John Fusco

Best known as a Screenwriter based on credits in that role in 11 films, with $615,810,108 worldwide aggregate box office (rank #506)
Best-known technical roles: The Shack (Screenwriter), Hidalgo (Screenwriter), Spirit: Stallion of the Cimarron (Screenwriter), The Forbidden Kingdom (Screenwriter), Young Guns II (Screenwriter)
Most productive collaborators: Stuart Hazeldine, Sam Worthington, Octavia Spencer, Rob Minkoff, Jackie Chan
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter11$384,398,122$231,411,986$615,810,108
Executive Producer1$44,726,644$0$44,726,644
Producer1$17,064,550$2,400,000$19,464,550

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 2,401-2,500) 2,423 $44,726,644
Top Grossing Producer at the Domestic Box Office (Rank 2,801-2,900) 2,813 $17,064,550
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) 324 $384,398,122
Top Grossing Producer at the International Box Office (Rank 4,601-4,700) 4,692 $2,400,000
Top Grossing Screenwriter at the International Box Office (Rank 701-800) 766 $231,411,986
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,201-3,300) 3,269 $44,726,644
Top Grossing Producer at the Worldwide Box Office (Rank 3,501-3,600) 3,564 $19,464,550
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) 506 $615,810,108

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Mar 29, 2019The Highwaymen Screenwriter
Mar 3, 2017The Shack Screenwriter $57,386,418$39,474,390$96,860,808
Feb 26, 2016Crouching Tiger, Hidden Dra… Screenwriter $38,452,981$38,452,981
Apr 18, 2008The Forbidden Kingdom Screenwriter $52,075,270$76,984,615$129,059,885
Mar 5, 2004Hidalgo Screenwriter $67,286,731$40,800,000$108,086,731
May 24, 2002Spirit: Stallion of the Cim… Screenwriter $73,215,310$33,300,000$106,515,310
Apr 17, 1992The Babe Screenwriter
Producer		 $17,064,550$2,400,000$19,464,550
Apr 1, 1992Thunderheart Screenwriter $22,660,758$22,660,758
Aug 1, 1990Young Guns II Screenwriter $44,143,410$44,143,410
Aug 12, 1988Young Guns Screenwriter
Executive Producer		 $44,726,644$44,726,644
Mar 14, 1986Crossroads Screenwriter $5,839,031$5,839,031
 
Averages $42,710,902$38,568,664$61,581,011
Totals 11 $384,398,122$231,411,986$615,810,108


Producer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Apr 17, 1992The Babe $5,011,2051,568$17,064,550$19,464,55087.7%
 
Averages $5,011,2051,568$17,064,550$19,464,55087.7%
Totals 1 $17,064,550$19,464,550


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Mar 29, 2019The Highwaymen
Mar 3, 2017The Shack $16,172,1192,888$57,386,418$96,860,80859.2%
Feb 26, 2016Crouching Tiger, Hidde… $38,452,981
Apr 18, 2008The Forbidden Kingdom $21,401,1213,151$52,075,270$129,059,88540.3%
Mar 5, 2004Hidalgo $18,829,4353,065$67,286,731$108,086,73162.3%
May 24, 2002Spirit: Stallion of th… $17,770,0363,362$73,215,310$106,515,31068.7%
Apr 17, 1992The Babe $5,011,2051,568$17,064,550$19,464,55087.7%
Apr 1, 1992Thunderheart $4,507,4251,097$22,660,758$22,660,758100.0%
Aug 1, 1990Young Guns II $8,017,4381,770$44,143,410$44,143,410100.0%
Aug 12, 1988Young Guns $7,011,3931,416$44,726,644$44,726,644100.0%
Mar 14, 1986Crossroads $2,071,680982$5,839,031$5,839,031100.0%
 
Averages $11,199,0952,144$42,710,902$61,581,01179.8%
Totals 11 $384,398,122$615,810,108

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 2,401-2,500) 2,423 $44,726,644
Top Grossing Producer at the Domestic Box Office (Rank 2,801-2,900) 2,813 $17,064,550
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) 324 $384,398,122
Top Grossing Producer at the International Box Office (Rank 4,601-4,700) 4,692 $2,400,000
Top Grossing Screenwriter at the International Box Office (Rank 701-800) 766 $231,411,986
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,201-3,300) 3,269 $44,726,644
Top Grossing Producer at the Worldwide Box Office (Rank 3,501-3,600) 3,564 $19,464,550
Top Grossing Screenwriter at the Worldwide Box Office (Rank 501-600) 506 $615,810,108