Jordan Horowitz

Best known as a Producer based on credits in that role in 12 films, with $545,106,189 worldwide aggregate box office (rank #614)

Best-known technical roles: La La Land (Producer), The Kids Are All Right (Producer), Fast Color (Screenwriter), Fast Color (Producer), The Keeping Room (Producer)

Most productive collaborators: Damien Chazelle, Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt

Summary
News
Acting Credits
Technical Credits

Career Summary

		Movies	Domestic Box Office	International Box Office	Worldwide Box Office
In Technical Roles	Producer	12	$172,060,622	$373,045,567	$545,106,189
	Screenwriter	5	$81,527	$134,149	$215,676
	Director	1	$6,940	$0	$6,940
	Executive Producer	1	$0	$0	$0

Latest Ranking on Selected Box Office Record Lists

Record	Rank	Amount
Top Grossing Director at the Domestic Box Office (Rank 7,201-7,300)	7,209	$6,940
Top Grossing Producer at the Domestic Box Office (Rank 801-900)	841	$172,060,622
Top Grossing Screenwriter at the Domestic Box Office (Rank 7,601-7,700)	7,614	$81,527
Top Grossing Producer at the International Box Office (Rank 501-600)	511	$374,123,565
Top Grossing Screenwriter at the International Box Office (Rank 6,601-6,700)	6,682	$134,149
Top Grossing Director at the Worldwide Box Office (Rank 17,501-17,600)	17,536	$6,940
Top Grossing Producer at the Worldwide Box Office (Rank 601-700)	614	$546,184,187
Top Grossing Screenwriter at the Worldwide Box Office (Rank 8,801-8,900)	8,859	$215,676

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.

2016 Preview: December

December 1st, 2016

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

All Acting Credits

All Technical Credits

Announced (Undated)

Floodplain

Release Date	Title	Role	Domestic Box Office	International Box Office	Worldwide Box Office
Jun 3, 2022	Hollywood Stargirl	Screenwriter
Dec 4, 2020	I’m Your Woman	Screenwriter Producer
Mar 13, 2020	Stargirl	Screenwriter Executive Producer
Apr 19, 2019	Fast Color	Screenwriter Producer	$76,916		$76,916
Sep 21, 2018	Painless	Director	$6,940		$6,940
Apr 14, 2017	Little Boxes	Producer
Dec 9, 2016	La La Land	Producer	$151,101,803	$356,431,384	$507,533,187
Sep 16, 2016	Miss Stevens	Screenwriter Producer	$4,611	$134,149	$138,760
Sep 25, 2015	The Keeping Room	Producer	$27,166	$37,427	$64,593
Aug 22, 2014	Are You Here	Producer		$978,503	$978,503
Dec 14, 2012	Save the Date	Producer	$5,719		$5,719
Apr 8, 2011	Meet Monica Velour	Producer	$33,042		$33,042
Jul 9, 2010	The Kids Are All Right	Producer	$20,811,365	$15,464,104	$36,275,469

Averages			$21,508,445	$74,609,113	$60,568,125
Totals	13		$172,067,562	$373,045,567	$545,113,129

Director Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Sep 21, 2018	Painless	$2,958	2	$6,940	$6,940	100.0%

Averages		$2,958	2	$6,940	$6,940	100.0%
Totals	1			$6,940	$6,940

Producer Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Dec 4, 2020	I’m Your Woman
Apr 19, 2019	Fast Color	$37,594	25	$76,916	$76,916	100.0%
Apr 14, 2017	Little Boxes
Dec 9, 2016	La La Land	$881,104	3,236	$151,101,803	$507,533,187	29.8%
Sep 16, 2016	Miss Stevens	$2,451	2	$4,611	$138,760	3.3%
Sep 25, 2015	The Keeping Room	$4,328	10	$27,166	$64,593	42.1%
Aug 22, 2014	Are You Here				$978,503
Dec 14, 2012	Save the Date	$3,755	2	$5,719	$5,719	100.0%
Apr 8, 2011	Meet Monica Velour	$7,438	4	$33,042	$33,042	100.0%
Jul 9, 2010	The Kids Are All Right	$491,971	994	$20,811,365	$36,275,469	57.4%

Averages		$204,092	610	$24,580,089	$68,138,274	61.8%
Totals	10			$172,060,622	$545,106,189

Writer Credits

Release Date	Title	Opening Weekend	Maximum Theaters	Domestic Box Office	Worldwide Box Office	Domestic Share
Jun 3, 2022	Hollywood Stargirl
Dec 4, 2020	I’m Your Woman
Mar 13, 2020	Stargirl
Apr 19, 2019	Fast Color	$37,594	25	$76,916	$76,916	100.0%
Sep 16, 2016	Miss Stevens	$2,451	2	$4,611	$138,760	3.3%

Averages		$20,023	14	$40,764	$107,838	51.7%
Totals	5			$81,527	$215,676

Latest Ranking on All Technical Box Office Record Lists

Record	Rank	Amount
Top Grossing Director at the Domestic Box Office (Rank 7,201-7,300)	7,209	$6,940
Top Grossing Producer at the Domestic Box Office (Rank 801-900)	841	$172,060,622
Top Grossing Screenwriter at the Domestic Box Office (Rank 7,601-7,700)	7,614	$81,527
Top Grossing Producer at the International Box Office (Rank 501-600)	511	$374,123,565
Top Grossing Screenwriter at the International Box Office (Rank 6,601-6,700)	6,682	$134,149
Top Grossing Director at the Worldwide Box Office (Rank 17,501-17,600)	17,536	$6,940
Top Grossing Producer at the Worldwide Box Office (Rank 601-700)	614	$546,184,187
Top Grossing Screenwriter at the Worldwide Box Office (Rank 8,801-8,900)	8,859	$215,676