.jpg)
| Theatrical Performance (US$) | ||
| Hong Kong Box Office | $91,461 | Details |
| Worldwide Box Office | $2,040,664 | Details |
| Further financial details... | ||
| Production Budget: | $8,000,000 |
| Hong Kong Releases: | June 26th, 2020 (Wide) |
| Video Release: | July 24th, 2001 by Geneon Video |
| MPAA Rating: | R for graphic violence and brief nudity |
| Running Time: | 124 minutes |
| Keywords: | Anime, Mutants, Body Horror |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Hand Animation |
| Creative Type: | Science Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
November 11th, 2013
There are a number of good releases this week. The two biggest releases are Man of Steel and Turbo. While the former has a larger target audience, the latter is the better film. It is still not Pick of the Week material. The best films are some of the smaller releases, like The Attack, Barbara, Blackfish, City Lights, and Prince Avalanche. All of those are worth picking up, but I think Nosferatu on Blu-ray is the Pick of the Week.
More...
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/27/1991 | $0 | 0 | 51 | 292 | $396,107 | 12/11/2023 |
| Hong Kong | 6/26/2020 | $91,461 | 0 | 0 | 0 | $91,461 | 7/3/2020 |
| Italy | 3/14/2023 | $0 | 0 | 0 | 0 | $0 | |
| Japan | 5/15/2020 | $0 | 0 | 0 | 0 | $1,130,351 | 7/3/2020 |
| Mexico | 6/13/2024 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 12/9/2017 | $0 | 0 | 6 | 15 | $36,342 | 11/24/2020 |
| North America | 4/27/2001 | $19,585 | 2 | 2 | 2 | $19,585 | |
| Spain | 12/11/2020 | $40,782 | 102 | 102 | 102 | $40,782 | 12/17/2020 |
| United Kingdom | 10/9/2020 | $261,506 | 109 | 135 | 244 | $326,036 | 10/21/2020 |
| Worldwide Total | $2,040,664 | 12/11/2023 | |||||
| Bob Bergen | Masaru/Kai | |
| Mitsuo Iwara | ||
| Nozomu Sasaki |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Katsuhiro Otomo | Director |
