Portugal Box Office for A Febre Ferrante (2018)

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Ferrante Fever
Theatrical Performance (US$)
Portugal Box Office $2,174Details
Worldwide Box Office $14,520Details
Home Market Performance
North America DVD Sales $3,443 Details
Total North America Video Sales $3,443
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

With over 5 million copies of her Neapolitan Novels sold and publication rights in 50 countries, Elena Ferrante is a global literary sensation. A journey between New York City’s cultural hub and Ferrante’s native Italy explores how an anonymous, translated author’s visceral tales of love and friendship gained such an enthusiastic following. Ann Goldstein, Sarah McNally, Jonathan Franzen and others weigh in on the Ferrante “craze” and what makes her work–and her mysterious persona–so uniquely captivating.

Metrics

Movie Details

Portugal Releases: November 23rd, 2018 (Wide), released as A Febre Ferrante
Video Release: June 4th, 2019 by Greenwich Entertainment
MPAA Rating: Not Rated
Running Time: 74 minutes
Keywords: Biography, Set in Italy, Writing and Writers
Source:Original Screenplay
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Greenwich Entertainment, Malia, RAI Cinema, MIBACT, Sky , Arte, QMI, Inoxfucine Group SRL, Tax Credit Legislation, The Campania Regional Film Commission
Production Countries: France, Italy
Languages: Italian

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March 14th, 2019

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Captain Marvel led the way on the Theater Average Chart, but it didn’t dominate like it did on the overall weekend chart. It did earn the best average of the year so far at $35,599. The second place film, Gloria Bell, had the third best theater average of the year so far with an average of $29,044 in five theaters. Finally, Babylon opened with $21,214 in its lone theater, which is enough for the seventh place for the year. It was a good weekend at the box office. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/23 - $1,552   1 $1,552   $1,552 1
2018/11/30 - $260 -83% 1 $260   $2,174 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 3/8/2019 $3,509 1 3 8 $11,137
Portugal 11/23/2018 $1,552 1 1 2 $2,174 12/4/2018
United Kingdom 5/17/2019 $1,209 2 2 2 $1,209 5/23/2019
 
Worldwide Total$14,520 5/23/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Elena Ferrante    Herself

Interviewee(s)

Michael Reynolds    Himself
Francesca Marciano    Herself
Lisa Lucas    Herself
Ann Goldstein    Herself
Sarah McNally    Herself
Roberto Saviano    Himself
Nicola Lagioia    Herself
Elizabeth Strout    Herself
Jonathan Franzen    Himself
Giulia Zagrebelsky    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Giacomo Durzi    Director
Laura Buffoni    Screenwriter
Giacomo Durzi    Screenwriter
Alessandra Acciai    Producer
Giorgio Magliulo    Producer
Roberto Lombardi    Producer