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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $34,889 | Details |
| Worldwide Box Office | $119,418,869 | Details |
| Further financial details... | ||
| United Kingdom Releases: | October 7th, 2016 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Keywords: | Set in China, Romance, Radio Industry, Romantic Drama, Relationships Gone Wrong |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China |
| Languages: | Mandarin |
October 12th, 2016
Miss Peregrine’s Home for Peculiar Children remained the top draw internationally with $42.5 million in 75 markets for totals of $94.0 million internationally and $145.2 million worldwide. The film took top spot in Russia with an opening weekend of $6.63 million on 1,185 screens. It also earned first place in France with $5.5 million. Its biggest market overall is South Korea, where it as pulled in $14.38 million, including $4.94 million on 899 screens this past weekend.
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October 5th, 2016
Miss Peregrine’s Home for Peculiar Children debuted in first place internationally with $37.4 million in 59 markets. The film’s biggest market was South Korea, where it earned second place with $4.43 million on 810 screens over the weekend for a total of $5.30 million. It also earned $4.43 million in 558 theaters in the U.K., which was also enough for second place in that market. The film had nearly identical results in both Mexico ($3.61 million) and in Australia ($3.07 million). The film cost $110 million to make, so it will need to make about $250 million internationally to have any real chance of breaking even in the short term. It is too soon to tell if that will happen. We will need to see more results from other markets, and more importantly, we will need to see the film’s legs as well.
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September 30th, 2016
There are more than a few films on this week’s list that were made to win Oscars. Of these, Sand Storm is the best. However, Denial has the biggest box office potential.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/10/07 | - | $34,889 | 10 | $3,489 | $34,889 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/30/2016 | $114,017 | 15 | 15 | 36 | $222,924 | 10/17/2016 |
| China | 9/28/2016 | $62,584 | 0 | 61652 | 161051 | $118,084,720 | 8/27/2018 |
| New Zealand | 9/30/2016 | $23,558 | 6 | 6 | 14 | $42,829 | 10/17/2016 |
| North America | 9/30/2016 | $0 | 0 | 50 | 79 | $743,507 | |
| United Kingdom | 10/7/2016 | $34,889 | 10 | 10 | 10 | $34,889 | 10/13/2016 |
| Rest of World | $290,000 | ||||||
| Worldwide Total | $119,418,869 | 8/27/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Chao Deng | ||
| Baihe Bai | ||
| Yang Yang | ||
| Crystal Zhang | ||
| Yue Yunpeng | ||
| Jennifer Du | ||
| Ada Liu |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Yibai Zhang | Director | |
| Zhang Jiajia | Screenwriter |
