Burden (2017)

Burden
Theatrical Performance
Domestic Box Office $18,440Details
International Box Office $1,994Details
Worldwide Box Office $20,434
Further financial details...

Synopsis

Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art.

Metrics

Opening Weekend:$3,231 (17.5% of total gross)
Legs:2.84 (domestic box office/biggest weekend)
Domestic Share:90.2% (domestic box office/worldwide)
Theater counts:2 opening theaters/13 max. theaters, 1.4 weeks average run per theater
Infl. Adj. Dom. BO $22,153

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 15,901-16,000) 15,904 $18,440
All Time International Box Office (Rank 29,101-29,200) 29,179 $1,994
All Time Worldwide Box Office (Rank 31,401-31,500) 31,455 $20,434
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,201-7,300) 7,205 $18,440

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: May 5th, 2017 (Limited) by Magnolia Pictures
International Releases: May 5th, 2017 (Limited) (United Kingdom)
Video Release: May 5th, 2017 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 90 minutes
Comparisons: Create your own comparison chart…
Keywords: Artists, Biography, Performing Arts, Museum, 1970s, Scene in End Credits, Archive Footage
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magnolia Pictures, Submarine Entertainment
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 71 $3,231   2 $1,616   $3,231 1
May 12, 2017 69 $6,501 +101% 12 $542   $12,446 2
May 19, 2017 - $1,480 -77% 3 $493   $18,001 3
May 26, 2017 86 $305 -79% 1 $305   $18,334 4

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 69 $5,945   2 $2,973   $5,945 1
May 12, 2017 66 $10,576 +78% 13 $814   $16,521 2
May 19, 2017 80 $1,508 -86% 3 $503   $18,029 3
May 26, 2017 82 $411 -73% 1 $411   $18,440 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 5/5/2017 $1,519 1 1 3 $1,994 5/26/2017
 
International Total$1,994 5/26/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Chris Burden    Himself

Interviewee(s)

Jonathan Gold    Himself
Marina Abramovic    Herself
Frank Gehry    Himself
Alexis Smith    Herself
John McEnroe    Himself
Vito Acconci    Himself
Brian Sewell    Himself
Ed Ruscha    Himself
Ed Moses    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Dewey    Director
Timothy Marrinan*    Director
David Koh    Producer
Josh Braun    Producer
Dan Braun    Producer
Simone Haggiag    Executive Producer
Stanley Buchthal    Executive Producer
Maja Hoffmann    Executive Producer
Anna Godas    Executive Producer
Jakob Abrahamsson    Executive Producer

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Limited and VOD Releases: Lovers of Limited Releases

May 5th, 2017

Chuck

It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art.

Metrics

Opening Weekend:$3,231 (17.5% of total gross)
Legs:2.84 (domestic box office/biggest weekend)
Domestic Share:90.2% (domestic box office/worldwide)
Theater counts:2 opening theaters/13 max. theaters, 1.4 weeks average run per theater
Infl. Adj. Dom. BO $22,153

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 15,901-16,000) 15,904 $18,440
All Time International Box Office (Rank 29,101-29,200) 29,179 $1,994
All Time Worldwide Box Office (Rank 31,401-31,500) 31,455 $20,434
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,201-7,300) 7,205 $18,440

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: May 5th, 2017 (Limited) by Magnolia Pictures
International Releases: May 5th, 2017 (Limited) (United Kingdom)
Video Release: May 5th, 2017 by Magnolia Home Entertainment
MPAA Rating: Not Rated
Running Time: 90 minutes
Comparisons: Create your own comparison chart…
Keywords: Artists, Biography, Performing Arts, Museum, 1970s, Scene in End Credits, Archive Footage
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magnolia Pictures, Submarine Entertainment
Production Countries: United States
Languages: English

Documentary Subject(s)

Chris Burden    Himself

Interviewee(s)

Jonathan Gold    Himself
Marina Abramovic    Herself
Frank Gehry    Himself
Alexis Smith    Herself
John McEnroe    Himself
Vito Acconci    Himself
Brian Sewell    Himself
Ed Ruscha    Himself
Ed Moses    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Dewey    Director
Timothy Marrinan*    Director
David Koh    Producer
Josh Braun    Producer
Dan Braun    Producer
Simone Haggiag    Executive Producer
Stanley Buchthal    Executive Producer
Maja Hoffmann    Executive Producer
Anna Godas    Executive Producer
Jakob Abrahamsson    Executive Producer

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Limited and VOD Releases: Lovers of Limited Releases

May 5th, 2017

Chuck

It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 71 $3,231   2 $1,616   $3,231 1
May 12, 2017 69 $6,501 +101% 12 $542   $12,446 2
May 19, 2017 - $1,480 -77% 3 $493   $18,001 3
May 26, 2017 86 $305 -79% 1 $305   $18,334 4

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 69 $5,945   2 $2,973   $5,945 1
May 12, 2017 66 $10,576 +78% 13 $814   $16,521 2
May 19, 2017 80 $1,508 -86% 3 $503   $18,029 3
May 26, 2017 82 $411 -73% 1 $411   $18,440 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 5/5/2017 $1,519 1 1 3 $1,994 5/26/2017
 
International Total$1,994 5/26/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.