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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $244,167 | Details |
| Worldwide Box Office | $16,765,212 | Details |
| Further financial details... | ||
| United Kingdom Releases: | May 4th, 2018 (Limited) |
| MPAA Rating: | PG for some thematic material. (Rating bulletin 2522 (Cert #51554), 4/11/2018) |
| Running Time: | 101 minutes |
| Keywords: | Autumn Years, Bollywood, World Record Attempt, Dysfunctional Family |
| Source: | Based on Play |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SPE Films India, Treetop Productions |
| Production Countries: | India |
| Languages: | Hindi |
May 23rd, 2018
The re-release of 2001: A Space Odyssey topped the theater average chart by a huge margin earning just over $200,000 in four theaters for an average of $50,690. The overall box office leader, Deadpool 2, was next with an average of $28,859 in over 4,000 theaters. First Reformed was right behind with an average of $24,391 in just 4 theaters.
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May 8th, 2018
Avengers: Infinity War remained on top of the theater average chart with $25,654. The only other flm in the $10,000 club was RBG, which earned an average of $17,014 in 34 theaters. That’s amazing for a documentary.
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May 4th, 2018
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There are not many limited releases on this week’s list and even fewer that have a real shot at box office success. Surprisingly, it is a documentary, RBG, that is earning the loudest buzz. Its reviews should also help it find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/05/04 | - | $92,450 | 53 | $1,744 | $92,450 | 1 | |
| 2018/05/11 | - | $40,992 | -56% | 29 | $1,414 | $196,446 | 2 |
| 2018/05/18 | - | $11,835 | -71% | 14 | $845 | $223,352 | 3 |
| 2018/05/25 | - | $7,981 | -33% | 7 | $1,140 | $237,289 | 4 |
| 2018/06/01 | - | $1,025 | -87% | 1 | $1,025 | $244,167 | 5 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/4/2018 | $73,386 | 35 | 36 | 106 | $137,420 | 5/21/2018 |
| Bahrain | 5/3/2018 | $27,957 | 7 | 7 | 16 | $51,921 | 1/1/2019 |
| China | 11/25/2018 | $50,000 | 364 | 48340 | 48704 | $4,371,679 | 12/29/2018 |
| India | 5/4/2018 | $3,074,383 | 1105 | 1105 | 3360 | $9,857,464 | 6/27/2018 |
| Kuwait | 5/3/2018 | $16,243 | 8 | 8 | 14 | $33,843 | 1/1/2019 |
| New Zealand | 5/4/2018 | $28,300 | 17 | 17 | 60 | $52,417 | 6/5/2018 |
| North America | 5/4/2018 | $483,681 | 102 | 102 | 366 | $1,339,909 | |
| Oman | 5/3/2018 | $32,296 | 13 | 13 | 20 | $54,649 | 1/1/2019 |
| Qatar | 5/3/2018 | $23,915 | 7 | 7 | 7 | $23,916 | 1/1/2019 |
| South Africa | 5/4/2018 | $10,307 | 8 | 8 | 25 | $27,658 | 6/20/2018 |
| United Arab Emirates | 5/3/2018 | $325,537 | 51 | 51 | 88 | $570,169 | 12/20/2018 |
| United Kingdom | 5/4/2018 | $92,450 | 53 | 53 | 104 | $244,167 | 6/5/2018 |
| Worldwide Total | $16,765,212 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Amitabh Bachchan | Dattatraya Vakharia | |
| Rishi Kapoor | Babulai Vakharia | |
| Jimit Trivedi |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Umesh Shukla | Director | |
| Saumya Joshi | Screenwriter | |
| Salim-Sulaiman | Song Writer | |
| George Joseph | Composer | |
| Laxman Utekar | Cinematographer | |
| Bodhaditya Banerjee | Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
