The Proposal (2019)

The Proposal
Theatrical Performance
Domestic Box Office $45,149Details
Further financial details...

Synopsis

Known as “the artist among architects,” Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.

Metrics

Opening Weekend:$10,449 (23.1% of total gross)
Legs:4.32 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/7 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $53,124

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,301-14,400) 14,335 $45,149
All Time Worldwide Box Office (Rank 28,201-28,300) 28,261 $45,149
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,801-5,900) 5,896 $45,149

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 24th, 2019 (Limited) by Oscilloscope Pictures
MPAA Rating: Not Rated
Running Time: 83 minutes
Comparisons: vs. The Lost City
Create your own comparison chart…
Keywords: Artists, Architecture, Government Bureaucracy
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: With Full Consent Productions, Field of Vision
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 24, 2019 58 $10,449   1 $10,449   $10,449 1
May 31, 2019 56 $4,876 -53% 3 $1,625   $19,471 2
Jun 28, 2019 63 $3,418   3 $1,139   $38,839 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 24, 2019 62 $14,595   1 $14,595   $14,595 1
May 31, 2019 63 $7,489 -49% 3 $2,496   $22,084 2
Jun 7, 2019 - $3,672 -51% 6 $612   $25,756 3
Jun 21, 2019 59 $6,115   7 $874   $35,421 5
Jun 28, 2019 68 $5,181 -15% 3 $1,727   $40,602 6
Jul 5, 2019 69 $3,011 -42% 4 $753   $43,613 7
Jul 12, 2019 82 $1,536 -49% 2 $768   $45,149 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Supporting Cast

Carin Kuoni    Federica Zanco
Carlton Smith    1980 Pritzker Prize Presenter

Interviewee(s)

Max Protetch    Himself
Rosario Uranga    Herself
Catalina Corcuera    Herself
Juan Palomar    Himself
Patrick Charpenel    Himself
René de Diego    Himself
Cuauhtémoc Medina    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jill Magid    Director
Jarred Alterman    Producer
Charlotte Cook    Producer
Laura Coxson    Producer
Laura Poitras    Executive Producer
Hannah Buck    Editor
Jarred Alterman    Director of Photography
T. Griffin    Composer
Pamela Echeverria    Associate Producer
Sam Linder    Line Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart

May 30th, 2019

Echo in the Canyon

Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449. More...

Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend

May 26th, 2019

Aladdin

Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column. More...

Limited and VOD Releases: Documenting the History of Art

May 24th, 2019

The Souvenir

Documentaries dominate this week’s list of limited releases with five such films appearing below. All of them are about an artist, music, or fashion, so if you are into those, you are in luck. Of these, I think Woodstock: Three Days That Defined a Generation will do the best. Meanwhile, there are a couple of VOD titles that are also worth checking out: Avengement and Funny Story. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Known as “the artist among architects,” Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.

Metrics

Opening Weekend:$10,449 (23.1% of total gross)
Legs:4.32 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/7 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $53,124

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,301-14,400) 14,335 $45,149
All Time Worldwide Box Office (Rank 28,201-28,300) 28,261 $45,149
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,801-5,900) 5,896 $45,149

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 24th, 2019 (Limited) by Oscilloscope Pictures
MPAA Rating: Not Rated
Running Time: 83 minutes
Comparisons: vs. The Lost City
Create your own comparison chart…
Keywords: Artists, Architecture, Government Bureaucracy
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: With Full Consent Productions, Field of Vision
Production Countries: United States
Languages: English

Supporting Cast

Carin Kuoni    Federica Zanco
Carlton Smith    1980 Pritzker Prize Presenter

Interviewee(s)

Max Protetch    Himself
Rosario Uranga    Herself
Catalina Corcuera    Herself
Juan Palomar    Himself
Patrick Charpenel    Himself
René de Diego    Himself
Cuauhtémoc Medina    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jill Magid    Director
Jarred Alterman    Producer
Charlotte Cook    Producer
Laura Coxson    Producer
Laura Poitras    Executive Producer
Hannah Buck    Editor
Jarred Alterman    Director of Photography
T. Griffin    Composer
Pamela Echeverria    Associate Producer
Sam Linder    Line Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart

May 30th, 2019

Echo in the Canyon

Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449. More...

Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend

May 26th, 2019

Aladdin

Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column. More...

Limited and VOD Releases: Documenting the History of Art

May 24th, 2019

The Souvenir

Documentaries dominate this week’s list of limited releases with five such films appearing below. All of them are about an artist, music, or fashion, so if you are into those, you are in luck. Of these, I think Woodstock: Three Days That Defined a Generation will do the best. Meanwhile, there are a couple of VOD titles that are also worth checking out: Avengement and Funny Story. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 24, 2019 58 $10,449   1 $10,449   $10,449 1
May 31, 2019 56 $4,876 -53% 3 $1,625   $19,471 2
Jun 28, 2019 63 $3,418   3 $1,139   $38,839 6

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 24, 2019 62 $14,595   1 $14,595   $14,595 1
May 31, 2019 63 $7,489 -49% 3 $2,496   $22,084 2
Jun 7, 2019 - $3,672 -51% 6 $612   $25,756 3
Jun 21, 2019 59 $6,115   7 $874   $35,421 5
Jun 28, 2019 68 $5,181 -15% 3 $1,727   $40,602 6
Jul 5, 2019 69 $3,011 -42% 4 $753   $43,613 7
Jul 12, 2019 82 $1,536 -49% 2 $768   $45,149 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.