| Theatrical Performance (US$) | ||
| Brazil Box Office | $382,761 | Details |
| Worldwide Box Office | $49,070,099 | Details |
| Further financial details... | ||
| Brazil Releases: | June 30th, 2017 (Wide) |
| Running Time: | 118 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, United Kingdom |
| Languages: | English, French |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/1/2017 | $37,926 | 0 | 0 | 0 | $52,471 | 1/1/2019 |
| Australia | 6/22/2018 | $30,708 | 17 | 25 | 180 | $327,200 | 10/9/2018 |
| Brazil | 6/30/2017 | $172,672 | 0 | 0 | 0 | $382,761 | 6/26/2018 |
| Czech Republic | 2/24/2017 | $50,274 | 53 | 53 | 176 | $220,693 | 1/1/2019 |
| France | 12/7/2016 | $3,682,002 | 0 | 0 | 0 | $23,337,388 | 8/17/2018 |
| Germany | 1/10/2014 | $0 | 0 | 0 | 0 | $6,937,802 | 6/29/2018 |
| Italy | 4/21/2017 | $1,548,219 | 0 | 0 | 0 | $7,866,645 | 8/17/2017 |
| Mexico | 7/19/2017 | $120,708 | 0 | 0 | 0 | $239,389 | 8/3/2017 |
| Netherlands | 1/26/2017 | $211,894 | 51 | 92 | 941 | $2,826,839 | 10/25/2018 |
| Poland | 5/19/2017 | $198,785 | 0 | 0 | 0 | $1,188,782 | 1/1/2019 |
| Portugal | 4/7/2017 | $17,735 | 23 | 23 | 63 | $96,588 | 3/28/2018 |
| Russia (CIS) | 1/13/2017 | $420,004 | 410 | 410 | 1422 | $1,741,939 | 1/1/2019 |
| Slovakia | 3/10/2017 | $84,210 | 46 | 46 | 189 | $355,543 | 5/19/2017 |
| Slovenia | 3/17/2017 | $6,282 | 10 | 10 | 10 | $6,779 | 3/23/2017 |
| South Korea | 9/21/2017 | $29,727 | 128 | 128 | 180 | $59,506 | 10/11/2017 |
| Spain | 3/31/2017 | $769,610 | 357 | 357 | 1918 | $3,429,774 | 6/27/2017 |
| Worldwide Total | $49,070,099 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Hugo Gélin | Director |
