| Theatrical Performance (US$) | ||
| South Korea Box Office | $41,313 | Details |
| Worldwide Box Office | $208,993 | Details |
| Further financial details... | ||
| South Korea Releases: | October 11th, 2018 (Wide), released as Ex Libris: New York Public Library |
| MPAA Rating: | Not Rated |
| Running Time: | 197 minutes |
| Keywords: | Set in New York City, Cinema Verite |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
September 20th, 2017
Brad’s Status led the way on the theater average chart with an average of $22,480 in four theaters. It was the only holdover in the $10,000 club earning an average of $14,490. The only other member of the $10,000 was Ex Libris: The New York Public Library, which earned $10,926 in one theater over the weekend and $16,308 from Wednesday through Sunday. It won’t expand significantly, because it is a documentary, but the distributor should be very happy with this result.
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September 17th, 2017
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It continues to be a powerhouse at the box office this weekend with a second-weekend $60 million expected by Warner Bros., off a very respectable 51% from its opening. Remarkably, that would comfortably have been the best weekend in September, were it not for the film’s $123 million opening last weekend. It’s already the highest-grossing film ever released in September, and should make it easily to $300 domestically.
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September 15th, 2017
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It’s almost Awards Season. Awards season is an amazing time of year for limited releases. Sadly, this means a lot of films that are not good enough to compete during Awards Season are being pushed out now. That doesn’t mean there are no good films worth checking out, but they are a minority compared to the films earning bad reviews, or not enough reviews to talk about. Abracadabra, Ex Libris, The Future Perfect, and Indivisible all have a shot at success on the art house circuit, even if none of them will likely expand beyond that.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/12 | - | $8,443 | 14 | $603 | $14,912 | 1 | |
| 2018/10/19 | 26 | $6,763 | -20% | 16 | $423 | $26,991 | 2 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Italy | 4/23/2018 | $0 | 0 | 0 | 0 | $0 | |
| North America | 9/15/2017 | $10,926 | 1 | 15 | 6 | $163,364 | |
| South Korea | 10/11/2018 | $8,443 | 14 | 16 | 40 | $41,313 | 11/9/2018 |
| United Kingdom | 7/13/2018 | $4,316 | 0 | 0 | 0 | $4,316 | 7/20/2018 |
| Worldwide Total | $208,993 | 11/9/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Frederick Wiseman | Director |
