December 1st, 2018
November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month.
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April 1st, 2013
March is over and while it is a little too soon to tell where a few films will end their box office runs, it is clear Oz The Great and Powerful won the month. Some films beat expectations to become midlevel hits, like The Call, but it wasn't a great month at the box office, especially compared to last year. This month, there are only seven wide releases spread over four weeks. Only one of those films, Oblivion, has a shot at being anything more than a midlevel hit. None of the other six releases look like they will come close to $100 million, but none of them look like obvious bombs either. (Although I do have my worries when it comes to Scary Movie 5.) Last April was even weaker with no film earning $100 million, although Think Like a Man did come relatively close. We might actually see growth on the year-over-year comparison. We'd better, because 2013 is behind 2012's pace by a huge margin at the moment and things will get worse when May arrives.
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 1,601-1,700) |
1,630 |
$21,819,348 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,501-1,600) |
1,522 |
$93,466,502 |
Top Grossing Producer at the Domestic Box Office (Rank 1,501-1,600) |
1,555 |
$61,101,575 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) |
868 |
$154,658,669 |
Top Grossing Second Unit Director at the Domestic Box Office (Rank 301-400) |
322 |
$39,282,227 |
Top Grossing Director at the International Box Office (Rank 1,601-1,700) |
1,670 |
$26,606,623 |
Top Grossing Executive Producer at the International Box Office (Rank 1,801-1,900) |
1,825 |
$81,340,943 |
Top Grossing Producer at the International Box Office (Rank 1,801-1,900) |
1,830 |
$50,613,250 |
Top Grossing Screenwriter at the International Box Office (Rank 1,101-1,200) |
1,130 |
$138,781,615 |
Top Grossing Second Unit Director at the International Box Office (Rank 301-400) |
348 |
$24,006,627 |
Top Grossing Director at the Worldwide Box Office (Rank 1,701-1,800) |
1,743 |
$48,425,971 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,601-1,700) |
1,700 |
$174,807,445 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,701-1,800) |
1,737 |
$111,714,825 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 901-1,000) |
990 |
$293,440,284 |
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 301-400) |
345 |
$63,288,854 |