Tom Bezucha

Best known as a Screenwriter based on credits in that role in 4 films, with $74,811,923 worldwide aggregate box office (rank #2,323)

Best-known technical roles: Monte Carlo (Director), Monte Carlo (Screenwriter), Let Him Go (Director), Let Him Go (Screenwriter), Let Him Go (Producer)

Most productive collaborators: Selena Gomez, Katie Cassidy, Diane Lane, Leighton Meester, April Blair

Born: March 8, 1964 (60 years old)

Summary
News
Acting Credits
Technical Credits

Career Summary

		Movies	Domestic Box Office	International Box Office	Worldwide Box Office
In Technical Roles	Screenwriter	4	$34,764,554	$40,047,369	$74,811,923
	Director	2	$32,544,794	$17,914,982	$50,459,776
	Producer	1	$9,358,025	$1,414,982	$10,773,007

Latest Ranking on Selected Box Office Record Lists

Record	Rank	Amount
Top Grossing Director at the Domestic Box Office (Rank 1,301-1,400)	1,364	$32,544,794
Top Grossing Producer at the Domestic Box Office (Rank 3,301-3,400)	3,316	$9,358,025
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,301-2,400)	2,329	$34,764,554
Top Grossing Director at the International Box Office (Rank 2,001-2,100)	2,004	$17,914,982
Top Grossing Producer at the International Box Office (Rank 5,201-5,300)	5,202	$1,414,982
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200)	2,162	$40,047,369
Top Grossing Director at the Worldwide Box Office (Rank 1,701-1,800)	1,701	$50,459,776
Top Grossing Producer at the Worldwide Box Office (Rank 4,201-4,300)	4,206	$10,773,007
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400)	2,323	$74,811,923

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.

November preview: Universal keeps the industry alive

November 5th, 2020

The country might be distracted by a drawn-out election right now, but the movie business soldiers on this month, even though recovery from the pandemic looks as far away as ever. While theatrical grosses remain tiny, Universal is currently planning to try its luck with three new wide releases, two from the studio itself and one from its specialty division Focus Features.

At least, that’s their current plan. Two of the films seem certain to roll out, but their Thanksgiving release of The Croods: A New Age has to come with an asterisk attached. Perhaps this release will be an olive branch to theater operators after the studio caused controversy in March by pulling Trolls World Tour from theaters and sending it direct to PVOD. Universal is maybe taking this opportunity to look they’re supporting the theatrical business, and their case is made more convincing by the fact that every other major studio is sitting out November. Even looking beyond the end of the month, 20th Century Studios is the only other distributor that looks like it’ll have a wide release between now and Christmas, with Free Guy on December 11 and Death on the Nile on December 18. (Universal has another film, All My Life slated for December 4.)

If Universal sticks to its plans, and a couple of other expected changes (Coming 2 America going direct to Amazon Prime, and Wonder Woman 1984 getting pushed back again) happen, it’ll be the only studio offering real support to the theatrical business between now and the end of the year. Maybe everyone will let bygones be bygones, and we can at least point to that as a ray of hope for the industry going in Holiday Season. More...

All Acting Credits

All Technical Credits

Release Date	Title	Role	Domestic Box Office	International Box Office	Worldwide Box Office
Sep 30, 2022	The Good House	Screenwriter	$2,219,760	$24,628	$2,244,388
Nov 6, 2020	Let Him Go	Director Screenwriter Producer	$9,358,025	$1,414,982	$10,773,007
Aug 10, 2018	The Guernsey Literary and P…	Screenwriter		$22,107,759	$22,107,759
Jul 1, 2011	Monte Carlo	Director Screenwriter	$23,186,769	$16,500,000	$39,686,769

Averages			$11,588,185	$10,011,842	$18,702,981
Totals	4		$34,764,554	$40,047,369	$74,811,923

Director Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Nov 6, 2020	Let Him Go	$4,000,470	2,458	$9,358,025	$10,773,007	86.9%
Jul 1, 2011	Monte Carlo	$7,453,944	2,473	$23,186,769	$39,686,769	58.4%

Averages		$5,727,207	2,466	$16,272,397	$25,229,888	72.6%
Totals	2			$32,544,794	$50,459,776

Producer Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Nov 6, 2020	Let Him Go	$4,000,470	2,458	$9,358,025	$10,773,007	86.9%

Averages		$4,000,470	2,458	$9,358,025	$10,773,007	86.9%
Totals	1			$9,358,025	$10,773,007

Writer Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Sep 30, 2022	The Good House	$801,568	1,061	$2,219,760	$2,244,388	98.9%
Nov 6, 2020	Let Him Go	$4,000,470	2,458	$9,358,025	$10,773,007	86.9%
Aug 10, 2018	The Guernsey Literary …				$22,107,759
Jul 1, 2011	Monte Carlo	$7,453,944	2,473	$23,186,769	$39,686,769	58.4%

Averages		$4,085,327	1,997	$11,588,185	$18,702,981	81.4%
Totals	4			$34,764,554	$74,811,923

Latest Ranking on All Technical Box Office Record Lists

Record	Rank	Amount
Top Grossing Director at the Domestic Box Office (Rank 1,301-1,400)	1,364	$32,544,794
Top Grossing Producer at the Domestic Box Office (Rank 3,301-3,400)	3,316	$9,358,025
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,301-2,400)	2,329	$34,764,554
Top Grossing Director at the International Box Office (Rank 2,001-2,100)	2,004	$17,914,982
Top Grossing Producer at the International Box Office (Rank 5,201-5,300)	5,202	$1,414,982
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200)	2,162	$40,047,369
Top Grossing Director at the Worldwide Box Office (Rank 1,701-1,800)	1,701	$50,459,776
Top Grossing Producer at the Worldwide Box Office (Rank 4,201-4,300)	4,206	$10,773,007
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,301-2,400)	2,323	$74,811,923