| Theatrical Performance (US$) | ||
| Netherlands Box Office | $188,315 | Details |
| Worldwide Box Office | $5,221,356 | Details |
| Home Market Performance | ||
| North America DVD Sales | $119,412 | Details |
| North America Blu-ray Sales | $46,992 | Details |
| Total North America Video Sales | $166,404 | |
| Further financial details... | ||
| Netherlands Releases: | July 28th, 2017 (Wide) |
| Video Release: | December 5th, 2017 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violent images and some sexuality. (Rating bulletin 2487 (Cert #51164), 8/2/2017) |
| Running Time: | 90 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Motion Picture Capital |
| Production Countries: | Romania, United Kingdom |
| Languages: | English |
December 5th, 2017
The week is deceptively strong. At first glance, Despicable Me 3 appears to have scared off all of the competition, but when you look deeper, there are a lot of contenders for Pick of the Week. These include Twin Peaks: A Limited Event Series, Better Watch Out, Princess Cyd, and others. In the end, I went with Long Time Running, which came out on DVD and Blu-ray last Friday.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/07/28 | 15 | $49,600 | 18 | $2,756 | $88,885 | 1 | |
| 2017/08/04 | 16 | $38,778 | -22% | 20 | $1,939 | $151,200 | 2 |
| 2017/08/11 | 28 | $14,493 | -63% | 19 | $763 | $188,315 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/2/2018 | $213,964 | 0 | 0 | 0 | $518,073 | 1/1/2019 |
| Brazil | 4/20/2018 | $584,745 | 0 | 0 | 0 | $1,204,190 | 6/14/2018 |
| Italy | 2/14/2019 | $383,801 | 0 | 17 | 32 | $723,476 | 4/27/2019 |
| Mexico | 6/1/2018 | $627,943 | 0 | 0 | 0 | $1,207,877 | 6/11/2018 |
| Netherlands | 7/28/2017 | $49,600 | 18 | 20 | 57 | $188,315 | 8/15/2017 |
| Poland | 10/13/2017 | $253,469 | 0 | 0 | 0 | $253,469 | 1/1/2019 |
| Russia (CIS) | 10/13/2017 | $427,299 | 451 | 451 | 1005 | $805,431 | 1/1/2019 |
| Spain | 11/3/2017 | $138,491 | 152 | 152 | 289 | $244,310 | 11/16/2017 |
| Turkey | 10/6/2017 | $33,336 | 54 | 54 | 94 | $76,215 | 2/26/2019 |
| Worldwide Total | $5,221,356 | 4/27/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Sophie Cookson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Xavier Gens | Director | |
| Chad Hayes | Screenwriter | |
| Carey Hayes | Screenwriter | |
| Peter Safran | Producer | |
| Chad Hayes | Producer | |
| Carey Hayes | Producer | |
| Bill Johnson | Executive Producer | |
| Jim Seibel | Executive Producer | |
| D.J. Gugenheim | Executive Producer | |
| Ara Keshishian | Executive Producer |
