Synopsis
Trying to reconnect with his son Danny, big shot Wall Street broker Will takes his family on a hunting trip to the cabin where he grew up. The trip takes a deadly turn when they go hunting and stumble upon several robbers and witness the murder of one of the criminals. After becoming entangled in a bank heist gone bad, which results in the kidnapping of Danny, Will is forced to help the kidnappers evade the police chief and recover the stolen loot in exchange for his son’s life.
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Movie Details
Argentina Releases: |
December 8th, 2017 (Wide) |
Video Release: |
September 5th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: |
R for violence and language. (Rating bulletin 2471 (Cert #50972), 4/12/2017) |
Running Time: |
97 minutes |
Keywords: |
Police Standoff, Kidnap, Hostage, Cops and Robbers, Bank Robbery, Early / Simultaneous Video-on-Demand release |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, Arboretum Productions Limited, Brookstreet Pictures, The Fyzz Facility, River Bay Films |
Production Countries: |
Canada, United Kingdom, United States |
Languages: |
English |
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
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July 21st, 2017
Looking at this week’s list of limited releases, it is hard to come up with any film that has a real shot at box office success. Landline has the loudest buzz, but its reviews are merely good. All of the rest of the films are either foreign-language films or are playing on VOD and both of those factors will limit their box office chances.
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Production and Technical Credits