The Commuter (2018)

The Commuter
Theatrical Performance
Domestic Box Office $36,343,858Details
International Box Office $82,165,978Details
Worldwide Box Office $118,509,836
Home Market Performance
Est. Domestic DVD Sales $3,534,337 Details
Est. Domestic Blu-ray Sales $4,220,929 Details
Total Est. Domestic Video Sales $7,755,266
Further financial details...

Synopsis

Michael is an insurance salesman whose daily commute home quickly becomes anything but routine. After being confronted by a mysterious stranger, Michael is blackmailed into finding the identity of a passenger on his train before the last stop. As he works against the clock to solve the puzzle, Michael is unwittingly caught up in a criminal conspiracy that carries life and death stakes for himself and his fellow passengers.

Metrics

Opening Weekend:$13,701,452 (37.7% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:30.7% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 3.0 times production budget)
Theater counts:2,892 opening theaters/2,892 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $43,006,239

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,501-2,600) 2,552 $36,343,858
All Time International Box Office (Rank 1,301-1,400) 1,352 $82,165,978
All Time Worldwide Box Office (Rank 1,501-1,600) 1,595 $118,509,836

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 12th, 2018 (Wide) by Lionsgate
International Releases: January 11th, 2018 (Wide) (South Korea)
January 12th, 2018 (Wide), released as Без последна спирка (Bulgaria)
January 12th, 2018 (Wide) (Germany)
January 12th, 2018 (Wide), released as Slaptas keleivis (Lithuania)
January 12th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: April 3rd, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for some intense action/violence, and language.
(Rating bulletin 2485 (Cert #51144), 7/19/2017)
Running Time: 105 minutes
Comparisons: vs. Cold Pursuit
Create your own comparison chart…
Keywords: Organized Crime, Trains, Trapped, Ex-cop, IMAX: DMR, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, The Picture Company, Ombra Films, Lionsgate
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Martin Luther King (All Movies, 3-Day) 65 $13,701,452 Jan 12, 2018 3
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 141 $16,862,133 Jan 12, 2018 3
Martin Luther King (All Movies, 4-Day, Fri-Mon) 68 $15,795,899 Jan 12, 2018 3
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 104 $19,439,738 Jan 12, 2018 3
Martin Luther King (Opening, 3-Day) 35 $13,701,452 Jan 12, 2018 3
Martin Luther King (Opening, 3-Day, Inflation Adjusted) 55 $16,862,133 Jan 12, 2018 3
Martin Luther King (Opening, 4-Day, Fri-Mon) 36 $15,795,899 Jan 12, 2018 3
Martin Luther King (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 41 $19,439,738 Jan 12, 2018 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 2,501-2,600) 2,552 $36,343,858
All Time Domestic Inflation Adjusted Box Office (Rank 3,401-3,500) 3,499 $43,006,239
All Time Domestic Non-Sequel Box Office (Rank 2,001-2,100) 2,020 $36,343,858
Top 2018 Movies at the Domestic Box Office 76 $36,343,858
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,201-1,300) 1,224 $36,343,858
All Time Domestic Box Office for Live Action Movies (Rank 2,101-2,200) 2,156 $36,343,858
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,201-1,300) 1,268 $36,343,858
All Time Domestic Box Office for Action Movies (Rank 401-500) 465 $36,343,858
All Time Domestic Box Office for PG-13 Movies (Rank 1,001-1,100) 1,006 $36,343,858
All Time Domestic Box Office for Lionsgate Movies 89 $36,343,858

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 3 $13,701,452   2,892 $4,738   $13,701,452 1
Jan 19, 2018 7 $6,603,842 -52% 2,892 $2,283   $25,627,371 2
Jan 26, 2018 14 $3,412,694 -48% 1,811 $1,884   $31,389,883 3
Feb 2, 2018 19 $1,666,757 -51% 1,494 $1,116   $34,266,504 4
Feb 9, 2018 28 $575,770 -65% 590 $976   $35,541,634 5
Feb 16, 2018 40 $114,800 -80% 148 $776   $35,941,298 6
Feb 23, 2018 39 $113,208 -1% 138 $820   $36,114,858 7
Mar 2, 2018 39 $75,715 -33% 112 $676   $36,242,015 8
Mar 9, 2018 48 $40,551 -46% 71 $571   $36,317,285 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 11, 2018 P $700,000     0     $700,000  
Jan 12, 2018 3 $4,509,520     2,892 $1,559   $4,509,520 1
Jan 13, 2018 3 $5,185,751 +15%   2,892 $1,793   $9,695,271 2
Jan 14, 2018 5 $4,006,181 -23%   2,892 $1,385   $13,701,452 3
Jan 15, 2018 6 $2,094,447 -48%   2,892 $724   $15,795,899 4
Jan 16, 2018 3 $1,418,728 -32%   2,892 $491   $17,214,627 5
Jan 17, 2018 4 $932,560 -34%   2,892 $322   $18,147,187 6
Jan 18, 2018 4 $876,342 -6%   2,892 $303   $19,023,529 7
Jan 19, 2018 6 $1,967,525 +125% -56% 2,892 $680   $20,991,054 8
Jan 20, 2018 8 $3,141,792 +60% -39% 2,892 $1,086   $24,132,846 9
Jan 21, 2018 8 $1,494,525 -52% -63% 2,892 $517   $25,627,371 10
Jan 22, 2018 7 $533,094 -64% -75% 2,892 $184   $26,160,465 11
Jan 23, 2018 6 $828,216 +55% -42% 2,892 $286   $26,988,681 12
Jan 24, 2018 8 $514,840 -38% -45% 2,892 $178   $27,503,521 13
Jan 25, 2018 9 $473,668 -8% -46% 2,892 $164   $27,977,189 14
Jan 26, 2018 15 $919,895 +94% -53% 1,811 $508   $28,897,084 15
Jan 27, 2018 14 $1,549,689 +68% -51% 1,811 $856   $30,446,773 16
Jan 28, 2018 13 $943,110 -39% -37% 1,811 $521   $31,389,883 17
Jan 29, 2018 15 $267,519 -72% -50% 1,811 $148   $31,657,402 18
Jan 30, 2018 11 $409,648 +53% -51% 1,811 $226   $32,067,050 19
Jan 31, 2018 15 $274,432 -33% -47% 1,811 $152   $32,341,482 20
Feb 1, 2018 14 $258,265 -6% -45% 1,811 $143   $32,599,747 21
Feb 2, 2018 - $520,758 +102% -43% 1,494 $349   $33,120,505 22
Feb 3, 2018 - $880,913 +69% -43% 1,494 $590   $34,001,418 23
Feb 4, 2018 - $265,086 -70% -72% 1,494 $177   $34,266,504 24
Feb 5, 2018 - $161,091 -39% -40% 1,494 $108   $34,427,595 25
Feb 6, 2018 - $240,882 +50% -41% 1,494 $161   $34,668,477 26
Feb 7, 2018 - $158,656 -34% -42% 1,494 $106   $34,827,133 27
Feb 8, 2018 - $138,731 -13% -46% 1,494 $93   $34,965,864 28
Feb 9, 2018 - $148,566 +7% -71% 590 $252   $35,114,430 29
Feb 10, 2018 - $270,665 +82% -69% 590 $459   $35,385,095 30
Feb 11, 2018 - $156,539 -42% -41% 590 $265   $35,541,634 31
Feb 12, 2018 - $55,599 -64% -65% 590 $94   $35,597,233 32
Feb 13, 2018 - $74,590 +34% -69% 590 $126   $35,671,823 33
Feb 14, 2018 - $119,025 +60% -25% 590 $202   $35,790,848 34
Feb 15, 2018 - $35,650 -70% -74% 590 $60   $35,826,498 35
Feb 16, 2018 - $30,391 -15% -80% 148 $205   $35,856,889 36
Feb 17, 2018 - $47,994 +58% -82% 148 $324   $35,904,883 37
Feb 18, 2018 - $36,415 -24% -77% 148 $246   $35,941,298 38
Feb 19, 2018 - $19,589 -46% -65% 148 $132   $35,960,887 39
Feb 20, 2018 - $16,554 -15% -78% 148 $112   $35,977,441 40
Feb 21, 2018 - $13,725 -17% -88% 148 $93   $35,991,166 41
Feb 22, 2018 - $10,484 -24% -71% 148 $71   $36,001,650 42
Feb 23, 2018 - $29,300 +179% -4% 138 $212   $36,030,950 43
Feb 24, 2018 - $51,488 +76% +7% 138 $373   $36,082,438 44
Feb 25, 2018 - $32,420 -37% -11% 138 $235   $36,114,858 45
Feb 26, 2018 - $11,264 -65% -42% 138 $82   $36,126,122 46
Feb 27, 2018 - $16,369 +45% -1% 138 $119   $36,142,491 47
Feb 28, 2018 - $12,287 -25% -10% 138 $89   $36,154,778 48
Mar 1, 2018 - $11,522 -6% +10% 138 $83   $36,166,300 49
Mar 2, 2018 - $20,517 +78% -30% 112 $183   $36,186,817 50
Mar 3, 2018 - $33,754 +65% -34% 112 $301   $36,220,571 51
Mar 4, 2018 - $21,444 -36% -34% 112 $191   $36,242,015 52
Mar 5, 2018 - $7,434 -65% -34% 112 $66   $36,249,449 53
Mar 6, 2018 - $10,056 +35% -39% 112 $90   $36,259,505 54
Mar 7, 2018 - $8,507 -15% -31% 112 $76   $36,268,012 55
Mar 8, 2018 - $8,722 +3% -24% 112 $78   $36,276,734 56
Mar 9, 2018 - $10,307 +18% -50% 71 $145   $36,287,041 57
Mar 10, 2018 - $17,684 +72% -48% 71 $249   $36,304,725 58
Mar 11, 2018 - $12,560 -29% -41% 71 $177   $36,317,285 59
Mar 12, 2018 - $6,236 -50% -16% 71 $88   $36,323,521 60
Mar 13, 2018 - $7,422 +19% -26% 71 $105   $36,330,943 61
Mar 14, 2018 - $6,431 -13% -24% 71 $91   $36,337,374 62
Mar 15, 2018 - $6,484 +1% -26% 71 $91   $36,343,858 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 4 $19,023,529   2,892 $6,578   $19,023,529 1
Jan 19, 2018 7 $8,953,660 -53% 2,892 $3,096   $27,977,189 2
Jan 26, 2018 14 $4,622,558 -48% 1,811 $2,552   $32,599,747 3
Feb 2, 2018 18 $2,366,117 -49% 1,494 $1,584   $34,965,864 4
Feb 9, 2018 28 $860,634 -64% 590 $1,459   $35,826,498 5
Feb 16, 2018 40 $175,152 -80% 148 $1,183   $36,001,650 6
Feb 23, 2018 38 $164,650 -6% 138 $1,193   $36,166,300 7
Mar 2, 2018 41 $110,434 -33% 112 $986   $36,276,734 8
Mar 9, 2018 46 $67,124 -39% 71 $945   $36,343,858 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 1/19/2018 $268,525 0 0 0 $801,993 1/1/2019
Australia 1/19/2018 $889,326 210 210 733 $2,401,349 3/19/2018
Brazil 3/9/2018 $663,918 0 0 0 $1,510,563 6/14/2018
Bulgaria 1/12/2018 $75,217 0 0 0 $266,882 2/26/2019
China 3/30/2018 $4,080,000 43,877 43,877 49,296 $7,163,071 8/10/2018
Czech Republic 1/19/2018 $90,813 82 82 198 $300,494 1/1/2019
France 1/26/2018 $0 0 165 165 $5,088,564 4/11/2019
Germany 1/12/2018 $2,037,197 449 458 907 $5,274,419 6/11/2018
Italy 1/25/2018 $1,332,429 0 0 0 $4,056,337 9/22/2018
Japan 3/30/2018 $582,693 0 0 0 $772,073 6/8/2018
Lithuania 1/12/2018 $24,925 49 49 93 $61,108 2/13/2018
Mexico 1/19/2018 $1,826,007 0 0 0 $4,723,263 2/5/2018
Netherlands 1/12/2018 $637,910 85 89 559 $2,312,904 2/26/2018
New Zealand 1/19/2018 $148,154 65 66 254 $436,676 3/19/2018
Poland 1/12/2018 $268,308 0 0 0 $629,148 1/1/2019
Portugal 1/19/2018 $278,843 63 73 284 $801,757 3/20/2018
Romania 11/27/2020 $0 0 1 2 $748,541 2/17/2021
Russia (CIS) 3/8/2018 $1,191,464 510 519 1,610 $2,432,595 2/26/2019
Slovakia 1/19/2018 $72,140 64 64 134 $185,679 2/21/2018
South Korea 1/11/2018 $0 0 575 754 $2,106,692 5/22/2018
Spain 1/26/2018 $542,846 231 234 645 $1,264,711 2/15/2018
Turkey 1/12/2018 $81,140 64 64 119 $230,573 2/26/2019
United Kingdom 1/19/2018 $2,220,701 472 472 1,539 $5,501,290 3/21/2018
 
Rest of World $33,095,296
 
International Total$82,165,978 2/17/2021

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 1,301-1,400) 1,352 $82,165,978
All Time International Non-Sequel Box Office (Rank 901-1,000) 940 $82,165,978
Top 2018 Movies at the International Box Office 66 $82,165,978
All Time International Box Office for Original Screenplay Movies (Rank 601-700) 612 $82,165,978
All Time International Box Office for Live Action Movies (Rank 1,001-1,100) 1,004 $82,165,978
All Time International Box Office for Contemporary Fiction Movies (Rank 501-600) 524 $82,165,978
All Time International Box Office for Action Movies (Rank 301-400) 389 $82,165,978
All Time International Box Office for PG-13 Movies (Rank 501-600) 541 $82,165,978
All Time International Box Office for Lionsgate Movies 34 $82,165,978

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 1,501-1,600) 1,595 $118,509,836
All Time Worldwide Non-Sequel Box Office (Rank 1,101-1,200) 1,148 $118,509,836
Top 2018 Movies at the Worldwide Box Office 62 $118,509,836
All Time Worldwide Box Office for Original Screenplay Movies (Rank 701-800) 728 $118,509,836
All Time Worldwide Box Office for Live Action Movies (Rank 1,201-1,300) 1,236 $118,509,836
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 601-700) 667 $118,509,836
All Time Worldwide Box Office for Action Movies (Rank 401-500) 402 $118,509,836
All Time Worldwide Box Office for PG-13 Movies (Rank 601-700) 667 $118,509,836
All Time Worldwide Box Office for Lionsgate Movies 43 $118,509,836

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 22, 2018280,090 80,090$1,198,146$1,198,1463
Apr 29, 2018741,866-48% 121,956$626,315$1,824,4614
May 6, 20181418,113-57% 140,069$270,970$2,095,4315
May 13, 2018257,230-60% 147,299$108,161$2,203,5926

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 22, 2018377,360 77,360$1,602,441$1,602,4413
Apr 29, 2018834,010-56% 111,370$696,585$2,299,0264
May 6, 20182014,904-56% 126,274$306,248$2,605,2745

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Liam Neeson    Michael MacCauley

Supporting Cast

Vera Farmiga    Joanna
Patrick Wilson    Alex Murphy
Jonathan Banks    Walt
Sam Neill    Captain Hawthorne
Elizabeth McGovern    Karen MacCauley
Killian Scott    Dylan
Shazad Latif    Vince
Andy Nyman    Tony
Clara Lago    Eva
Roland Møller    Jackson
Florence Pugh    Gwen
Dean-Charles Chapman    Danny MacCauley
Ella-Rae Smith    Sofia
Nila Aalia    Sherri
Colin McFarlane    Conductor Sam
Kobna Holdbrook-Smith    Oliver
Adam Nagaitis    Conductor Jimmy
Kingsley Ben-Adir    Agent Garcia
Damson Idris    Agent Denys
Andy Lucas    Manny Engineer
Zaak Conway    Caleb O’Malley
Ben Caplan    Frank
Letitia Wright    Jules Skateboarder
Simon Hibbs    Sean O’Malley
Nathan Wiley    Sniper
Jamie Beamish    Nathan
Ben Nathan    Police Officer
David Alwyn    Platform Trooper
John Alastair    Officer O’Neal
Edward Bluemel    Gwen’s Boyfriend
Aoife Hinds    Jeanie
Alana Maria    Officer Jones
Jaime Menendez    Enrique Mendez

Cameos

Pat Kiernan    Himself
Natalie Duddridge    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jaume Collet-Serra    Director
Byron Willinger    Screenwriter
Phil de Blasi    Screenwriter
Byron Willinger    Story by
Phil de Blasi    Story by
Andrew Rona    Producer
Alex Heineman    Producer
Michael Dreyer    Executive Producer
Juan Sola    Executive Producer
Jaume Collet-Serra    Executive Producer
Ron Halpern    Executive Producer
Didier Lupfer    Executive Producer
Roque Banos    Composer
Paul Cameron    Director of Photography
Richard Bridgland    Production Designer
Nicolas de Toth    Editor
Jill Taylor    Costume Designer
Reg Poerscout-Edgerton    Casting Director
Mark Vanselow    Stunt Coordinator
Simon Fraser    Unit Production Manager
Alexander Oakley    First Assistant Director
Lacey Darlene Paulson    Associate Producer
Rupert Smith    Visual Effects Producer
Emma Zee    Post-Production Supervisor
Adam O'Neill    Supervising Art Director
John King    Art Director
Stephen Dobric    Art Director
Tina Jones    Set Decorator
Irene Chawko    Script Supervisor
Tracy McGregor    Costume Supervisor
Dana Kalder    Hairstylist
Jim Greenhorn    Sound Mixer
Stefano Pepin    Special Effects Supervisor
Laura Davison    Special Effects Coordinator
Finlay Bradbury    Location Manager
Julia Tomlinson    Location Manager
Tom Davis    First Assistant Editor
Jeremy Richardson    First Assistant Editor
James Harrison    Supervising Sound Editor
Steve Little    Supervising Dialogue Editor
Chris Burdon    Re-recording Mixer
Gilbert Lake    Re-recording Mixer
Adam Mendez    Foley Mixer
Stephane Paris    Visual Effects Supervisor
Caroline Garrett    Visual Effects Executive Producer
Marc A. Rousseau    Visual Effects Executive Producer
Audrey Boivin    Visual Effects Producer
Fiona Foster    Visual Effects Producer
John Warhurst    Music Editor
Anele Onyekwere    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 17th, 2018

April 17th, 2018

MST3K

It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor. More...

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Thursday Night Previews: Red Sparrow Pulls In $1.2 million, Death Wish not as Lively

March 2nd, 2018

Red Sparrow

Red Sparrow had a respectable start at the box office with $1.2 million during Thursday night previews. Although this is an acceptable start; although it is lower than the $1.52 million earned by Atomic Blonde. However, that film was a summer release and opening in the summer helps midnight showings. I’m still comfortable with our $18 million prediction. More...

Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul

January 23rd, 2018

Jumanji: Welcome to the Jungle

Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year. More...

Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend

January 16th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now. More...

Weekend Estimates: Jumanji Rules MLK Weekend

January 14th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas. More...

Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million

January 13th, 2018

Jumanji: Welcome to the Jungle

There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly. More...

Thursday Night Previews: Mixed Results for New Releases

January 12th, 2018

The Post

The Post led the way during previews with $775,000. Dramas aimed at a more mature target audience tend to not do as well in previews as most other films, so this is a good sign. Additionally, the film’s reviews are right on the border of award-worthy, so the word of mouth should be strong. This is right in line with our prediction, so I’m happy with this result. More...

Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend

January 11th, 2018

Paddington 2

It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

The Commuter Trailer

December 5th, 2017

Thriller starring Liam Neeson opens January 12 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Michael is an insurance salesman whose daily commute home quickly becomes anything but routine. After being confronted by a mysterious stranger, Michael is blackmailed into finding the identity of a passenger on his train before the last stop. As he works against the clock to solve the puzzle, Michael is unwittingly caught up in a criminal conspiracy that carries life and death stakes for himself and his fellow passengers.

Metrics

Opening Weekend:$13,701,452 (37.7% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:30.7% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 3.0 times production budget)
Theater counts:2,892 opening theaters/2,892 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $43,006,239

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,501-2,600) 2,552 $36,343,858
All Time International Box Office (Rank 1,301-1,400) 1,352 $82,165,978
All Time Worldwide Box Office (Rank 1,501-1,600) 1,595 $118,509,836

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 12th, 2018 (Wide) by Lionsgate
International Releases: January 11th, 2018 (Wide) (South Korea)
January 12th, 2018 (Wide), released as Без последна спирка (Bulgaria)
January 12th, 2018 (Wide) (Germany)
January 12th, 2018 (Wide), released as Slaptas keleivis (Lithuania)
January 12th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: April 3rd, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for some intense action/violence, and language.
(Rating bulletin 2485 (Cert #51144), 7/19/2017)
Running Time: 105 minutes
Comparisons: vs. Cold Pursuit
Create your own comparison chart…
Keywords: Organized Crime, Trains, Trapped, Ex-cop, IMAX: DMR, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, The Picture Company, Ombra Films, Lionsgate
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Martin Luther King (All Movies, 3-Day) 65 $13,701,452 Jan 12, 2018 3
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 141 $16,862,133 Jan 12, 2018 3
Martin Luther King (All Movies, 4-Day, Fri-Mon) 68 $15,795,899 Jan 12, 2018 3
Martin Luther King (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 104 $19,439,738 Jan 12, 2018 3
Martin Luther King (Opening, 3-Day) 35 $13,701,452 Jan 12, 2018 3
Martin Luther King (Opening, 3-Day, Inflation Adjusted) 55 $16,862,133 Jan 12, 2018 3
Martin Luther King (Opening, 4-Day, Fri-Mon) 36 $15,795,899 Jan 12, 2018 3
Martin Luther King (Opening, 4-Day, Fri-Mon, Inflation Adjusted) 41 $19,439,738 Jan 12, 2018 3

Leading Cast

Liam Neeson    Michael MacCauley

Supporting Cast

Vera Farmiga    Joanna
Patrick Wilson    Alex Murphy
Jonathan Banks    Walt
Sam Neill    Captain Hawthorne
Elizabeth McGovern    Karen MacCauley
Killian Scott    Dylan
Shazad Latif    Vince
Andy Nyman    Tony
Clara Lago    Eva
Roland Møller    Jackson
Florence Pugh    Gwen
Dean-Charles Chapman    Danny MacCauley
Ella-Rae Smith    Sofia
Nila Aalia    Sherri
Colin McFarlane    Conductor Sam
Kobna Holdbrook-Smith    Oliver
Adam Nagaitis    Conductor Jimmy
Kingsley Ben-Adir    Agent Garcia
Damson Idris    Agent Denys
Andy Lucas    Manny Engineer
Zaak Conway    Caleb O’Malley
Ben Caplan    Frank
Letitia Wright    Jules Skateboarder
Simon Hibbs    Sean O’Malley
Nathan Wiley    Sniper
Jamie Beamish    Nathan
Ben Nathan    Police Officer
David Alwyn    Platform Trooper
John Alastair    Officer O’Neal
Edward Bluemel    Gwen’s Boyfriend
Aoife Hinds    Jeanie
Alana Maria    Officer Jones
Jaime Menendez    Enrique Mendez

Cameos

Pat Kiernan    Himself
Natalie Duddridge    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jaume Collet-Serra    Director
Byron Willinger    Screenwriter
Phil de Blasi    Screenwriter
Byron Willinger    Story by
Phil de Blasi    Story by
Andrew Rona    Producer
Alex Heineman    Producer
Michael Dreyer    Executive Producer
Juan Sola    Executive Producer
Jaume Collet-Serra    Executive Producer
Ron Halpern    Executive Producer
Didier Lupfer    Executive Producer
Roque Banos    Composer
Paul Cameron    Director of Photography
Richard Bridgland    Production Designer
Nicolas de Toth    Editor
Jill Taylor    Costume Designer
Reg Poerscout-Edgerton    Casting Director
Mark Vanselow    Stunt Coordinator
Simon Fraser    Unit Production Manager
Alexander Oakley    First Assistant Director
Lacey Darlene Paulson    Associate Producer
Rupert Smith    Visual Effects Producer
Emma Zee    Post-Production Supervisor
Adam O'Neill    Supervising Art Director
John King    Art Director
Stephen Dobric    Art Director
Tina Jones    Set Decorator
Irene Chawko    Script Supervisor
Tracy McGregor    Costume Supervisor
Dana Kalder    Hairstylist
Jim Greenhorn    Sound Mixer
Stefano Pepin    Special Effects Supervisor
Laura Davison    Special Effects Coordinator
Finlay Bradbury    Location Manager
Julia Tomlinson    Location Manager
Tom Davis    First Assistant Editor
Jeremy Richardson    First Assistant Editor
James Harrison    Supervising Sound Editor
Steve Little    Supervising Dialogue Editor
Chris Burdon    Re-recording Mixer
Gilbert Lake    Re-recording Mixer
Adam Mendez    Foley Mixer
Stephane Paris    Visual Effects Supervisor
Caroline Garrett    Visual Effects Executive Producer
Marc A. Rousseau    Visual Effects Executive Producer
Audrey Boivin    Visual Effects Producer
Fiona Foster    Visual Effects Producer
John Warhurst    Music Editor
Anele Onyekwere    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 17th, 2018

April 17th, 2018

MST3K

It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor. More...

Home Market Releases for April 3rd, 2018

April 3rd, 2018

My Hero Academia

It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia. More...

Thursday Night Previews: Red Sparrow Pulls In $1.2 million, Death Wish not as Lively

March 2nd, 2018

Red Sparrow

Red Sparrow had a respectable start at the box office with $1.2 million during Thursday night previews. Although this is an acceptable start; although it is lower than the $1.52 million earned by Atomic Blonde. However, that film was a summer release and opening in the summer helps midnight showings. I’m still comfortable with our $18 million prediction. More...

Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul

January 23rd, 2018

Jumanji: Welcome to the Jungle

Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year. More...

Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend

January 16th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now. More...

Weekend Estimates: Jumanji Rules MLK Weekend

January 14th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas. More...

Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million

January 13th, 2018

Jumanji: Welcome to the Jungle

There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly. More...

Thursday Night Previews: Mixed Results for New Releases

January 12th, 2018

The Post

The Post led the way during previews with $775,000. Dramas aimed at a more mature target audience tend to not do as well in previews as most other films, so this is a good sign. Additionally, the film’s reviews are right on the border of award-worthy, so the word of mouth should be strong. This is right in line with our prediction, so I’m happy with this result. More...

Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend

January 11th, 2018

Paddington 2

It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

The Commuter Trailer

December 5th, 2017

Thriller starring Liam Neeson opens January 12 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 2,501-2,600) 2,552 $36,343,858
All Time Domestic Inflation Adjusted Box Office (Rank 3,401-3,500) 3,499 $43,006,239
All Time Domestic Non-Sequel Box Office (Rank 2,001-2,100) 2,020 $36,343,858
Top 2018 Movies at the Domestic Box Office 76 $36,343,858
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,201-1,300) 1,224 $36,343,858
All Time Domestic Box Office for Live Action Movies (Rank 2,101-2,200) 2,156 $36,343,858
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,201-1,300) 1,268 $36,343,858
All Time Domestic Box Office for Action Movies (Rank 401-500) 465 $36,343,858
All Time Domestic Box Office for PG-13 Movies (Rank 1,001-1,100) 1,006 $36,343,858
All Time Domestic Box Office for Lionsgate Movies 89 $36,343,858

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 3 $13,701,452   2,892 $4,738   $13,701,452 1
Jan 19, 2018 7 $6,603,842 -52% 2,892 $2,283   $25,627,371 2
Jan 26, 2018 14 $3,412,694 -48% 1,811 $1,884   $31,389,883 3
Feb 2, 2018 19 $1,666,757 -51% 1,494 $1,116   $34,266,504 4
Feb 9, 2018 28 $575,770 -65% 590 $976   $35,541,634 5
Feb 16, 2018 40 $114,800 -80% 148 $776   $35,941,298 6
Feb 23, 2018 39 $113,208 -1% 138 $820   $36,114,858 7
Mar 2, 2018 39 $75,715 -33% 112 $676   $36,242,015 8
Mar 9, 2018 48 $40,551 -46% 71 $571   $36,317,285 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 11, 2018 P $700,000     0     $700,000  
Jan 12, 2018 3 $4,509,520     2,892 $1,559   $4,509,520 1
Jan 13, 2018 3 $5,185,751 +15%   2,892 $1,793   $9,695,271 2
Jan 14, 2018 5 $4,006,181 -23%   2,892 $1,385   $13,701,452 3
Jan 15, 2018 6 $2,094,447 -48%   2,892 $724   $15,795,899 4
Jan 16, 2018 3 $1,418,728 -32%   2,892 $491   $17,214,627 5
Jan 17, 2018 4 $932,560 -34%   2,892 $322   $18,147,187 6
Jan 18, 2018 4 $876,342 -6%   2,892 $303   $19,023,529 7
Jan 19, 2018 6 $1,967,525 +125% -56% 2,892 $680   $20,991,054 8
Jan 20, 2018 8 $3,141,792 +60% -39% 2,892 $1,086   $24,132,846 9
Jan 21, 2018 8 $1,494,525 -52% -63% 2,892 $517   $25,627,371 10
Jan 22, 2018 7 $533,094 -64% -75% 2,892 $184   $26,160,465 11
Jan 23, 2018 6 $828,216 +55% -42% 2,892 $286   $26,988,681 12
Jan 24, 2018 8 $514,840 -38% -45% 2,892 $178   $27,503,521 13
Jan 25, 2018 9 $473,668 -8% -46% 2,892 $164   $27,977,189 14
Jan 26, 2018 15 $919,895 +94% -53% 1,811 $508   $28,897,084 15
Jan 27, 2018 14 $1,549,689 +68% -51% 1,811 $856   $30,446,773 16
Jan 28, 2018 13 $943,110 -39% -37% 1,811 $521   $31,389,883 17
Jan 29, 2018 15 $267,519 -72% -50% 1,811 $148   $31,657,402 18
Jan 30, 2018 11 $409,648 +53% -51% 1,811 $226   $32,067,050 19
Jan 31, 2018 15 $274,432 -33% -47% 1,811 $152   $32,341,482 20
Feb 1, 2018 14 $258,265 -6% -45% 1,811 $143   $32,599,747 21
Feb 2, 2018 - $520,758 +102% -43% 1,494 $349   $33,120,505 22
Feb 3, 2018 - $880,913 +69% -43% 1,494 $590   $34,001,418 23
Feb 4, 2018 - $265,086 -70% -72% 1,494 $177   $34,266,504 24
Feb 5, 2018 - $161,091 -39% -40% 1,494 $108   $34,427,595 25
Feb 6, 2018 - $240,882 +50% -41% 1,494 $161   $34,668,477 26
Feb 7, 2018 - $158,656 -34% -42% 1,494 $106   $34,827,133 27
Feb 8, 2018 - $138,731 -13% -46% 1,494 $93   $34,965,864 28
Feb 9, 2018 - $148,566 +7% -71% 590 $252   $35,114,430 29
Feb 10, 2018 - $270,665 +82% -69% 590 $459   $35,385,095 30
Feb 11, 2018 - $156,539 -42% -41% 590 $265   $35,541,634 31
Feb 12, 2018 - $55,599 -64% -65% 590 $94   $35,597,233 32
Feb 13, 2018 - $74,590 +34% -69% 590 $126   $35,671,823 33
Feb 14, 2018 - $119,025 +60% -25% 590 $202   $35,790,848 34
Feb 15, 2018 - $35,650 -70% -74% 590 $60   $35,826,498 35
Feb 16, 2018 - $30,391 -15% -80% 148 $205   $35,856,889 36
Feb 17, 2018 - $47,994 +58% -82% 148 $324   $35,904,883 37
Feb 18, 2018 - $36,415 -24% -77% 148 $246   $35,941,298 38
Feb 19, 2018 - $19,589 -46% -65% 148 $132   $35,960,887 39
Feb 20, 2018 - $16,554 -15% -78% 148 $112   $35,977,441 40
Feb 21, 2018 - $13,725 -17% -88% 148 $93   $35,991,166 41
Feb 22, 2018 - $10,484 -24% -71% 148 $71   $36,001,650 42
Feb 23, 2018 - $29,300 +179% -4% 138 $212   $36,030,950 43
Feb 24, 2018 - $51,488 +76% +7% 138 $373   $36,082,438 44
Feb 25, 2018 - $32,420 -37% -11% 138 $235   $36,114,858 45
Feb 26, 2018 - $11,264 -65% -42% 138 $82   $36,126,122 46
Feb 27, 2018 - $16,369 +45% -1% 138 $119   $36,142,491 47
Feb 28, 2018 - $12,287 -25% -10% 138 $89   $36,154,778 48
Mar 1, 2018 - $11,522 -6% +10% 138 $83   $36,166,300 49
Mar 2, 2018 - $20,517 +78% -30% 112 $183   $36,186,817 50
Mar 3, 2018 - $33,754 +65% -34% 112 $301   $36,220,571 51
Mar 4, 2018 - $21,444 -36% -34% 112 $191   $36,242,015 52
Mar 5, 2018 - $7,434 -65% -34% 112 $66   $36,249,449 53
Mar 6, 2018 - $10,056 +35% -39% 112 $90   $36,259,505 54
Mar 7, 2018 - $8,507 -15% -31% 112 $76   $36,268,012 55
Mar 8, 2018 - $8,722 +3% -24% 112 $78   $36,276,734 56
Mar 9, 2018 - $10,307 +18% -50% 71 $145   $36,287,041 57
Mar 10, 2018 - $17,684 +72% -48% 71 $249   $36,304,725 58
Mar 11, 2018 - $12,560 -29% -41% 71 $177   $36,317,285 59
Mar 12, 2018 - $6,236 -50% -16% 71 $88   $36,323,521 60
Mar 13, 2018 - $7,422 +19% -26% 71 $105   $36,330,943 61
Mar 14, 2018 - $6,431 -13% -24% 71 $91   $36,337,374 62
Mar 15, 2018 - $6,484 +1% -26% 71 $91   $36,343,858 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 12, 2018 4 $19,023,529   2,892 $6,578   $19,023,529 1
Jan 19, 2018 7 $8,953,660 -53% 2,892 $3,096   $27,977,189 2
Jan 26, 2018 14 $4,622,558 -48% 1,811 $2,552   $32,599,747 3
Feb 2, 2018 18 $2,366,117 -49% 1,494 $1,584   $34,965,864 4
Feb 9, 2018 28 $860,634 -64% 590 $1,459   $35,826,498 5
Feb 16, 2018 40 $175,152 -80% 148 $1,183   $36,001,650 6
Feb 23, 2018 38 $164,650 -6% 138 $1,193   $36,166,300 7
Mar 2, 2018 41 $110,434 -33% 112 $986   $36,276,734 8
Mar 9, 2018 46 $67,124 -39% 71 $945   $36,343,858 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 1/19/2018 $268,525 0 0 0 $801,993 1/1/2019
Australia 1/19/2018 $889,326 210 210 733 $2,401,349 3/19/2018
Brazil 3/9/2018 $663,918 0 0 0 $1,510,563 6/14/2018
Bulgaria 1/12/2018 $75,217 0 0 0 $266,882 2/26/2019
China 3/30/2018 $4,080,000 43,877 43,877 49,296 $7,163,071 8/10/2018
Czech Republic 1/19/2018 $90,813 82 82 198 $300,494 1/1/2019
France 1/26/2018 $0 0 165 165 $5,088,564 4/11/2019
Germany 1/12/2018 $2,037,197 449 458 907 $5,274,419 6/11/2018
Italy 1/25/2018 $1,332,429 0 0 0 $4,056,337 9/22/2018
Japan 3/30/2018 $582,693 0 0 0 $772,073 6/8/2018
Lithuania 1/12/2018 $24,925 49 49 93 $61,108 2/13/2018
Mexico 1/19/2018 $1,826,007 0 0 0 $4,723,263 2/5/2018
Netherlands 1/12/2018 $637,910 85 89 559 $2,312,904 2/26/2018
New Zealand 1/19/2018 $148,154 65 66 254 $436,676 3/19/2018
Poland 1/12/2018 $268,308 0 0 0 $629,148 1/1/2019
Portugal 1/19/2018 $278,843 63 73 284 $801,757 3/20/2018
Romania 11/27/2020 $0 0 1 2 $748,541 2/17/2021
Russia (CIS) 3/8/2018 $1,191,464 510 519 1,610 $2,432,595 2/26/2019
Slovakia 1/19/2018 $72,140 64 64 134 $185,679 2/21/2018
South Korea 1/11/2018 $0 0 575 754 $2,106,692 5/22/2018
Spain 1/26/2018 $542,846 231 234 645 $1,264,711 2/15/2018
Turkey 1/12/2018 $81,140 64 64 119 $230,573 2/26/2019
United Kingdom 1/19/2018 $2,220,701 472 472 1,539 $5,501,290 3/21/2018
 
Rest of World $33,095,296
 
International Total$82,165,978 2/17/2021

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 1,301-1,400) 1,352 $82,165,978
All Time International Non-Sequel Box Office (Rank 901-1,000) 940 $82,165,978
Top 2018 Movies at the International Box Office 66 $82,165,978
All Time International Box Office for Original Screenplay Movies (Rank 601-700) 612 $82,165,978
All Time International Box Office for Live Action Movies (Rank 1,001-1,100) 1,004 $82,165,978
All Time International Box Office for Contemporary Fiction Movies (Rank 501-600) 524 $82,165,978
All Time International Box Office for Action Movies (Rank 301-400) 389 $82,165,978
All Time International Box Office for PG-13 Movies (Rank 501-600) 541 $82,165,978
All Time International Box Office for Lionsgate Movies 34 $82,165,978

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 1,501-1,600) 1,595 $118,509,836
All Time Worldwide Non-Sequel Box Office (Rank 1,101-1,200) 1,148 $118,509,836
Top 2018 Movies at the Worldwide Box Office 62 $118,509,836
All Time Worldwide Box Office for Original Screenplay Movies (Rank 701-800) 728 $118,509,836
All Time Worldwide Box Office for Live Action Movies (Rank 1,201-1,300) 1,236 $118,509,836
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 601-700) 667 $118,509,836
All Time Worldwide Box Office for Action Movies (Rank 401-500) 402 $118,509,836
All Time Worldwide Box Office for PG-13 Movies (Rank 601-700) 667 $118,509,836
All Time Worldwide Box Office for Lionsgate Movies 43 $118,509,836

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 22, 2018280,090 80,090$1,198,146$1,198,1463
Apr 29, 2018741,866-48% 121,956$626,315$1,824,4614
May 6, 20181418,113-57% 140,069$270,970$2,095,4315
May 13, 2018257,230-60% 147,299$108,161$2,203,5926

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 22, 2018377,360 77,360$1,602,441$1,602,4413
Apr 29, 2018834,010-56% 111,370$696,585$2,299,0264
May 6, 20182014,904-56% 126,274$306,248$2,605,2745

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.