Synopsis
Up a dirt road, nestled in the hills of Southern California lies Spiral Farm, a vibrant and colorful intentional community inspired by the communes of the late 60’s. Its eclectic inhabitants look out for each other, as they work side by side on this completely self sustaining permaculture farm. 17 year-old Anahita, has lived on Spiral Farm for as long as she can remember. She dreams of one day leaving the safety of Spiral and pursuing a career as a dancer. However, whenever she makes these plans she is always deterred by the thought of leaving Ocean, her eight year old nephew who she cares for and shares a deep bond with. Stifled by her responsibilities to her family and the commune, Anahita has developed what her mother calls a “bashfulness” when it comes to sexuality. Tainted by a negative experience from childhood, Anahita has shut off her sexuality, afraid to explore this side of herself. As she has been raised with liberal ideals of free love and complete sexual freedom, Anahita’s prudishness is a form of rebellion. When her mother’s old flame, Maurizio arrives for an unexpected visit, he brings along his teenage son, Theo. Anahita is immediately drawn to him, confused by her newfound feelings. Although she tries to ignore him, she can’t stop looking at him. She can’t sleep. She is jealous of the way he looks at other girls. When Theo discovers her passion for dance he encourages her to journey into the city for an audition. Away from the confines of the communes, Anahita discovers that although she lacks the technical skills to be a professional dancer, she may still be able to leave Spiral by going to college in the city. After an awkward night at a seedy motel together, Anahita returns to Spiral Farm determined to leave. Her sister and mother express concern that Anahita won’t make it in the city. Her sister relies heavily on Anahita for childcare and eventually seduces Theo in order to convince Anahita that he is no good for her. Although Anahita fantasizes about leaving with Theo, she realizes that a boy is not the best vehicle for escape.
Metrics
| Opening Weekend: | $5,475 (84.0% of total gross) |
| Legs: | 1.19 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/3 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,654 |
Latest Ranking on Cumulative Box Office Lists
| Record | Rank | Amount |
|---|---|---|
| All Time Domestic Box Office (Rank 17,301-17,400) | 17,359 | $6,517 |
| All Time Worldwide Box Office (Rank 35,701-35,800) | 35,715 | $6,517 |
| All Time Domestic Highest Grossing Limited Release Movies (Rank 8,401-8,500) | 8,410 | $6,517 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Movie Details
| Domestic Releases: | December 13th, 2019 (Limited) by Indican Pictures |
| MPAA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Comparisons: | vs. Buñuel En El Laberinto De Las Tortugas Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Spiral Farm Productions |
| Production Countries: | Italy, Spain, United States |
| Languages: | English |