Lithuania Box Office for The Brothers Grimsby (2016)

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The Brothers Grimsby poster
Theatrical Performance (US$)
Lithuania Box Office $101,023Details
Worldwide Box Office $28,720,470Details
Home Market Performance
North America DVD Sales $1,307,680 Details
North America Blu-ray Sales $1,101,899 Details
Total North America Video Sales $2,409,579
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Nobby has everything a man from the poor English fishing town of Grimsby could want—9 children and the most attractive girlfriend in northern England. There’s only one thing missing in his life: his little brother, Sebastian. After they were adopted by different families as children, Nobby spent 28 years searching for him. Upon hearing of his location, Nobby sets off to reunite with his brother, unaware that not only is his brother an MI6 agent, but he’s just uncovered a plot that puts the world in danger. On the run and wrongfully accused, Sebastian realizes that if he is going to save the world, he will need the help of its biggest idiot.

Metrics

Movie Details

Production Budget:$35,000,000
Lithuania Releases: March 11th, 2016 (Wide)
Video Release: May 24th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: R for strong crude sexual content, graphic nudity, violence, language, and some drug use.
(Rating bulletin 2412 (Cert #49632), 2/17/2016)
Running Time: 82 minutes
Keywords: Separated at Birth, Dysfunctional Family, Secret Agent, Terrorism, Conspiracy Theory, Spoof, Action Comedy, Scene in End Credits, Sibling Rivalry
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, LStar Capital, Village Roadshow Productions, Four by Two Films, Working Title Films, Big Talk Pictures
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Thursday Night Previews: Me, Me, Me

June 3rd, 2016

Me Before You

Oh no. Teenage Mutant Ninja Turtles: Out of the Shadows earned the best Thursday night previews, but did so with just $2 million. That's a mere fraction of the $4.5 million Teenage Mutant Ninja Turtles and could spell real trouble for the film's box office chances. The reviews are a little better than its predecessor's reviews were, but it is also a sequel and those tend to have shorter legs. It might struggle to top $30 million and that means first place isn't a sure thing anymore. More...

Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it. More...

Thursday Night Previews: Batman gets off to a Super Start

March 25th, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice started its box office run with $27.7 million from Thursday previews. This is more than twice what Deadpool earned during its previews earlier this year and it beats the previous pre-summer record of $15.8 million by Furious 7 last year. Unfortunately, there are a couple of reasons to not be too excited. Firstly, the Fanboy effect is really strong for this film. “Committed” would be a word I would use to described the hardcore fans of the DC Extended Universe. They will rush out to see the movie regardless of the quality. Secondly, this is a terrible movie. Its Tomatometer Score is just 30% positive, which is bad no matter how you look at it. Word-of-mouth could do some real damage before the weekend is over. More...

Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses

March 22nd, 2016

Zootopia

At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion. More...

Weekend Wrap-Up: Zootopia Doubles The Competition with $51.34 Million

March 15th, 2016

Zootopia

The weekend box office was mostly positive with both Zootopia and 10 Cloverfield Lane finishing on the very high end of expectations over the weekend. On the other hand, the less said about the other new wide releases the better. Overall, the box office fell from last weekend, down 17% to $135 million, but that's not a bad decline after Zootopia's monster opening. Compared to last year, the box office was up 2.5%, which isn't a great improvement, but any win now increases the chances 2016 will remain competitive with 2015 when we reach the point that Furious 7, The Avengers: Age of Ultron, and Jurassic World opened last year. Speaking of the year-over-year comparison, 2016's lead over 2015 slipped to 8.7% at $2.15 billion to $1.98 billion. That is still an impressive lead and one that will hopefully grow by the end of the month. More...

Weekend Estimates: Zootopia Romps to $50 Million Second Weekend

March 13th, 2016

Zootopia

Zootopia is headed to another big win at the box office this weekend, with a modest 33% decline from last weekend keeping it well ahead of a pack of new releases. Its $50 million gross this time around takes it to $142.6 million in total domestically. With $288.7 million in the bank internationally, including over $100 million in China by the end of the weekend, Disney looks to have struck gold again. A sequel, theme park tie-ins and merchandizing seem likely, although Disney has so much of that going on already, what with Star Wars, Marvel, its Princess lines, and Pixar, that this might actually be more of a niche for them. (A half-billion-dollar-and-counting niche. Nice work if you can get it.) More...

Friday Estimates: Utopia for Zootopia, Clover Sees Green, Rest Bomb

March 12th, 2016

Zootopia

As expected, Zootopia led the way at the box office on Friday. However, its Friday number was better tan anticipated at $12.02 million. It should have a real jump at the box office on Saturday, due to its family-friendly nature, giving the film a real shot at $50 million during its sophomore stint. Even if it just fails to get there, which is likely, that would be down only 30% or so from its opening frame, and would put the film’s running tally at over $140 million and would put it on pace for well over $250 million in the end. That’s very impressive, especially for this time of year. More...

Thursday Night Previews: Cloverfield gets Lucky During Its Previews

March 11th, 2016

10 Cloverfield Lane

10 Cloverfield Lane had the best results during its Thursday previews with $1.8 million in 2,500 theaters. This is the same as Insidious: Chapter 3 managed last year during its previews. That film opened with $22.69 million over the full weekend, which is a good target for 10 Cloverfield Lane to aim for. With amazing reviews, $25 million is within reach. We will know more tomorrow when we get Friday's estimates. More...

Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race

March 10th, 2016

10 Cloverfield Lane

There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either. More...

2016 Preview: March

March 1st, 2016

Zootopia

It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.

As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/11 3 $28,089   13 $2,161   $29,706 1
2016/03/18 6 $16,741 -40% 49 $342   $65,331 2
2016/03/25 6 $26,959 +61% 105 $257   $75,001 3
2016/04/01 12 $2,234 -92% 11 $203   $88,929 4
2016/04/08 12 $2,848 +27% 2 $1,424   $93,239 5
2016/04/15 12 $5,085 +79% 19 $268   $94,598 6
2016/04/22 14 $2,251 -56% 8 $281   $96,371 7
2016/04/29 18 $741 -67% 4 $185   $101,834 8
2016/05/06 17 $169 -77% 2 $85   $102,041 9
2016/05/13 13 $491 +191% 3 $164   $101,402 10
2016/05/20 16 $166 -66% 2 $83   $101,023 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 3/10/2016 $0 0 3 3 $7,115 12/31/2018
Australia 3/11/2016 $1,218,945 323 323 994 $2,863,350 6/9/2016
Austria 3/11/2016 $130,447 71 71 263 $352,677 6/9/2016
Belgium 4/13/2016 $67,241 27 27 87 $132,822 6/9/2016
Bulgaria 2/26/2016 $18,613 35 35 116 $82,111 2/26/2019
Croatia 3/3/2016 $44,892 42 42 121 $144,933 12/31/2018
Curacao 3/10/2016 $1,842 3 3 7 $4,369 12/31/2018
Czech Republic 3/10/2016 $48,360 56 56 148 $115,753 12/31/2018
Denmark 3/10/2016 $54,275 55 55 113 $121,358 6/9/2016
Estonia 3/11/2016 $30,061 17 17 31 $83,384 6/9/2016
Finland 2/26/2016 $128,819 81 81 196 $410,948 6/9/2016
France 4/13/2016 $399,353 211 211 444 $703,690 6/9/2016
Germany 3/10/2016 $573,590 395 395 1219 $1,228,237 6/9/2016
Greece 2/25/2016 $41,969 44 44 75 $99,690 6/9/2016
Hungary 3/3/2016 $70,769 40 40 140 $208,722 12/31/2018
Iceland 3/4/2016 $18,660 8 8 23 $96,774 12/31/2018
Israel 2/25/2016 $156,908 30 30 134 $540,265 12/31/2018
Italy 4/7/2016 $137,646 185 185 200 $199,510 6/9/2016
Jamaica 3/30/2016 $3,849 3 3 3 $3,849 12/31/2018
Latvia 3/11/2016 $14,995 8 10 23 $62,323 12/31/2018
Lithuania 3/11/2016 $28,089 13 105 218 $101,023 6/9/2016
Netherlands 2/25/2016 $254,474 84 94 280 $584,572 6/9/2016
New Zealand 3/11/2016 $127,803 68 69 235 $340,643 6/9/2016
North America 3/11/2016 $3,258,327 2,235 2,235 4,780 $6,864,016 4/4/2017
Norway 2/26/2016 $134,769 152 152 260 $319,364 6/9/2016
Poland 2/26/2016 $107,132 106 106 229 $243,569 12/31/2018
Portugal 3/10/2016 $72,000 62 62 184 $232,696 6/9/2016
Romania 3/4/2016 $64,340 56 56 182 $215,982 12/31/2018
Russia (CIS) 3/10/2016 $883,559 914 914 2153 $2,173,239 12/31/2018
Serbia and Montenegro 2/25/2016 $14,354 16 16 49 $68,856 12/31/2018
Singapore 3/10/2016 $30,116 10 10 35 $140,335 6/9/2016
Slovakia 3/3/2016 $26,260 54 54 100 $68,278 6/9/2016
Slovenia 2/25/2016 $17,461 10 12 68 $68,231 6/9/2016
South Africa 2/26/2016 $22,466 50 50 102 $49,282 6/9/2016
Spain 3/18/2016 $417,352 286 286 796 $1,097,568 6/8/2016
Sweden 2/24/2016 $102,134 110 110 145 $246,394 6/9/2016
Switzerland 3/10/2016 $132,103 50 50 142 $388,057 6/9/2016
Trinidad 3/30/2016 $17,799 8 8 20 $34,026 12/31/2018
Ukraine 3/10/2016 $113,824 154 161 415 $312,128 12/31/2018
United Kingdom 2/24/2016 $2,674,787 522 522 1930 $7,473,233 6/9/2016
 
Rest of World $237,098
 
Worldwide Total$28,720,470 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Sacha Baron Cohen    Nobby
Mark Strong    Sebastian
Rebel Wilson    Dawn Grobham
Penélope Cruz    Rhonda George
Isla Fisher    Jodie Figgis
Gabourey Sidibe    Banu the Cleaner
Annabelle Wallis    Lina Smit

Supporting Cast

Ian McShane    M16 Head
Johnny Vegas    Milky Pimms
David Harewood    Black Gareth
Sam Hazeldine    Chilcott
Nick Boraine    Joris Smit
Zak Sutcliffe    Luke
Eileen Davies    Mrs. Wearham
Ricky Tomlinson    Paedo Pete
Barkhad Abdi    Tabansi Nyagura
Lex Shrapnel    Steven Marber
Rory Keenan    James Thurbeck
Tamsin Egerton    Carla Barnes
Margaret Jackman    Doris
John Thomson    Bob Tolliver
Lewis Johnson    Young Nobby
Scott Adkins    Pavel Lukashenko
Jorge De Juan    Javier Alvarez
Rebecca Front    Lady at Worldcure Event
Peter Baynham    Traffic Warden
Bob Cryer    News Reporter
Janie Booth    Shouting Woman
Jason Furnival    Priest
Paul Thornley    Clive Graves
Joanna Bobin    Mrs. Graves
Jamie Chambers    Assassin #1
Feyi Babalola    African Woman
Zorro Sidloyi    Limo Driver
Craig Macrae    Joris Henchman
Hennie Bosman    Joris Henchman
Robert Wilfort    Harold Lowsley
Clayton Evertson    Young Guard
Afif Ben Badra    Spa Therapist
Nick Sampson    Noam Popper
Alex Lowe    Policeman
Miles Jupp    Policeman
Mark Theodore    Tigertail Security Officer
Alex Lanipekun    Special Branch Agent
Sam Redford    Officer on Megaphone
Ant Hines*    Giles Wareham

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Louis Leterrier    Director
Sacha Baron Cohen    Producer
Nira Park    Producer
Sacha Baron Cohen    Screenwriter
Phil Johnston    Screenwriter
Peter Baynham    Screenwriter
Sacha Baron Cohen    Story by
Phil Johnston    Story by
Louise Rosner Meyer*    Executive Producer
Todd Schulman    Executive Producer
Phil Johnston    Executive Producer
Peter Baynham    Executive Producer
James Biddle    Executive Producer
Eric Fellner    Executive Producer
Tim Bevan    Executive Producer
Ant Hines*    Executive Producer
Adam McKay    Executive Producer
Ben Waisbren    Executive Producer
Oliver Wood    Director of Photography
Kave Quinn    Production Designer
James Thomas    Editor
Jonathan Amos    Editor
Paco Delgado    Costume Designer
Erran Baron Cohen    Composer
David Buckley    Composer
Alexander Oakley    Assistant Director
Louise Rosner    Line Producer
Evan Henke    Additional Editor
Debra Neil-Fisher    Additional Editor
Stuart Kearns    Art Director
Jonathan Hely-Hutchinson    Art Director
Ute Bergk    Set Decorator
Melinda Launspach    Set Decorator
Steve Demko    Executive in Charge of Post Production
Colin Nicolson    Sound Mixer
Scott Harber    Sound Mixer
Julian Slater    Supervising Sound Editor
Deb Adair    Re-recording Mixer
Julian Slater    Re-recording Mixer
Adam Kirley    Stunt Coordinator
Grant Hulley    Stunt Coordinator
John Moffatt    Visual Effects Supervisor
Chad Stahelski    Second Unit Director
Lucy Bevan    Casting Director
Mito Skellern    Casting Director
Fraser Taggart    Second Unit Camera

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.