Italy Box Office for Burnt (2015)

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Burnt poster
Theatrical Performance (US$)
Italy Box Office $2,328,765Details
Worldwide Box Office $36,766,293Details
Home Market Performance
North America DVD Sales $2,273,418 Details
North America Blu-ray Sales $873,147 Details
Total North America Video Sales $3,146,565
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Chef Adam Jones had it all—and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time out, and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive Michelin star though, he’ll need the best of the best on his side, including the beautiful Helene.

Metrics

Movie Details

Production Budget:$20,000,000
Italy Releases: November 26th, 2015 (Wide)
Video Release: January 15th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: R for language throughout.
(Rating bulletin 2396 (Cert #50048), 10/21/2015)
Running Time: 100 minutes
Keywords: Food, Restaurants, Addiction, Rehab / Former Addict, Misanthrope, Inspired by a True Story, Boss From Hell, Anger Management Issues, Professional Rivalry, Therapists / Therapy, Life on the Outside, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Shiny Penny, 3 Arts Entertainment, Battle Mountain Films, Weinstein Company
Production Countries: United States
Languages: English

Home Market Releases for January 26th, 2016

January 26th, 2016

Goosebumps

It is a really slow week on the home market this week. Not only are there very few releases, none of them are top-tier. The biggest release of the week is Goosebumps, but it is only good and not great. There are plenty of films worth picking up (The Assassin, Chi-raq, The Wrong Man, etc.) but none truly rise to Pick of the Week level. More...

Weekend Wrap-Up: Spectre Doesn't Break Records, but Earns More Than Just Peanuts

November 9th, 2015

The Peanuts Movie

It was a good weekend at the box office, but not a great weekend. Both Spectre and The Peanuts Movie opened well enough to be considered hits, but didn't quite reach the high marks I had expected. Call it irrational exuberance. Even though Spectre didn't break the record for the Bond franchise, it still did almost as well as all of the box office did last weekend. Additionally, The Peanuts Movie opened with more than $40 million, which is a great start, while its target audience should help its legs. The overall box office was $162 million, which is 115% more than last weekend. It was also 3.0% more than the same weekend last week, so the slump we've been in is officially over. Year-to-date, 2015 is now ahead of 2014 by a 4.9% margin at $8.89 billion to $8.48 billion. A $415 million lead with less than two months to go seems really safe, especially with a few more potential monster hits on the way. More...

Weekend Wrap-Up: Box Office is in Crisis Mode

November 2nd, 2015

Our Brand is Crisis

Most people expected the box office to be really weak this past weekend, but I don't think anyone anticipated this. How bad was this past weekend? All three new releases missed the Mendoza line* and there were no new releases in the top five. The overall box office was just $75 million, which was the lowest for the year and the fourth worst weekend in the past decade. This represents a 28% drop-off from last week and a 21% drop-off from the same weekend last year. 2015's overall lead over 2014 shrunk from 5.2% to 4.7%. The overall lead fell by $40 million at $8.69 billion to $8.31 billion. This is reason to panic, or it would be if Spectre wasn't opening on Friday. The film is breaking records in the U.K. and should be an explosive hit here. Hopefully it will do well enough that we can pretend the past two weeks never happened. More...

Weekend Estimates: Martian Avoids the Burnt Zombie Crisis

November 1st, 2015

The Martian

Halloween is a horror show for new releases, with none of them able to break a $2,000 theater average and The Martian enjoying a fourth weekend at the top of the chart. The sci-fi movie will earn about $11.4 million this weekend, for a total of $182.8 million, per Fox’s Sunday morning projection—down 28% from last weekend. The adult-skewing audience for the film meant it wasn’t badly affected by Halloween on Saturday, with its daily gross up 32% from Friday. In comparison, Goosebumps was up just 9% on Saturday, which leaves it too much to do to steal top spot. Sony projects the family adventure-horror film will end the weekend with $10.25 million over three days and $57.1 million in total. The new wide releases, meanwhile, will barely earn $10 million between them. More...

Friday Estimates: Halloween Haunts the Box Office

October 31st, 2015

Scouts Guide to the Zombie Apocalypse

Because Halloween is a dead zone for the box office when it lands during the weekend, it has a major effect on the box office. Therefore, it is important for box office analysts to compare weekends where the holiday lands on the same day. This is a problem, because the last time Halloween landed on a Saturday was 2009. The only film to open wide that weekend was Michael Jackson's This is It, which is in no way similar to any of the movies that opened wide this weekend. The previous similar weekend was in 1998, but while Vampires is a closer match to Scouts Guide to the Zombie Apocalypse, the box office has changed too much to compare the films. We're flying blind this weekend. Fortunately, even flying blind, it is easy to make one declaration: All three wide releases bombed. More...

Thursday Night Previews: Burnt Out

October 30th, 2015

Burnt

Two of the three wide releases had Thursday previews, with Burnt having the bigger of the two films' launches. Bigger is a relative term. It only managed $250,000 during its previews, which is bad news. Its bad news for the studio, as this doesn't bode well for its box office chances. It is also bad new for me, because this is so low it is hard to find other films to compare it with. It is about 10% lower than The Green Inferno, which is about as close a match as I could find, but those two films share almost none of their respective audiences. The Intern is a closer match as far as audiences are concerned. That film earned $650,000 during its previews on its way to a $24.90 million opening weekend. Burnt has worse reviews, so it likely won't have the same internal multiplier. Even so, it should make between $7 million and $9 million, which is a little higher than predicted, but not enough to keep the studio happy. More...

Weekend Predictions: Halloween Horrors

October 29th, 2015

Our Brand is Crisis

Halloween is a dead zone for the box office, for the most part, and this year it lands on Saturday. Unless we are dealing with a horror film, it's going to be a bad weekend. There are two truly wide openings this weekend, Burnt and Our Brand is Crisis, neither of which are horror films. There is also one semi-wide release, Scouts Guide to the Zombie Apocalypse, which is a horror movie, but the buzz is so quiet I don't think it will matter. All three movies are earning bad reviews and it looks like the top three this weekend will be the same as they were last weekend. (There's a chance Goosebumps gets a big enough Halloween boost to climb into first place.) This weekend last year, there was only one new release in the top ten, Nightcrawler, which earned second place with just over $10 million. That's better than any one of the new releases will do this year; however, there's better depth this year, so I think 2015 will come out on top on the year-over-year comparison. More...

Contest: Crisis Management

October 23rd, 2015

Our Brand is Crisis

Next weekend three films are opening wide, maybe, sort of? Halloween is on Saturday, which is a dead zone for the box office, so I don't think the studios are too concerned about the movies they are releases. Burnt might be opening in limited release this week and expanding wide next weekend, or it might be opening wide next weekend. (I just read a source that had it opening wide this week. Confusion like that can't help the film.) Scout's Guide to the Zombie Apocalypse is opening at least semi-wide, but it is also coming out on VOD just a few weeks later, so a lot of theater owners are balking at the film. That leaves Our Brand is Crisis. I doubt it will be a hit, but I think it has the best shot at earning number one out of these three films. As such, it is the only choice for the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Our Brand is Crisis.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. This is the last time we will be doing this for Halloween, but we're doing it again for Christmas, with two presents and a lump of coal. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: October

October 1st, 2015

The Martian

September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/11/27 4 $872,956   273 $3,198   $872,956 1
2015/12/04 5 $615,911 -29% 281 $2,192   $1,777,507 2
2015/12/11 7 $266,293 -57% 0     $2,302,535 3
2015/12/18 25 $6,662 -97% 8 $833   $2,305,555 4
2015/12/25 31 $1,152 -83% 2 $576   $2,308,853 5
2016/01/08 34 $746   1 $746   $2,311,490 7
2016/01/22 39 $791   1 $791   $2,315,939 9
2016/01/29 39 $247 -69% 1 $247   $2,316,931 10
2016/03/04 44 $879   1 $879   $2,323,067 15
2016/03/18 27 $3,813   2 $1,907   $2,328,765 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/28/2016 $65,525 45 45 56 $98,815 11/30/2018
Australia 10/23/2015 $631,890 246 248 941 $2,093,098 7/21/2021
Austria 12/4/2015 $40,202 27 27 85 $150,063 6/9/2016
Belgium 12/2/2015 $85,420 30 30 81 $155,845 12/29/2015
Brazil 12/10/2015 $434,495 171 171 390 $1,295,401 6/9/2016
Bulgaria 10/23/2015 $31,628 18 20 104 $141,516 12/30/2018
Central America 3/3/2016 $0 0 1 1 $5,100 3/22/2016
Croatia 10/22/2015 $0 0 18 74 $127,425 12/30/2018
Czech Republic 10/22/2015 $27,263 41 41 60 $78,232 12/30/2018
Denmark 12/10/2015 $32,866 41 41 41 $32,866 12/16/2015
Ecuador 2/19/2016 $6,288 11 11 22 $14,393 12/31/2018
Estonia 11/13/2015 $15,821 9 9 16 $34,234 11/25/2015
Finland 12/4/2015 $0 0 29 41 $51,208 12/21/2015
France 11/4/2015 $1,228,943 296 296 851 $2,483,452 11/25/2015
Germany 12/3/2015 $119,704 144 144 331 $282,966 9/5/2016
Greece 10/22/2015 $66,988 26 29 55 $163,686 11/3/2015
Hong Kong 12/10/2015 $163,505 25 25 55 $377,748 6/9/2016
Iraq 10/29/2015 $1,770 1 1 2 $2,724 12/30/2018
Italy 11/26/2015 $872,956 273 281 570 $2,328,765 6/9/2016
Lebanon 10/29/2015 $35,090 6 6 24 $169,693 12/30/2018
Mexico 4/8/2016 $186,447 0 0 0 $360,860 9/8/2018
Netherlands 11/26/2015 $134,734 66 66 328 $673,172 6/9/2016
New Zealand 10/23/2015 $85,819 52 52 214 $230,671 9/5/2019
North America 10/30/2015 $5,002,341 3,003 3,003 8,217 $13,651,946 9/24/2018
Oman 10/29/2015 $597 1 2 3 $1,977 12/30/2018
Peru 3/3/2016 $31,933 17 17 30 $66,598 12/31/2018
Philippines 11/4/2015 $46,541 42 42 42 $46,541 12/30/2018
Portugal 10/22/2015 $105,743 40 43 176 $361,969 12/21/2015
Romania 10/23/2015 $74,227 66 66 157 $252,965 12/30/2018
Russia (CIS) 11/12/2015 $510,248 730 730 1511 $900,646 12/31/2018
Serbia and Montenegro 10/29/2015 $0 0 10 12 $23,969 12/30/2018
Singapore 10/29/2015 $104,575 19 19 44 $191,738 12/1/2015
Slovakia 10/22/2015 $32,558 45 45 72 $64,134 11/3/2015
Slovenia 10/22/2015 $0 0 9 18 $23,324 11/17/2015
South Africa 10/23/2015 $85,022 64 64 64 $85,022 10/27/2015
South Korea 11/5/2015 $724,385 409 409 631 $1,249,660 9/9/2018
Sweden 11/6/2015 $0 0 25 35 $155,523 12/1/2015
Switzerland 11/4/2015 $0 0 38 138 $585,949 9/5/2016
Taiwan 10/30/2015 $391,276 50 50 183 $1,333,351 12/16/2015
Thailand 1/28/2016 $0 0 3 3 $0
Turkey 10/30/2015 $80,156 55 55 131 $237,384 12/31/2018
Ukraine 11/12/2015 $64,837 63 63 63 $64,837 12/30/2018
United Arab Emirates 10/29/2015 $183,127 18 18 53 $613,911 12/30/2018
United Kingdom 11/6/2015 $671,857 364 364 791 $1,664,945 6/9/2016
 
Rest of World $3,837,971
 
Worldwide Total$36,766,293 7/21/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Bradley Cooper    Adam Jones

Supporting Cast

Sienna Miller    Helene
Omar Sy    Michel
Daniel Brühl    Tony
Riccardo Scamarcio    Max
Sam Keeley    David
Alicia Vikander    Anne Marie
Matthew Rhys    Reece
Lily James    Sara
Uma Thurman    Simone
Emma Thompson    Dr. Rosshilde
Sarah Greene    Kaitlin
Richard Rankin    Waiter
Stephen Campbell Moore    Jack
Lexi Benbow Hart    Lily
Bo Bene    Yana
Elisa Lasowski    Denitzi
Julian Firth    Langham Maitre'd
John MacDonald    French Heavy #1
Raphael Acloque    French Heavy #2
Martin Trenaman    Emile
Jody Halse    Electrician
Polly Lewis Copsey    Young Guy on Food Truck
Richard Cunningham    Michelin Inspector #1
Richard Attlee    Michelin Inspector #2
Charlotte Hawkins    TV Presenter
Tony Pritchard    Guard
Natasha Alderslade    Simone's Companion

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Wells    Director
Steven Knight    Screenwriter
Michael Kalesniko    Story by
Stacey Sher    Producer
John Wells    Producer
Erwin Stoff    Producer
Bob Weinstein    Executive Producer
Harvey Weinstein    Executive Producer
Michael Shamberg    Executive Producer
Kris Thykier    Executive Producer
Claire Rudnick Polstein    Executive Producer
Dylan Sellers    Executive Producer
Caroline Hewitt    Co-Producer
Adriano Goldman    Director of Photography
David Gropman    Production Designer
Nick Moore    Editor
Lyn Elizabeth Paolo    Costume Designer
Rob Simonsen    Composer
Dana Sano    Music Supervisor
Nina Gold    Casting Director
Karen Gropman    Supervising Art Director
John Frankish    Supervising Art Director
Joe Howard    Art Director
Tina Jones    Set Decorator
Gareth John    Sound Mixer
Glynna Grimala    Supervising Sound Editor
Lon Bender    Supervising Sound Editor
John Ross    Re-recording Mixer
Christian P. Minkler    Re-recording Mixer
Tony Auger    Special Effects Supervisor
Steve Street    Visual Effects Supervisor
Edith LeBlanc    Line Producer-New Orleans
Kristin Martini    Associate Producer
Richard Styles    Assistant Director
Ross Emery    Second Unit Director
Paul Herbert    Stunt Coordinator
Ray De Haan    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.