Turkey Box Office for Berlin Sendromu (2017)

← Go to main Berlin Syndrome page

Berlin Syndrome
Theatrical Performance (US$)
Turkey Box Office $10,900Details
Worldwide Box Office $788,191Details
Home Market Performance
North America DVD Sales $50,235 Details
Total North America Video Sales $50,235
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

While in Berlin, Australian photojournalist Clare meets Andi, a charismatic local man and there is an instant attraction between them. But what initially appears to be the start of a romance suddenly takes an unexpected and sinister turn when Clare wakes up the following morning to discover Andi has left for work and locked her in his apartment, and he has no intention of letting her go again… ever.

Metrics

Movie Details

Production Budget:$5,500,000
Turkey Releases: June 23rd, 2017 (Wide), released as Berlin Sendromu
Video Release: June 27th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for disturbing violent content, strong sexuality, nudity and some language.
(Rating bulletin 2465 (Cert #50932), 3/1/2017)
Running Time: 116 minutes
Keywords: Romance, Obsession, Australia, Set in Berlin, Photography, Trapped, Kidnap, Backpacking, Tourists In Trouble, Surprise Twist, One Night Stand, Sundance Film Festival 2017
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Australia, Germany
Languages: English, German

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

Limited and VOD Releases: Lovers of Limited Releases

May 5th, 2017

Chuck

It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/23 - $3,489   21 $166   $3,489 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/21/2017 $45,306 22 22 112 $191,972 7/3/2017
North America 5/5/2017 $0 0 25 25 $28,660 10/24/2018
Russia (CIS) 7/21/2017 $47,801 130 130 215 $97,537 1/1/2019
South Korea 6/27/2017 $0 0 78 78 $48,895 7/27/2017
Turkey 6/23/2017 $3,489 21 21 21 $10,900 2/26/2019
United Kingdom 6/9/2017 $43,295 31 31 31 $43,295 6/17/2017
 
Rest of World $366,932
 
Worldwide Total$788,191 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Teresa Palmer    Clare
Max Riemelt    Andi

Uncategorized

Emma Bading    Franka Hummels
Lucie Aron    Elodie Zadikan
Matthias Habich    Erich

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Cate Shortland    Director
Shaun Grant    Screenwriter
Melanie Joosten    Story adapted from the novel ‘Berlin Syndrome’ by
Polly Stanford    Producer
Angie Fielder    Executive Producer