Japan Box Office for Boku no Hīrō Akademia The Movie Hīrōzu: Raijingu (2019)

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Boku no Hīrō Akademia The Movie Hīrōzu: Raijingu
Theatrical Performance (US$)
Japan Box Office $15,104,115Details
Worldwide Box Office $30,017,163Details
Home Market Performance
North America Blu-ray Sales $7,299,225 Details
Total North America Video Sales $7,299,225
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it’s more like a vacation … until they’re attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens’ lives on the line, there’s no time for questions. Deku and his friends are the next generation of heroes, and they’re the island’s only hope.

Metrics

Movie Details

Japan Releases: December 20th, 2019 (Wide)
Video Release: October 27th, 2020 by Funimation Productions
MPAA Rating: PG-13 for violence and language. (subtitled)
(Rating bulletin 2617 (Cert #52556), 2/19/2020)
Running Time: 104 minutes
Franchise: My Hero Academia
Keywords: Action Adventure, Anime
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production Countries: Japan
Languages: Japanese

International Round Up: Onward Leads Taiwan, Box Office Moves Upward, Cineworld Eyes July for Reopening

May 28th, 2020

Onward

Cineworld announced tentative plans to reopen all 790 theaters they operate in 11 markets in July. This would be great news for the movie industry, if it happens. The cinema chain is the biggest in the US domestic market, but it is also a major player in Europe. There are still several major markets in Europe with tens of thousands of active cases of COVID-19, including the U.K., France, Spain, Italy, so it remains uncertain whether their full plans will come to fruition. If this works, then it will be a big boost to morale as it is a concrete sign things are returning to normal. If there’s a second wave and cinemas have to be shut down again, like what happened in China, then it could be devastating. As for this week’s box office numbers, there is not a lot to talk about, but what we few numbers we have are mostly positive. More...

Theater Averages: First Cow Comes Home

March 12th, 2020

First Cow

First Cow was one of two films in the $10,000 club earning an average of $20,331 in four theaters. The Booksellers was the only other member of the $10,000 club opening with $15,794 in its lone theater. More...

Weekend Wrap-Up: Onward on the Outs

March 10th, 2020

Onward

It was a bad weekend at the box office. There’s really no way to spin this in a positive way. Onward opened just below the low end of predictions with just $39.12 million. The Way Back couldn’t make up the difference, as it only managed $8.17 million. The overall box office was up 2.0% from last weekend at just over $100 million. Sadly, this was 52% lower than the same weekend last year when Captain Marvel debuted. I don’t think anyone truly thought 2020 would win this weekend in the year-over-year competition. However, I don’t think many thought it would lose this badly. In fact, 2020 has slipped below 2019’s pace by 1.3% or $22 million at $1.68 billion to $1.70 billion. This is a disaster. More...

Theater Averages: Frances has a Saintly Start

March 6th, 2020

Saint Frances

Saint Frances was the only new release to land in the $10,000 club opening with $14,298 in one theater. The re-release of Come and See continued to do well earning $12,859, also in one theater. Emma expanded into nearly 100 theaters earning an average of $11,955 along the way. More...

Weekend Wrap-Up: Invisible Man first Horror Film Truly Seen by Audiences

March 3rd, 2020

The Invisible Man

It has not been a good year for horror films so far, but The Invisible Man broke the slump by earning first place over the weekend with $28.21 million. It is already the biggest horror hit of the year after just three days of release. Unfortunately, this wasn’t enough, as the overall box office fell 4.2% from last weekend to $98 million. Worse still, this was 14% lower than the same weekend last year. Granted, 2020 is still ahead of 2019, so there is no reason to panic. In fact, thanks to weekday numbers, the lead has grown to $116 million / 8.1% at $1.55 billion to $1.43 billion. More...

Weekend Estimates: Invisible Man Appears at Top of Chart

March 1st, 2020

The Invisible Man

The Invisible Man will debut this weekend with $29 million, according to Universal’s Sunday morning projection. That’s enough to make it the highest-grossing horror movie of 2020 after just three days in release, and is well ahead of predictions. The result is helped considerably by strong reviews, with the film earning a B+ from CinemaScore, and a 90% critics’ score and 89% audience score from Rotten Tomatoes. More...

Friday Estimates: Invisible Man Makes Its Presence Felt

February 29th, 2020

The Invisible Man

The Invisible Man opened with $9.8 million on Friday, which means it is the sixth-biggest horror film released in 2020 so far after just one day in theaters. It is projected to be in first place by the end of the weekend with $26 million, topping predictions, albeit by a very small margin. The film’s reviews remain excellent and it earned a B plus from CinemaScore. That is stellar, for a horror movie. It would be okay for an action movie and terrible for a family film / faith-based release, but it is amazing for a horror film. More...

Limited and VOD Releases: Hero or Zero?

February 28th, 2020

My Hero Academia: Heroes Rising

My Hero Academia: Heroes Rising is easily the biggest limited release on this week’s chart. Also, its reviews are really good. Hopefully it won’t be the only box office hit on this week’s list, but I fear it could be. There are several films like Blood On Her Name, Saint Frances, and more with impressive Tomatometer Scores, but less impressive average ratings, so maybe they are better fits for the home market. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/6/2020 $12,616 1 96 208 $362,423 10/20/2022
Japan 12/20/2019 $2,586,458 0 0 0 $15,104,115 2/7/2020
Mexico 3/13/2020 $0 0 0 0 $681,829 12/15/2020
Netherlands 7/17/2020 $40,915 34 35 93 $101,264 10/19/2022
New Zealand 3/12/2020 $39,703 22 22 43 $57,611 10/19/2022
North America 2/26/2020 $5,891,252 1,260 1,275 1,959 $13,553,826
Portugal 9/11/2020 $11,542 49 49 143 $28,481 10/19/2022
Spain 9/11/2020 $73,603 209 209 344 $127,614 9/24/2020
 
Worldwide Total$30,017,163 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dani Chambers    Mahoro
Maxey Whitehead    Katsuma
Zeno Robinson    Hawks
Lydia Mackay    Slice
Greg Dulcie    Chimera
Brendan Blaber    Mummy
Johnny Yong Bosch    Nine

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kenji Nagasaki    Director
Yōsuke Kuroda    Screenwriter
Kōhei Horikoshi    Story Creator