| Theatrical Performance (US$) | ||
| Australia Box Office | $286,479 | Details |
| Worldwide Box Office | $182,579,909 | Details |
| Further financial details... | ||
| Australia Releases: | February 5th, 2016 (Limited), released as From Vegas To Macau 3 |
| Running Time: | 113 minutes |
| Franchise: | From Vegas to Macau |
| Keywords: | Comedy Drama, Gambling, Revenge, Upcoming Wedding, Romance |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China, Hong Kong |
| Languages: | Cantonese, Mandarin |
February 18th, 2016
Deadpool opened in first place on the international chart, but it was surprisingly close. The film earned $125.0 million in 61 markets, which is a little lower than its domestic numbers, but its worldwide opening of $257.4 million is fantastic, especially for a film that cost $58 million to make. Its biggest opening came from the U.K., where it earned $20.52 million in 543 theaters. It also earned more than $10 million in Russia ($12.11 million in 1119 theaters) and in Australia ($10.87 million in 393). The film is already playing in most major international markets, but even if it just matches its opening weekend during the rest of its run, it will earn near enough a $100 million profit margin. There will be a sequel, but there may also be several copycat films as well .
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/02/05 | 17 | $104,729 | 17 | $6,161 | $104,729 | 1 | |
| 2016/02/12 | 17 | $69,698 | -33% | 16 | $4,356 | $255,163 | 2 |
| 2016/02/19 | 40 | $11,273 | -84% | 11 | $1,025 | $286,479 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/5/2016 | $104,729 | 17 | 17 | 44 | $286,479 | 6/9/2016 |
| China | 2/7/2016 | $920,000 | 1982 | 58246 | 106740 | $172,104,368 | 10/2/2018 |
| Hong Kong | 2/4/2016 | $0 | 0 | 44 | 95 | $3,511,491 | 6/9/2016 |
| Malaysia | 2/4/2016 | $0 | 0 | 123 | 294 | $3,942,164 | 6/9/2016 |
| New Zealand | 2/5/2016 | $23,259 | 7 | 7 | 15 | $54,662 | 6/9/2016 |
| Singapore | 2/6/2016 | $353,822 | 44 | 44 | 70 | $1,720,445 | 6/9/2016 |
| South Korea | 11/30/2016 | $21,478 | 31 | 31 | 31 | $55,348 | 12/30/2016 |
| United Kingdom | 2/5/2016 | $45,942 | 17 | 17 | 19 | $98,378 | 6/9/2016 |
| Rest of World | $806,574 | ||||||
| Worldwide Total | $182,579,909 | 10/2/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Chow Yun-Fat | Ken Shek / Ko Chun |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Wong Jing | Director | |
| Andrew Lau Wai-Keung | Director | |
| Wong Jing | Screenwriter | |
| Chan Kin-hung | Screenwriter |
