Brad Furman

Best known as a Director based on credits in that role in 6 films, with $172,620,981 worldwide aggregate box office (rank #855)
Best-known technical roles: The Lincoln Lawyer (Director), Runner Runner (Director), The Infiltrator (Director), The Infiltrator (Producer), The Infiltrator (Music Supervisor)
Most productive collaborators: Matthew McConaughey, Justin Timberlake, Ryan Phillippe, John Romano, Gemma Arterton
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesDirector6$93,335,147$79,285,834$172,620,981
Producer1$15,436,808$6,715,329$22,152,137
Music Supervisor1$15,436,808$6,715,329$22,152,137
Screenwriter1$46,382$3,811$50,193
Executive Producer1$0$0$0

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 701-800) 762 $93,335,147
Top Grossing Music Supervisor at the Domestic Box Office (Rank 301-400) 303 $15,436,808
Top Grossing Producer at the Domestic Box Office (Rank 2,901-3,000) 2,913 $15,436,808
Top Grossing Screenwriter at the Domestic Box Office (Rank 8,001-8,100) 8,051 $46,382
Top Grossing Director at the International Box Office (Rank 901-1,000) 927 $79,285,834
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) 288 $6,715,329
Top Grossing Producer at the International Box Office (Rank 3,701-3,800) 3,711 $6,715,329
Top Grossing Screenwriter at the International Box Office (Rank 8,501-8,600) 8,555 $3,811
Top Grossing Director at the Worldwide Box Office (Rank 801-900) 855 $172,620,981
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) 300 $22,152,137
Top Grossing Producer at the Worldwide Box Office (Rank 3,301-3,400) 3,391 $22,152,137
Top Grossing Screenwriter at the Worldwide Box Office (Rank 10,201-10,300) 10,223 $50,193

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2016 Preview: July

July 1st, 2016

The Secret Life of Pets

It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation. More...

2013 Preview: October

October 1st, 2013

October is an awkward month. It sits between the dumping ground that is September and November, the unofficial start of Awards Season / holiday blockbuster season. For the most part, September was stronger than average for the month and there's reason to be optimistic going forward. After all, box office success tends to feed on itself, as does box office struggles. That said, there are not a lot of sure hits over the coming four weeks. Of the nine or ten films opening wide this month, only Gravity has a better than 50/50 chance at $100 million. Captain Phillips could have a shot at the century mark, but only if it becomes a serious Awards Season player. Its early reviews suggest that could be a possibility. Last October, there were two films to reach the $100 million mark, Taken 2 and Argo. On the other hand, pretty much everything else that opened that month crashed and burned. While this October doesn't have as strong a top end, it will hopefully have much better depth. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Dec 31, 2024Tin Soldier Director
Mar 19, 2021City of Lies Director $572,493$2,238,585$2,811,078
Oct 12, 2018Bigger Screenwriter $46,382$3,811$50,193
Dec 16, 2016City of Dead Men Executive Producer
Jul 13, 2016The Infiltrator Director
Producer
Music Supervisor		 $15,436,808$6,715,329$22,152,137
Oct 4, 2013Runner Runner Director $19,316,646$41,196,034$60,512,680
Mar 18, 2011The Lincoln Lawyer Director $58,009,200$29,135,886$87,145,086
Apr 11, 2008The Take Director
 
Averages $18,676,306$15,857,929$34,534,235
Totals 8 $93,381,529$79,289,645$172,671,174


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Dec 31, 2024Tin Soldier
Mar 19, 2021City of Lies $284,561502$572,493$2,811,07820.4%
Jul 13, 2016The Infiltrator $5,303,7751,601$15,436,808$22,152,13769.7%
Oct 4, 2013Runner Runner $7,706,7123,026$19,316,646$60,512,68031.9%
Mar 18, 2011The Lincoln Lawyer $13,206,4532,707$58,009,200$87,145,08666.6%
Apr 11, 2008The Take
 
Averages $6,625,3751,959$23,333,787$43,155,24547.1%
Totals 6 $93,335,147$172,620,981


Producer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Jul 13, 2016The Infiltrator $5,303,7751,601$15,436,808$22,152,13769.7%
 
Averages $5,303,7751,601$15,436,808$22,152,13769.7%
Totals 1 $15,436,808$22,152,137


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Oct 12, 2018Bigger $31,47761$46,382$50,19392.4%
 
Averages $31,47761$46,382$50,19392.4%
Totals 1 $46,382$50,193

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 701-800) 762 $93,335,147
Top Grossing Music Supervisor at the Domestic Box Office (Rank 301-400) 303 $15,436,808
Top Grossing Producer at the Domestic Box Office (Rank 2,901-3,000) 2,913 $15,436,808
Top Grossing Screenwriter at the Domestic Box Office (Rank 8,001-8,100) 8,051 $46,382
Top Grossing Director at the International Box Office (Rank 901-1,000) 927 $79,285,834
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) 288 $6,715,329
Top Grossing Producer at the International Box Office (Rank 3,701-3,800) 3,711 $6,715,329
Top Grossing Screenwriter at the International Box Office (Rank 8,501-8,600) 8,555 $3,811
Top Grossing Director at the Worldwide Box Office (Rank 801-900) 855 $172,620,981
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) 300 $22,152,137
Top Grossing Producer at the Worldwide Box Office (Rank 3,301-3,400) 3,391 $22,152,137
Top Grossing Screenwriter at the Worldwide Box Office (Rank 10,201-10,300) 10,223 $50,193