October 1st, 2018
September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin.
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March 1st, 2017
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February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
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All Acting Credits
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Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 48,401-48,500) |
48,474 |
$14,448,589 |
| Top Live Action Stars at the Domestic Box Office (Rank 48,601-48,700) |
48,686 |
$14,448,589 |
| Top Below the Line Stars at the Domestic Box Office (Rank 46,001-46,100) |
46,066 |
$14,448,589 |
| Top Stars at the Domestic Box Office (Rank 51,201-51,300) |
51,249 |
$14,448,589 |
| Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 53,101-53,200) |
53,186 |
$14,448,589 |
| Top Live Action Stars at the Worldwide Box Office (Rank 53,801-53,900) |
53,854 |
$14,448,589 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 49,701-49,800) |
49,731 |
$14,448,589 |
| Top Stars at the Worldwide Box Office (Rank 56,801-56,900) |
56,838 |
$14,448,589 |
All Technical Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,401-1,500) |
1,415 |
$82,749,684 |
| Top Grossing Screenwriter at the International Box Office (Rank 901-1,000) |
940 |
$179,930,938 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,001-1,100) |
1,074 |
$262,680,622 |
