Synopsis
The story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying-only to become snacks for a gruesome, flesh-eating virus.
Metrics
Movie Details
United Kingdom Releases: |
May 13th, 2016 (Wide) |
Video Release: |
July 5th, 2016 by IFC Midnight |
MPAA Rating: |
R for horror violence and gore, language, sexuality, nudity and some drug use (Rating bulletin 2447 (Cert #50743), 10/19/2016) |
Running Time: |
98 minutes |
Keywords: |
Remake, Cabin in the Woods, Body Horror |
Source: | Remake |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: |
IFC Midnight, Dragonfly Entertainment, Contend, Armory Films, Pelican Point Media, Elevated |
Production Countries: |
United States |
Languages: |
English |
July 4th, 2016
It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it.
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February 12th, 2016
It's Valentine's Day weekend, so it should come as no surprise that there's a few romantic films on this week's list. On the other hand, the biggest release is Where to Invade Next. Its reviews are good, but it is opening in 300 theaters, which could prove to be too many.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2016/05/13 |
26 |
$4,640 |
|
22 |
$211 |
$4,640 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
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Production and Technical Credits