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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jun 29, 2018 | Sicario: Day of the Soldado | $35,000,000 | $19,007,566 | $50,065,850 | $76,346,094 |
| Sep 18, 2015 | Sicario | $30,000,000 | $401,288 | $46,889,293 | $84,264,182 |
| Averages | $32,500,000 | $9,704,427 | $48,477,572 | $80,305,138 | |
| Totals | 2 | $65,000,000 | $96,955,143 | $160,610,276 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Dec 22, 2015 | Sicario | $18,098,500 | Amazon iTunes Google Vudu |
| Sep 11, 2018 | Sicario: Day of the Soldado | $8,984,064 | Amazon iTunes Google Vudu |
| Totals | $27,082,564 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
July 10th, 2018
The two biggest releases of the weekend couldn’t quite match expectations, while the two big holdovers weren’t able compensate, resulting in a rare loss for 2018. Ant-Man and the Wasp still had an excellent opening with $75.81 million over the weekend, the seventh-best opening weekend of the year. The First Purge started out well on Wednesday, but slipped below the pace needed to match predictions by the weekend. That said, the overall weekend haul was still impressive at $188 million, which is 5.8% higher than last weekend. Granted, it is 8.7% lower than the same weekend last year, but Spider-Man: Homecoming opened with $117.03 million, so this is still a good result. Furthermore, 2018 remains ahead of 2017 by a substantial amount: $570 million, or 9.6%, at $6.47 billion to $5.90 billion. If the year ended with a lead of $570 million, we would be very happy.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Benicio del Toro | 2 | Alejandro Gillick | $160,610,276 | $5,735,294,081 | 2.8% |
| Josh Brolin | 2 | Matt Graver | $160,610,276 | $9,459,977,792 | 1.7% |
| Jeffrey Donovan | 2 | Steve Forsing | $160,610,276 | $746,942,599 | 21.5% |
| Raoul Trujillo | 2 | Rafael | $160,610,276 | $771,708,849 | 20.8% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Basil Iwanyk | 2 | Producer (2) | $160,610,276 | $4,137,697,446 | 3.9% |
| Trent Luckinbill | 2 | Producer (2) | $160,610,276 | $852,570,131 | 18.8% |
| Thad Luckinbill | 2 | Producer (2) | $160,610,276 | $852,570,131 | 18.8% |
| Molly Smith | 2 | Producer (2) | $160,610,276 | $1,379,913,577 | 11.6% |
| Edward McDonnell | 2 | Producer (2) | $160,610,276 | $426,429,161 | 37.7% |
| Taylor Sheridan | 2 |
Screenwriter (2) Character Creator (1) |
$160,610,276 | $260,763,003 | 61.6% |
| Ellen H. Schwartz | 2 | Executive Producer (2) | $160,610,276 | $1,728,537,136 | 9.3% |
| Erica Lee | 2 | Executive Producer (2) | $160,610,276 | $1,599,295,637 | 10.0% |
| Jonathan Watkins | 2 | Music Supervisor (2) | $160,610,276 | $259,069,394 | 62.0% |
| Emma McGill | 2 | Associate Producer (2) | $160,610,276 | $263,322,691 | 61.0% |
| Ricardo Guillermo | 2 | Set Designer (2) | $160,610,276 | $446,955,528 | 35.9% |
| Stacy Perskie | 2 |
Co-Producer (1) Line Producer (1) |
$160,610,276 | $206,943,499 | 77.6% |
| Corey Welk | 2 | Make up (2) | $160,610,276 | $185,165,453 | 86.7% |
| Brad Arensman | 2 | Post-Production Supervisor (2) | $160,610,276 | $1,114,346,743 | 14.4% |
| Alan Robert Murray | 2 |
Supervising Sound Editor (2) Sound Designer (1) |
$160,610,276 | $5,447,136,239 | 2.9% |
| Roland N. Thai | 2 | Sound Effects Editor (2) | $160,610,276 | $1,665,424,009 | 9.6% |
| Tom Ozanich | 2 |
Sound Designer (2) Re-recording Mixer (1) |
$160,610,276 | $5,552,698,201 | 2.9% |
| Jason King | 2 |
Sound Effects Editor (2) Additional Sound Re-recording Mixer (1) |
$160,610,276 | $3,320,589,012 | 4.8% |
| John Reitz | 2 | Re-recording Mixer (2) | $160,610,276 | $5,213,941,012 | 3.1% |
