South Korea Box Office for Edge of Tomorrow (2014)

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Edge of Tomorrow poster
Theatrical Performance (US$)
South Korea Box Office $34,846,736Details
Worldwide Box Office $367,028,980Details
Home Market Performance
North America DVD Sales $11,337,742 Details
North America Blu-ray Sales $17,065,133 Details
Total North America Video Sales $28,402,875
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In a near future, a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. The world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances. Lt. Col. Bill Cage is an officer who has never seen a day of combat when he is unceremoniously demoted and then dropped—untrained and ill-equipped—into what amounts to little more than a suicide mission. Cage is killed within minutes, managing to take an Alpha down with him. But, impossibly, he wakes back at the beginning of the same hellish day, and is forced to fight and die again… and again. But with each pass, Cage becomes tougher, smarter, and able to engage the Mimics with increasing skill, alongside Special Forces warrior Rita Vrataski, who has lain waste to more Mimics than anyone on Earth. As Cage and Rita take the fight to the aliens, each repeated battle becomes an opportunity to find the key to annihilating the alien invaders and saving the Earth.

Metrics

Movie Details

Production Budget:$178,000,000
South Korea Releases: June 4th, 2014 (Wide)
Video Release: October 7th, 2014 by Warner Home Video
MPAA Rating: PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.
(Rating bulletin 2317, 4/9/2014)
Running Time: 136 minutes
Franchise: Edge of Tomorrow
Keywords: Alien Invasion, War, Time Travel, Visual Effects, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Thriller
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Warner Bros., Village Roadshow Productions, RatPac Entertainment, Dune Entertainment
Production Countries: United States
Languages: English

2014 - Holiday Gift Guide - Part I

November 26th, 2014

This Thursday is Thanksgiving, which means this is Black Friday and Cyber Monday, and a ton of shopping. It also means the first installment of our Holiday Gift Guide. Over the next month, we will talk about TV on DVD releases, independent releases, foreign language releases, classics, etc. but this week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. In some ways, this is better than last year, as there were a wider number of big releases that would make great gifts. However, in other ways it is much weaker. I can't think of a single big franchise box set that came out this year. There are some smaller ones, like the Halloween Box Set, but while the franchise has lasted ten installments and 30 years, how many can you really say are worth repeated viewing? Fortunately, there were plenty of great films to come out this year, starting with what is currently the biggest hit of the year. More...

DVD and Blu-ray Releases for October 7th, 2014

October 7th, 2014

The biggest release of the week is Edge of Tomorrow, which is coming out on DVD, Blu-ray Combo Pack, or 3D Combo Pack. However, while the reviews are excellent, the extras are not quite up to the Pick of the Week level. The same is true of the To Be Takei DVD, but fortunately there is a winner out there. Adventure Time: Season Four is better than the previous seasons and the DVD or Blu-ray have enough extras to be the best release of the week. Meanwhile, The Grand Seduction on DVD earns the Puck of the Week for best Canadian release. More...

Weekend Wrap-Up: Guardians Grab Top, But Summer Ends on a Down Note

September 3rd, 2014

Guardians of the Galaxy poster

Labor Day Weekend was dominated by holdovers. The two new releases were As Above, So Below and The November Man, which opened in fourth and sixth places respectively. Guardians of the Galaxy remained in first place over the weekend and climbed into first place for the year in the process, overtaking fellow Marvel Film, Captain America: The Winter Soldier. Overall, the box office fell 4% from last weekend down to $110 million. Compared to last year, the box office was down 11%, which is troubling. Year-to-date, 2014 is now behind 2013 by a 4.5% margin at $7.07 billion to $7.40 billion. This is the weakest post-Labor Day weekend running tally since 2008 and that's before you look at ticket price inflation. With ticket price inflation, you have to go back to 2005. More...

Weekend Estimates: Apes Dawns with $73 Million

July 13th, 2014

Dawn of the Planet of the Apes poster

In the midst of a disappointing Summer for Hollywood, the arrival of an unabashed success is welcome news indeed, and that’s what we have this weekend, with Dawn of the Planet of the Apes delivering an excellent $73 million opening weekend, well ahead of early industry expectations. The success of the film is most likely down to two factors: first, its reviews have been excellent, and, second, its storyline is sufficiently interesting to draw in people who aren’t excited by the thought of yet another super hero/monster movie. After the success of Maleficent and the failure of Edge of Tomorrow, films that strive to be a bit different are now scoring 2 out of 3 this Summer; films that are the product of formulas and marketing departments haven’t produced a single out-and-out hit. If the studios could get the message in the that, we really would see the dawn of something. More...

International Box Office: Transformers in Their Prime

July 9th, 2014

Transformers: Age of Extinction poster

Transformers: Age of Extinction remained in first place with $95.8 million in 37 markets over the weekend for totals of $400.9 million internationally and $576.3 million worldwide. Its best market remains China, where it added $120.61 million for the full week giving it a total of $222.74 million after two. These numbers are important for two reasons. Firstly, revised totals in China put the film's opening there ahead of its debut in North America. Stunning. Secondly, the film is already ahead of Avatar's final figure in that market. Granted, it's barely above Avatar's pace, as that film pulled in $221.9 million after ten days of release, but that is still great news. It held up better than most films do in South Korea earning $8.05 million on 1,096 screens over the weekend for a total of $34.62 million. In Russia, the film added $7.04 million on 2,171 screens over the weekend for a total of $35.38 million after two. The last major market was Australia, where it pulled in $4.54 million on 623 screens over the weekend for a two-week total of $17.32 million. More...

International Box Office: Beginning of a New Age

July 2nd, 2014

Transformers: Age of Extinction poster

Transformers: Age of Extinction earned top spot on the international chart with $201.3 million on 10,015 screens in 37 markets. This includes a record $99.81 million opening in China, which is basically a rounding error away from its North American debut. It also broke the record in Russia with $21.23 million on 2,171 screens. Its opening in South Korea was nearly identical with $15.88 million on 1,597 screens over the weekend for a total opening of $21.98 million. The final major market of the weekend was Australia, where it pulled in $8.30 million on 623 screens over the weekend for a total opening of $9.56 million. The film likely cost about $300 million to make and advertise, so it still needs work to break even, but this is an amazing start. More...

Analysis: Sandra Bullock is Hollywood’s Top Actress

June 30th, 2014

With the recent weak performance of films such as Transcendence and Edge of Tomorrow at the box office, there’s been a lot of talk recently about how much actors and actresses are really worth to a film. The poor performance of these films hasn’t come as a huge surprise to followers of the Bankability Index, which produces valuations considerably below the $20 million that Johnny Depp reportedly earned from his lead role in Transcendence, and we thought this is a good opportunity to look at what the Index says about the most valuable actors and actresses in the business.

With Angelina Jolie making headlines for all the right reasons for her starring role in Maleficent, it seemed only fitting to start with an analysis of the most valuable actresses in Hollywood. For this chart, we’ve taken each star’s worldwide Bankability Index and divided it by the number of films they make each year to get an estimate of the average value they bring to a film, as of June, 2014. More...

International Box Office: Bewitching the Box Office

June 25th, 2014

Maleficent poster

Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit. More...

Weekend Predictions: Think or Swim

June 19th, 2014

Think Like a Man Too poster

There are two wide releases coming out this week, but none of them are expected to be monster hits. Think Like a Man Too could eventually get to $100 million, while Jersey Boys might become a midlevel hit, but no more than that. There are a couple of holdovers that should be very big players at the box office, as both How to Train Your Dragon 2 and 22 Jump Street will earn close to $30 million over the next three days. On the other hand, this weekend last year there were two monster hits, Monster University and World War Z, as well as a holdover, Man of Steel, that will make more than either of the two new releases this year will make. 2014 is going to get crushed in the year-over-year comparison. More...

International Box Office: Trio Top the Charts

June 18th, 2014

Godzilla poster

There were three films that were in a virtual tie for top spot on the international top ten. Godzilla squeaked out a win with $38.4 million in 62 markets for totals of $248.7 million internationally and $440.2 million worldwide after a month of release. This includes a $37.00 million opening weekend in China. Needless to say, it earned first place in that market. The film finishes its international run in Japan at the end of July and it should jump over $500 million worldwide when it does. More...

Weekend Wrap-Up: Dragons Soar but Jump Higher

June 17th, 2014

22 Jump Street poster

How to Train Your Dragon 2 missed lofty expectations and that allowed 22 Jump Street to earn first place. Both films opened well and their respective studios should be happy, while the overall box office rose by 15% compared to last weekend hitting $187 million. Unfortunately, this is still 8% lower than this weekend last year. Had How to Train Your Dragon 2 matched higher expectations, 2014 would have won on the year-over-year comparison. Year-to-date, 2014 has earned $4.64 billion, putting it 3.0% ahead of 2013's pace of $4.50 billion, so this weekend's loss isn't a big deal. More...

Weekend Predictions: Can Dragon Get the Jump on the Competition?

June 13th, 2014

How to Train Your Dragon 2 poster

This weekend, there are two potential monster hits coming out. How to Train Your Dragon 2 and 22 Jump Street both look to improve upon the box office numbers their respective predecessors managed. Thanks to the sequel effect, they should both start fast. Additionally, both should have better legs than most sequels, thanks to their incredible reviews. The rest of the top five should all earn more than $10 million helping the overall box office. This weekend last year there were only three films to earn more than $10 million. One of them was Man of Steel, which earned more than $116 million by itself. No film this weekend will match that total, but the depth this year is much better. It should be strong enough for 2014 to win in the year-over-year comparison. More...

International Box Office: Sharpening the Edge

June 12th, 2014

Edge of Tomorrow poster

Edge of Tomorrow rose to first place with $82 million in 63 markets for a two-week total of $111 million. This includes a first-place, $25.68 million opening in China. It also opened in first place in South Korea with $10.52 million on 801 screens over the weekend for a total opening of $16.28 million. In Russia, the film opened on top spot with $7.41 million on 1,649, while in France it also earned first place, but with just $2.82 million on 585. It only managed second place in Australia with $2.88 million on 477 screens, while it could do no better than third place in Mexico with $2.88 million on 1,301 screens over the weekend for a total of $3.19 million. Its best holdover was in the U.K. where it added $2.08 million on 460 screens for a two-week total of $7.21 million.

More...

Weekend Wrap-Up: Fanboys Propel Fault to the Top

June 9th, 2014

The Fault in Our Stars poster

As expected, The Fault in Our Stars won the box office race this past weekend, while its opening weekend was on the very high end of expectations. (It did so with a surprisingly strong opening Friday, but more on that later.) The other wide release of the week, Edge of Tomorrow, did about as well as expected, which is to say it really struggled compared to its production budget. Overall, the box took in $163 million, which is 2% lower than last weekend. On the other hand, it is 9% higher than the same weekend last year, which is the far more important number. Year-to-date, 2014 has pulled in $4.38 billion, putting it 3.3% ahead of last year's pace of $4.24 billion. This is still a good margin and hopefully it will last. More...

Weekend Estimates: Almost Faultless Opening

June 8th, 2014

The Fault in Our Stars poster

After a big win for Maleficent over A Million Ways to Die in the West last time around, this weekend we had another battle between female-friendly and male-friendly films, and once more the women have won by a large margin. The Fault in Our Stars is set to open with $48.2 million, according to Fox’s Sunday morning estimate. That tops Noah’s $43.7 million debut to make the film the biggest drama opener of the year so far. Edge of Tomorrow will be a distant third with $29.1 million, per Warner Bros., which is fairly disastrous for a film costing $178 million. However, in spite of the big difference in performance between the two films, The Fault in Our Stars does have one fairly surprising weakness compared to the sci-fi actioner. More...

Weekend Predictions: Are the New Releases Faulty?

June 5th, 2014

The Fault in Our Stars poster

This weekend, there are two wide releases coming out, one of which is the obvious potential monster hit and the other being the obvious counter-programing. On paper, Edge of Tomorrow is the obvious potential monster hit. It is a Sci-fi action film with a production budget that is nearly $200 million. The Fault in Our Stars is the obvious counter-programing. It is about two teen cancer patients who fall in love, which couldn't be farther away from a popcorn flick. However, the buzz really suggests The Fault in Our Stars could win. In fact, it could break the record for biggest opening for a romantic drama. This weekend last year, The Purge won with $34.06 million, while no other film earned more than $20 million. This year, three films might top $30 million and the winner could pull in more than $40 million. I think 2014 will win this weekend in the year-over-year competition. More...

International Box Office: Century Opening for Maleficent

June 4th, 2014

Maleficent poster

Maleficent opened on top of the international chart with $106.1 million in 47 markets, making it the latest movie to open with more than $100 million on the international chart. The film opened in a number of major markets, but individual results were mixed. The film opened in first place in Mexico with $14.05 million on 2,892 screens and in Russia with $13.06 million on 1,733 screens. In the U.K. it pulled in $11.04 million on 486 screens. It didn't crack $10 million, but did earn first place in Italy ($5.87 million on 650 screens); in Brazil ($5.63 million on 452); and in Germany ($4.87 million on 525 screens over the weekend for a total opening of $5.26 million); and Spain ($4.29 million on 625). It had to settle for second place in Australia with $3.76 million on 530 screens over the weekend for a total opening of $3.90 million. It only managed third place in France ($5.01 million on 550 screens) and in South Korea ($3.38 million on 631 screens over the weekend for a total opening of $3.81 million). The film has yet to open in China and Japan and given this start, it should reach $500 million worldwide before it is done. More...

2014 Preview: June

June 1st, 2014

Transformers: Age of Extinction poster

It is too soon to tell how May will end, as this story will be published before the weekend estimates came out. (Maleficent had an excellent start on Friday, unlike A Million Ways to Die in the West.) Overall, it was a good month with at least three movies that are on track to hit $200 million, but there was no really big winner for the month. It was nice and balanced. Unfortunately, last May there was a monster hit, Iron Man 3, and 2014 could not compete with that, so it lost ground to 2013. June hopes to turn things around and there are some reasons to be optimistic. All four weeks there is at least one film opening that at least has a shot at $100 million. There are even two films that at least have a shot at $300 million. Transformers: Age of Extinction should win the monthly box office race while How to Train Your Dragon 2 is a long shot to win, but I wouldn't be completely surprised if it did. Additionally, 22 Jump Street, Edge of Tomorrow, The Fault in Our Stars, and Think Like a Man 2 are all contenders for the century club. Not all of them will get to that milestone, but all of them at least have a short. Last June, there were three films that reached $200 million, including Man of Steel, which nearly reached $300 million. It looks like June of 2014 will be about as strong as June of 2013, more or less. If all films reach their potential, it could win the year-over-year comparison. Unless there are some shocking bombs, it shouldn't struggle so much that 2014 loses its lead over 2013 entirely.

More...

Contest: Young Love

May 29th, 2014

Next weekend, Edge of Tomorrow and The Fault in Our Stars opened wide and while I think the former will start out faster, I think the latter will have the legs to become the bigger hit overall. It is also closer in theme to our prizes, so I'm going with The Fault in Our Stars as the choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Fault in Our Stars.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Endless Love on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Endless Love on Blu-ray Combo Pack. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/06/27 2 $1,640,063   390 $4,205   $35,340,208 4
2014/07/04 4 $994,050 -39% 331 $3,003   $37,287,584 5
2014/07/11 3 $142,343 -86% 90 $1,582   $37,842,552 6
2020/10/30 14 $23,080   38 $607   $34,330,276 335
2020/11/06 - $5,678 -75% 12 $473   $34,846,736 336

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/29/2014 $0 0 29 56 $1,368,888 12/30/2018
Australia 6/5/2014 $0 0 215 395 $8,844,776 8/26/2024
Austria 5/29/2014 $0 0 45 131 $948,024 12/17/2015
Belgium 5/28/2014 $0 0 83 177 $1,219,740 12/17/2015
Bolivia 5/29/2014 $0 0 7 7 $223,512 12/30/2018
Brazil 5/29/2014 $0 0 74 196 $4,532,190 12/17/2015
Bulgaria 6/6/2014 $0 0 26 109 $368,323 12/30/2018
Chile 5/29/2014 $0 0 14 34 $937,557 12/30/2018
Colombia 5/30/2014 $0 0 7 16 $1,538,449 12/30/2018
Croatia 5/29/2014 $0 0 18 60 $162,768 12/30/2018
Czech Republic 6/5/2014 $0 0 49 159 $885,372 12/30/2018
Denmark 6/4/2014 $0 0 54 54 $946,280 12/15/2015
Ecuador 6/6/2014 $0 0 86 112 $528,421 12/30/2018
Egypt 6/6/2014 $0 0 8 34 $378,321 12/30/2018
Estonia 6/6/2014 $0 0 5 13 $172,965 12/16/2015
Finland 5/28/2014 $0 0 37 94 $753,986 12/17/2015
France 6/4/2014 $0 0 532 1415 $10,783,506 12/17/2015
Germany 5/29/2014 $0 0 411 1390 $6,344,381 12/17/2015
Hong Kong 5/29/2014 $0 0 9 24 $2,762,111 12/17/2015
Hungary 5/29/2014 $0 0 52 260 $1,139,708 12/30/2018
Iceland 5/28/2014 $0 0 3 5 $118,239 12/30/2018
India 6/6/2014 $0 0 31 37 $1,893,660 12/15/2015
Israel 5/29/2014 $0 0 14 33 $887,287 12/30/2018
Italy 5/29/2014 $0 0 153 439 $4,421,378 12/17/2015
Japan 6/4/2014 $0 0 632 2509 $13,403,859 12/17/2015
Kenya 5/30/2014 $0 0 3 11 $85,938 12/30/2018
Latvia 6/6/2014 $0 0 3 13 $143,231 12/30/2018
Lebanon 6/5/2014 $0 0 4 11 $222,962 12/30/2018
Lithuania 5/30/2014 $0 0 7 21 $200,562 12/17/2015
Malaysia 5/29/2014 $0 0 34 52 $3,740,645 12/17/2015
Mexico 6/5/2014 $0 0 308 471 $8,001,255 12/17/2015
Netherlands 5/29/2014 $0 0 116 238 $1,616,227 12/17/2015
New Zealand 6/5/2014 $0 0 68 148 $1,435,725 12/17/2015
Nigeria 5/30/2014 $0 0 11 18 $83,200 12/30/2018
North America 6/6/2014 $28,760,246 3,490 3,505 17,714 $100,206,256 4/24/2017
Norway 6/4/2014 $0 0 43 87 $1,484,523 12/16/2015
Peru 6/5/2014 $0 0 32 33 $1,203,538 12/30/2018
Philippines 6/5/2014 $0 0 0 0 $1,747,969 12/30/2018
Poland 6/6/2014 $0 0 112 260 $1,338,815 12/30/2018
Portugal 5/29/2014 $0 0 1 1 $487,716 9/30/2016
Romania 6/6/2014 $0 0 28 109 $775,203 12/30/2018
Russia (CIS) 6/5/2014 $0 0 362 614 $21,450,184 12/30/2018
Serbia and Montenegro 5/29/2014 $0 0 28 140 $63,741 12/30/2018
Singapore 6/5/2014 $0 0 10 35 $2,615,835 12/17/2015
Slovakia 6/5/2014 $0 0 17 42 $272,392 12/17/2015
Slovenia 5/29/2014 $0 0 9 18 $42,185 12/15/2015
South Africa 6/13/2014 $0 0 82 133 $649,464 12/15/2015
South Korea 6/4/2014 $0 0 390 861 $34,846,736 11/11/2020
Spain 5/30/2014 $0 0 199 554 $4,053,607 12/17/2015
Sweden 6/5/2014 $0 0 61 157 $1,718,606 12/17/2015
Switzerland 5/28/2014 $0 0 4 4 $424,954 12/17/2015
Taiwan 5/30/2014 $0 0 57 120 $7,694,797 12/17/2015
Thailand 6/5/2014 $0 0 6 8 $1,853,832 12/16/2015
Turkey 6/6/2014 $0 0 200 320 $2,320,294 12/30/2018
Ukraine 6/5/2014 $0 0 59 105 $1,387,973 12/30/2018
United Arab Emirates 6/5/2014 $0 0 16 68 $2,870,798 12/30/2018
United Kingdom 5/30/2014 $0 0 254 546 $13,260,634 12/17/2015
Uruguay 6/5/2014 $0 0 4 9 $108,950 12/30/2018
Venezuela 6/6/2014 $0 0 36 122 $2,901,597 12/17/2015
Vietnam 6/6/2014 $0 0 3 5 $627,943 12/30/2018
 
Rest of World $79,526,992
 
Worldwide Total$367,028,980 8/26/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Cruise    Lt. Col. Bill Cage
Emily Blunt    Rita Vrataski

Supporting Cast

Bill Paxton    Master Sergeant Farell
Brendan Gleeson    General Brigham
Jonas Armstrong    Skinner
Tony Way    Kimmel
Kick Gurry    Griff
Franz Drameh    Ford
Dragomir Mrsic    Kuntz
Charlotte Riley    Nance
Masayoshi Haneda    Takeda
Terence Maynard    Cruel Sergeant
Noah Taylor    Dr. Carter
Madeleine Mantock    Julie
Assly Zandry    Infirmary Nurse
Sebastian Blunt    Young Soldier/Tarmac
Beth Goddard    Secretary-Judith
Ronan Summers    Dog Soldier 1
Aaron Romano    Dog Soldier 2
Usman Akram    Dog Soldier 3
Bentley Kalu    Dog Soldier 4
Mairead McKinley    Bar Maid
Andrew Neil    Old Man
Martin Hyder    Drunk
Tommy Campbell    Drop Ship Pilot
John Dutton    Old Man 2
Harry Landis    Old Man 3
Rachel Handshaw    Military Spokesperson 1
Martin McDougall    Military Spokesperson 2
David Kaye    Voice of UDF Commercial

Cameos

Anna Botting    Sky News Anchor/Herself
Jane Hill    BBC News Anchor/Herself
Erin Burnett    CNN News Anchor/Herself
Dany Cushmaro    Channel 2 News Anchor/Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Doug Liman    Director
Erwin Stoff    Producer
Tom Lassally    Producer
Jeffrey Silver    Producer
Gregory Jacobs    Producer
Jason Hoffs    Producer
Jez Butterworth    Screenwriter
Christopher McQuarrie    Screenwriter
John-Henry Butterworth    Screenwriter
Hiroshi Sakurazaka    Based on the novel 'All You Need is Kill'
Joby Harold    Executive Producer
Doug Liman    Executive Producer
Dave Bartis    Executive Producer
Bruce Berman    Executive Producer
Hidemi Fukuhara    Executive Producer
Dion Beebe    Director of Photography
Oliver Scholl    Production Designer
James Herbert    Editor
Tim Lewis    Co-Producer
Kim H. Winther    Co-Producer
Christophe Beck    Composer
Laura Jennings    Editor
Lucinda Syson    Casting Director
Kate Hawley    Costume Designer
Nick Davis    Visual Effects Supervisor
Julianne Jordan    Music Supervisor
Tim Lewis    Unit Production Manager
Jeffrey Silver    Unit Production Manager
Kim H. Winther    Assistant Director
Max Keene    Assistant Director
Chris Carreras    Assistant Director
Will Dodds    Assistant Director
Simon Crane    Second Unit Director
Simon Crane    Stunt Coordinator
Fraser Taggart    Second Unit Director of Photography
Neil Lamont    Supervising Art Director
Alastair Bullock    Art Director
Gary Tomkins    Art Director
Mark Harris    Art Director
Christian Huband    Art Director
Jason Knox-Johnston    Art Director
Haley Easton-Street    Art Director
Stephen Swain    Art Director
Andrew Palmer    Art Director
Jo Finkel    Assistant Art Director
Robert Hochstoeger    Assistant Art Director
Ashley Lamont    Assistant Art Director
Will Coubrough    Assistant Art Director
Jeffrey Simon    Assistant Art Director
Polly Seath    Art Department Coordinator
Lisa Vick    Script Supervisor
Stuart Wilson    Sound Mixer
Marianne Jenkins    Post-Production Executive
Tim Grover    Post-Production Supervisor
Philip Hedgecock    Assistant Editor
Mark Burton    Assistant Editor
Angus Munro    Assistant Editor
Henry Kemplen    Assistant Editor
Bob Eberlein    Visual Effects Photography
Kelly Chang    Apprentice Editor
Alex Bicknell    Visual Effects Producer
Dominic Gibbs    Supervising Sound Editor
Chris Burdon    Re-recording Mixer
Mark Taylor    Re-recording Mixer
Jimmy Boyle    Sound Designer
Dan Morgan    Dialogue Editor
Michael Fentum    Sound Effects Editor
Ben Meechan    Sound Effects Editor
Dan Grace    Costume Supervisor
Joe Hobbs    Assistant Costume Designer
Brendan Handscombe    Assistant Costume Supervisor
Sarah Monzani    Make-up and Hair Designer
Ailbhe Lemass    Make up
Terry Madden    Assistant Director: Second Unit
Simon Chase    Dialogue Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.