0 0 0 $126,488 10/20/2022
Chile 11/18/2021 $15,557 0 0 0 $55,199 10/20/2022
Colombia 11/18/2021 $11,757 0 0 0 $71,335 10/20/2022
Czech Republic 11/19/2021 $29,609 85 85 226 $95,634 10/20/2022
Denmark 10/21/2021 $55,452 0 0 0 $376,131 10/20/2022
Finland 10/22/2021 $53,113 44 80 291 $230,217 10/20/2022
France 10/27/2021 $985,054 0 0 0 $3,675,320 12/13/2022
Germany 10/21/2021 $405,814 0 0 0 $2,374,067 12/13/2022
Hong Kong 12/2/2021 $62,118 0 0 0 $236,111 10/20/2022
Italy 11/11/2021 $823,267 0 0 0 $2,443,959 10/20/2022
Japan 1/28/2022 $284,696 0 0 0 $1,691,409 12/13/2022
Lithuania 11/12/2021 $15,259 17 17 47 $54,736 3/9/2022
Malaysia 1/6/2022 $5,652 0 0 0 $12,951 10/20/2022
Mexico 11/11/2021 $112,332 0 0 0 $405,357 3/1/2022
Netherlands 10/21/2021 $265,662 67 74 543 $1,303,743 12/13/2022
New Zealand 12/9/2021 $70,160 63 63 348 $261,188 10/20/2022
North America 10/22/2021 $1,348,804 52 1,225 5,680 $16,124,375
Norway 10/22/2021 $64,688 0 0 0 $323,965 10/20/2022
Poland 11/19/2021 $117,453 0 0 0 $393,804 12/13/2022
Portugal 11/11/2021 $43,365 36 36 129 $158,738 2/1/2022
Russia (CIS) 11/11/2021 $63,666 99 630 1940 $2,575,291 10/20/2022
Singapore 12/9/2021 $41,198 0 0 0 $109,055 12/13/2022
Slovakia 11/11/2021 $11,023 31 31 68 $28,521 2/16/2022
South Korea 11/18/2021 $237,417 273 273 688 $816,786 2/1/2023
Spain 10/22/2021 $251,405 195 195 605 $1,117,955 3/1/2022
Sweden 10/22/2021 $162,570 0 0 0 $931,176 10/20/2022
Switzerland 10/21/2021 $81,936 0 0 0 $754,752 10/20/2022
Taiwan 12/10/2021 $96,678 0 0 0 $344,297 2/7/2022
Turkey 12/3/2021 $15,855 57 57 111 $115,083 10/20/2022
United Kingdom 10/22/2021 $1,192,348 315 331 1772 $5,200,111 6/7/2023
 
Worldwide Total$45,137,404 8/7/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Bill Murray   
Tilda Swinton   
Frances McDormand   
Jeffrey Wright   
Adrien Brody   
Benicio del Toro   
Owen Wilson   
Lea Seydoux   
Timothée Chalamet   
Lyna Khoudri   
Mathieu Amalric   
Stephen Park    Lt. Nescaffier

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Wes Anderson    Director
Wes Anderson    Screenwriter
Wes Anderson    Story by
Roman Coppola    Story by
Jason Schwartzman    Story by
Hugo Guinness    Story by
Wes Anderson    Producer
Steven Rales    Producer
Jeremy Dawson    Producer
Scott Rudin    Executive Producer
Roman Coppola    Executive Producer
Henning Molfenter    Executive Producer
Christoph Fisser    Executive Producer
Charlie Woebcken    Executive Producer
Octavia Peissel    Co-Producer
Frederic Blum    Line Producer
Robert Yeoman    Director of Photography
Alexandre Desplat    Composer
Randall Poster    Music Supervisor
Jina Jay    Casting Director
Ben Howard    First Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.