Brazil Box Office for Fading Gigolo (2014)

← Go to main Fading Gigolo page

Fading Gigolo poster
Theatrical Performance (US$)
Brazil Box Office $1,642,373Details
Worldwide Box Office $25,770,059Details
Home Market Performance
North America DVD Sales $619,446 Details
North America Blu-ray Sales $134,814 Details
Total North America Video Sales $754,260
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his “manager,” the duo quickly finds themselves caught up in the crosscurrents of love and money.

Metrics

Movie Details

Brazil Releases: May 1st, 2014 (Wide)
Video Release: August 19th, 2014 by Alchemy
MPAA Rating: R for some sexual content, language and brief nudity.
(Rating bulletin 2294, 10/16/2013)
Running Time: 98 minutes
Keywords: Screenplay Written By the Star, Directing Yourself, Prostitution
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Antidote Films
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for August 19th, 2014

August 19th, 2014

There are a number of big releases on this week's list, especially if you like TV on DVD. However, there are not a lot of releases in total. The Amazing Spider-Man 2 is the biggest release by a wide margin, but it is not the best. For that honor, I would have to chose Boardwalk Empire: Season 4 on Blu-ray. More...

Per Theater Chart: Maleficent Holds Off Trio of Limited Releases

June 3rd, 2014

Maleficent poster

The overall box office leader, Maleficent, also led the way on the per theater chart with an average of $17,586 in nearly 4,000 theaters. Korengal was the best of the limited releases earning $14,630 in one lone theater. Night Moves was close behind with an average of $12,050 in two theaters. The final $10,000 film was Elena with $10,341 in one theater. More...

Per Theater Chart: Eat It Up

May 14th, 2014

Chef poster

It was a good week on the per theater chart with five films in the $10,000 club, led by Chef with an average of $34,160 in six theaters, which is the third best opening average of the year so far. Palo Alto was well back, but was still strong earning an average of $15,865 in four theaters. The overall box office leader, Neighbors, was next with an average of $14,954. There were also a couple of holdovers in the $10,000 club, which is impressive. Ida held on strong earning an average of $12,223 in seven theaters, with room to keep growing. Belle expanded from 4 theaters to 45 theaters, but still managed an average of $10,825. By this time next week, it will have reached its first major milestone, with more to come. More...

Per Theater Chart: Belle Has Beautiful Debut

May 7th, 2014

Belle poster

Belle led the way on the per theater chart with an opening of just over $100,000 in four theaters for an average of $26,645. Meanwhile, The Amazing Spider-Man 2 was relatively close behind with an average of $21,186 in more than 4,000 theaters. The only other film in the $10,000 club on the per theater chart was Ida, which made $55,000 in 3 theaters for an average of $18,479. More...

Weekend Estimates: The Other Woman Averts April Fourpeat for Captain America

April 27th, 2014

The Other Woman poster

By every measure, April at the box office has been dominated by Captain America: Winter Soldier, but it won't win every weekend this month, thanks to a jaunty $24.7 million debut for The Other Woman. The comedy, headlined by Cameron Diaz, Leslie Mann and Kate Upton hasn't been a huge hit with critics, but audiences are giving it a solid 70% at Rotten Tomatoes, which is plenty for a comedy (The Heat, by comparison, earns a 72% positive audience score at Rotten Tomatoes, though it started higher). A strong run in theaters certainly seems possible for The Other Woman, given its competition over the next few weeks will mostly come from male-skewing films (Moms' Night Out being the only exception). More...

Per Theater Chart: Fade Sharpens into Focus

April 23rd, 2014

Fading Gigolo poster

Fading Gigolo debuted on top of the per theater chart with an average of $36,160 in five theaters. This is the second best per theater average for a 2014 release behind The Grand Budapest Hotel. Granted, it was well behind that film, but still in second place. Also, given the film's reviews, it won't last very long at the box office. The only other film to reach the $10,000 club was Godzilla: The Original Japanese Version, which celebrated its 60th anniversary with $10,903 in one theater. More...

Weekend Estimates: Heaven is for Real Leads Easter Openers

April 20th, 2014

Heaven is for Real poster

Moviegoers are celebrating Easter weekend by turning out in big numbers to see Heaven is for Real. The Christian-themed movie will be the biggest opener this weekend, with a very respectable $21.5 million projected Friday-to-Sunday and a theater average of $8,895. That puts it at nearly twice box office take of the widest opener this weekend, Transcendence, which is set for a very disappointing $11.15 million debut. Also opening this weekend, and similarly posting mediocre numbers is A Haunted House 2, with a projected $9.1 million from 2,310 theaters. But, with a production budget reported at $4 million, compared to $100 million for Transcendence, the horror spoof shouldn't have a hard time earning money. More...

Limited Releases: Fading Chances

April 18th, 2014

Trailer Park Boys 3: Don't Legalize It poster

It is a busy week for limited releases, but not a good week. Arguably the best film is Gojira, which is getting a re-release for its 60th anniversary. As for new films, The Final Member and Gabrielle are earning the best reviews. However, I'm most interested in seeing Trailer Park Boys: Don't Legalize It. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/06/27 19 $3,214   15 $214   $1,630,330 9
2014/07/18 26 $1,740   4 $435   $1,638,800 12
2014/07/25 25 $1,507 -13% 3 $502   $1,642,373 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/1/2014 $0 0 5 13 $908,058 12/30/2018
Brazil 5/1/2014 $0 0 15 22 $1,642,373 12/17/2015
Chile 7/24/2014 $40,215 16 16 16 $40,215 12/30/2018
Colombia 5/2/2014 $0 0 1 1 $182,237 12/30/2018
Greece 7/3/2014 $207,109 40 40 91 $484,609 12/17/2015
Italy 4/17/2014 $0 0 46 46 $6,060,434 12/16/2015
Lithuania 6/20/2014 $0 0 9 31 $70,749 12/17/2015
Mexico 7/17/2014 $226,594 88 88 175 $509,655 12/17/2015
Netherlands 7/17/2014 $33,932 29 30 59 $114,099 12/17/2015
North America 4/18/2014 $180,801 5 356 1,265 $3,747,833 3/30/2016
Poland 5/9/2014 $0 0 29 58 $1,208,863 12/30/2018
Serbia and Montenegro 7/24/2014 $2,702 9 9 9 $3,625 12/30/2018
Spain 4/30/2014 $0 0 6 15 $1,642,107 12/16/2015
United Kingdom 5/23/2014 $0 0 8 16 $922,878 12/16/2015
Uruguay 5/15/2014 $0 0 3 9 $134,667 12/30/2018
 
Rest of World $8,097,657
 
Worldwide Total$25,770,059 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Supporting Cast

John Turturro    Fioravante
Woody Allen    Murray
Sharon Stone    Dr. Parker
Sofia Vergara    Selima
Vanessa Paradis    Avigal
Liev Schreiber    Dovi
Bob Balaban    Sol
Max Casella    Guy at Counter
M'Barka Ben Taleb    Tunisian Singer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Turturro    Director
John Turturro    Screenwriter
Jeffrey Levy-Hinte    Producer
Bill Block    Producer
Paul Hanson    Producer
Sasha Shapiro    Executive Producer
Anton Lessine    Executive Producer
Bart Walker    Executive Producer
Scott Ferguson    Executive Producer
Lester Cohen    Production Designer