New Zealand Box Office for Bombshell: The Hedy Lamarr Story (2017)

← Go to main Bombshell: The Hedy Lamarr Story page

Bombshell: The Hedy Lamarr Story
Theatrical Performance (US$)
New Zealand Box Office $676Details
Worldwide Box Office $1,035,493Details
Home Market Performance
North America DVD Sales $84,983 Details
North America Blu-ray Sales $55,329 Details
Total North America Video Sales $140,312
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Hedy Lamarr was one of, if not the most beautiful movie star of the 1930s and 40s but she was also a scientist and inventor who perfected a radio system to throw Nazi torpedoes off course during WWII. Her work, which is now considered the basis for bluetooth/cellphone technology was so undervalued at the time that at the end of her life she was a recluse, impoverished and virtually forgotten.

Metrics

Movie Details

New Zealand Releases: July 15th, 2021 (Limited)
Video Release: April 24th, 2018 by Kino Lorber
MPAA Rating: Not Rated
Running Time: 89 minutes
Keywords: Biography, Film Actor, Inventor, Woman in a Male Dominated Profession, 1930s, 1940s, World War II, Poverty
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Reframed Pictures, American Masters, Submarine Entertainment, Artemis Rising Films, Dogwoof
Production Countries: United States
Languages: English

Home Market Releases for April 24th, 2018

April 25th, 2018

Paddington 2

Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title. More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

Weekend Estimates: Coco Gives Disney Another Thanksgiving Win

November 26th, 2017

Coco Coco will easily top the box office chart this Thanksgiving weekend, with Disney projecting a $71 million 5-day opening, including $49 million from Friday to Sunday. That’s the fourth-best Thanksgiving opening of all time, behind Frozen ($94 million), Moana ($82 million), and Toy Story 2 ($80 million). In all, Disney lays claim to 10 of the top 11 opening weekend’s over this holiday period, although, to be fair, the Hunger Games and Harry Potter franchises both claim several spots in the higher reaches of the Thanksgiving weekend record chart, but were just playing in their second weekend, rather than opening.

Nit-picking aside, it’s a great weekend for Coco. More...

Limited and VOD Releases: Call Me Anytime

November 24th, 2017

Call Me by Your Name

It is Thanksgiving weekend, but while that’s a great week for wide releases, it’s a terrible one for limited releases. Normally, we only mention films that have ten or more reviews on Rotten Tomatoes. However, this week there are only seven films in total, so we might as well talk about them all. To be fair, just because it is a slow week, doesn’t mean there’s nothing worth checking out. In fact, there are several films worth checking out. The Man Who Invented Christmas is the widest release, opening in over 600 theaters. Call Me by Your Name is clearly the best and it is already making waves during Awards Seasons. Finally, Bombshell: The Hedy Lamarr Story is the one I’m most interested in seeing. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2022/07/01 - $559   1 $559   $676 51

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/2/2018 $3,629 4 4 19 $52,331 4/9/2018
New Zealand 7/15/2021 $0 0 1 1 $676 7/5/2022
North America 11/24/2017 $18,742 2 31 295 $820,300
South Korea 6/7/2018 $14,151 36 36 91 $76,555 10/12/2018
United Kingdom 3/9/2018 $85,631 12 12 12 $85,631 3/14/2018
 
Worldwide Total$1,035,493 7/5/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Hedy Lamarr    Herself

Interviewee(s)

Mel Brooks    Himself
Jennifer Hom    Herself
Anthony Loder    Himself
Wendy Colton    Herself
Fleming Meeks    Himself
Richard Rhodes    Himself
Jan-Christopher Horak    Himself
Jeanine Basinger    Herself
Peter Bogdanovich    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alexandra Dean    Director
Alexandra Dean    Screenwriter
Adam Haggiag    Producer
Alexandra Dean    Producer
Katherine Drew    Producer
Susan Sarandon    Executive Producer
Regina K. Scully    Executive Producer
Michael Kantor    Executive Producer
Dan Braun    Producer
David Koh    Producer
Alexandra Dean    Editor
Penelope Falk    Editor
Lindy Jankura    Editor
Buddy Squires    Director of Photography
Raife Burchell    Music Supervisor
Karl Westman    Music Supervisor
Jeremy Bullock    Composer
Keegan DeWitt    Composer
Junko Tsunashima    Supervising Producer
Julie Sacks    Series Producer