Bill Dubuque

Best known as a Screenwriter based on credits in that role in 7 films, with $231,471,431 worldwide aggregate box office (rank #1,176)
Best-known technical roles: The Accountant (Screenwriter), The Judge (Screenwriter)
Most productive collaborators: Ben Affleck, Gavin O’Connor, Anna Kendrick, J.K. Simmons, Mark Williams
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter7$133,379,433$98,091,998$231,471,431
Executive Producer1$0$2,435,792$2,435,792
Story Creator1$0$0$0
Producer1$0$0$0

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) 989 $133,379,433
Top Grossing Executive Producer at the International Box Office (Rank 5,201-5,300) 5,266 $2,435,792
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) 1,420 $98,091,998
Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,501-6,600) 6,545 $2,435,792
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) 1,176 $231,471,431

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2016 Preview: October

October 1st, 2016

The Girl on the Train

September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Apr 25, 2025The Accountant 2 Screenwriter
Jul 28, 2017A Family Man Screenwriter
Executive Producer		 $2,435,792$2,435,792
Oct 14, 2016The Accountant Screenwriter $86,260,045$66,702,038$152,962,083
Oct 10, 2014The Judge Screenwriter $47,119,388$28,954,168$76,073,556
 
Averages $66,689,717$32,697,333$77,157,144
Totals 4 $133,379,433$98,091,998$231,471,431


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Apr 25, 2025The Accountant 2
Jul 28, 2017A Family Man $2,435,792
Oct 14, 2016The Accountant $24,710,2733,402$86,260,045$152,962,08356.4%
Oct 10, 2014The Judge $13,116,2263,003$47,119,388$76,073,55661.9%
 
Averages $18,913,2503,203$66,689,717$77,157,14459.2%
Totals 4 $133,379,433$231,471,431

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) 989 $133,379,433
Top Grossing Executive Producer at the International Box Office (Rank 5,201-5,300) 5,266 $2,435,792
Top Grossing Screenwriter at the International Box Office (Rank 1,401-1,500) 1,420 $98,091,998
Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,501-6,600) 6,545 $2,435,792
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,101-1,200) 1,176 $231,471,431