| Best known as a Screenwriter based on credits in that role in 4 films, with $117,065,627 worldwide aggregate box office (rank #1,878) |
| Best-known technical roles: Keeping the Faith (Screenwriter), Keeping the Faith (Producer), The Kids Are All Right (Screenwriter), The Girl Next Door (Screenwriter), Thanks for Sharing (Director) |
| Best-known acting roles: Len (Keeping the Faith), Car Salesman (Fight Club) |
| Most productive collaborators: Mark Ruffalo, Lisa Cholodenko, Annette Bening, Luke Greenfield, Elisha Cuthbert |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 2 | $74,066,506 | $72,090,845 | $146,157,351 |
| In Technical Roles | Screenwriter | 4 | $73,503,469 | $43,562,158 | $117,065,627 |
| Producer | 1 | $37,036,404 | $8,300,000 | $45,336,404 | |
| Director | 1 | $1,066,256 | $2,752,348 | $3,818,604 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 14, 2000 | Keeping the Faith | Len | $37,036,404 | $8,300,000 | $45,336,404 |
| Oct 15, 1999 | Fight Club | Car Salesman | $37,030,102 | $63,790,845 | $100,820,947 |
| Averages | $37,033,253 | $36,045,423 | $73,078,676 | ||
| Totals | 2 | $74,066,506 | $72,090,845 | $146,157,351 | |
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 14, 2000 | Keeping the Faith | $8,078,671 | 2,390 | $37,036,404 | $45,336,404 | 81.7% |
| Oct 15, 1999 | Fight Club | $11,035,485 | 1,966 | $37,030,102 | $100,820,947 | 36.7% |
| Averages | $9,557,078 | 2,178 | $37,033,253 | $73,078,676 | 59.2% | |
| Totals | 2 | $74,066,506 | $146,157,351 | |||
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 20, 2013 | Thanks for Sharing | Director Screenwriter |
$1,066,256 | $2,752,348 | $3,818,604 |
| Jul 9, 2010 | The Kids Are All Right | Screenwriter | $20,811,365 | $15,464,104 | $36,275,469 |
| Apr 9, 2004 | The Girl Next Door | Screenwriter | $14,589,444 | $17,045,706 | $31,635,150 |
| Apr 14, 2000 | Keeping the Faith | Screenwriter Producer |
$37,036,404 | $8,300,000 | $45,336,404 |
| Averages | $18,375,867 | $10,890,540 | $29,266,407 | ||
| Totals | 4 | $73,503,469 | $43,562,158 | $117,065,627 | |
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Sep 20, 2013 | Thanks for Sharing | $540,281 | 269 | $1,066,256 | $3,818,604 | 27.9% |
| Averages | $540,281 | 269 | $1,066,256 | $3,818,604 | 27.9% | |
| Totals | 1 | $1,066,256 | $3,818,604 | |||
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 14, 2000 | Keeping the Faith | $8,078,671 | 2,390 | $37,036,404 | $45,336,404 | 81.7% |
| Averages | $8,078,671 | 2,390 | $37,036,404 | $45,336,404 | 81.7% | |
| Totals | 1 | $37,036,404 | $45,336,404 | |||
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Sep 20, 2013 | Thanks for Sharing | $540,281 | 269 | $1,066,256 | $3,818,604 | 27.9% |
| Jul 9, 2010 | The Kids Are All Right | $491,971 | 994 | $20,811,365 | $36,275,469 | 57.4% |
| Apr 9, 2004 | The Girl Next Door | $6,003,806 | 2,148 | $14,589,444 | $31,635,150 | 46.1% |
| Apr 14, 2000 | Keeping the Faith | $8,078,671 | 2,390 | $37,036,404 | $45,336,404 | 81.7% |
| Averages | $3,778,682 | 1,450 | $18,375,867 | $29,266,407 | 53.3% | |
| Totals | 4 | $73,503,469 | $117,065,627 | |||
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 3,401-3,500) | 3,472 | $1,066,256 |
| Top Grossing Producer at the Domestic Box Office (Rank 2,001-2,100) | 2,064 | $37,036,404 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,501-1,600) | 1,522 | $73,503,469 |
| Top Grossing Director at the International Box Office (Rank 4,001-4,100) | 4,069 | $2,752,348 |
| Top Grossing Producer at the International Box Office (Rank 3,401-3,500) | 3,466 | $8,300,000 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,001-2,100) | 2,098 | $43,562,158 |
| Top Grossing Director at the Worldwide Box Office (Rank 4,801-4,900) | 4,806 | $3,818,604 |
| Top Grossing Producer at the Worldwide Box Office (Rank 2,601-2,700) | 2,623 | $45,336,404 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,801-1,900) | 1,878 | $117,065,627 |
