Bar Bahar (2016)

Bar Bahar
Theatrical Performance
Domestic Box Office $107,977Details
International Box Office $1,555,732Details
Worldwide Box Office $1,663,709
Home Market Performance
Est. Domestic DVD Sales $35,983 Details
Total Est. Domestic Video Sales $35,983
Further financial details...

Synopsis

Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.

Metrics

Opening Weekend:$5,888 (5.5% of total gross)
Legs:13.56 (domestic box office/biggest weekend)
Domestic Share:6.5% (domestic box office/worldwide)
Theater counts:2 opening theaters/8 max. theaters, 8.4 weeks average run per theater
Infl. Adj. Dom. BO $127,765

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,701-12,800) 12,788 $107,977
All Time International Box Office (Rank 9,701-9,800) 9,727 $1,555,732
All Time Worldwide Box Office (Rank 13,801-13,900) 13,887 $1,663,709
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) 4,607 $107,977

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: January 5th, 2018 (Limited) by Film Movement, released as In Between
International Releases: November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy)
April 14th, 2017 (Wide) (France)
August 25th, 2017 (Wide), released as In Between (New Zealand)
September 22nd, 2017 (Wide), released as In Between (United Kingdom)
... Show all releases
Video Release: May 1st, 2018 by Film Movement Video, released as In Between
MPAA Rating: Not Rated
Running Time: 96 minutes
Comparisons: vs. Lowlife
Create your own comparison chart…
Keywords: Set in Tel Aviv, Set in Israel, Muslims, Romance, Orthodox Religion, Domestic Abuse, Dysfunctional Family, Relationships Gone Wrong
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Deux Beaux Garcons Films, Compagnie des Lamas
Production Countries: Israel
Languages: Arabic, Hebrew

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 57 $5,888   2 $2,944   $11,498 1
Jan 12, 2018 55 $7,020 +19% 4 $1,755   $23,886 2
Jan 19, 2018 61 $5,898 -16% 7 $843   $33,660 3
Jan 26, 2018 75 $2,803 -52% 5 $561   $39,708 4
Feb 2, 2018 59 $5,247 +87% 5 $1,049   $48,300 5
Feb 9, 2018 70 $2,142 -59% 3 $714   $52,763 6
Feb 16, 2018 73 $3,023 +41% 3 $1,008   $58,258 7
Feb 23, 2018 66 $6,779 +124% 8 $847   $68,225 8
Mar 2, 2018 67 $5,029 -26% 6 $838   $78,725 9
Mar 9, 2018 70 $3,372 -33% 8 $422   $84,901 10
Mar 16, 2018 64 $7,962 +136% 5 $1,592   $94,821 11
Mar 23, 2018 81 $3,660 -54% 5 $732   $102,037 12
Mar 30, 2018 92 $718 -80% 2 $359   $104,451 13
Apr 6, 2018 93 $641 -11% 1 $641   $105,776 14
Apr 20, 2018 102 $48   1 $48   $107,501 16
Apr 27, 2018 102 $98 +104% 1 $98   $107,599 17
May 4, 2018 101 $24 -76% 1 $24   $107,831 18

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jan 5, 2018 - $1,131   2 $566   $6,741 1
Jan 6, 2018 - $2,604 +130% 2 $1,302   $9,345 2
Jan 7, 2018 - $2,153 -17% 2 $1,077   $11,498 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 53 $11,256   3 $3,752   $16,866 1
Jan 12, 2018 59 $10,896 -3% 4 $2,724   $27,762 2
Jan 19, 2018 63 $9,143 -16% 7 $1,306   $36,905 3
Jan 26, 2018 68 $6,148 -33% 8 $769   $43,053 4
Feb 2, 2018 62 $7,568 +23% 8 $946   $50,621 5
Feb 9, 2018 66 $4,614 -39% 8 $577   $55,235 6
Feb 16, 2018 71 $6,211 +35% 4 $1,553   $61,446 7
Feb 23, 2018 65 $12,250 +97% 8 $1,531   $73,696 8
Mar 2, 2018 66 $7,833 -36% 7 $1,119   $81,529 9
Mar 9, 2018 77 $5,330 -32% 8 $666   $86,859 10
Mar 16, 2018 67 $11,518 +116% 7 $1,645   $98,377 11
Mar 23, 2018 83 $5,356 -53% 5 $1,071   $103,733 12
Mar 30, 2018 88 $1,402 -74% 1 $1,402   $105,135 13
Apr 6, 2018 89 $2,245 +60% 1 $2,245   $107,380 14
Apr 13, 2018 100 $73 -97% 1 $73   $107,453 15
Apr 20, 2018 101 $48 -34% 1 $48   $107,501 16
Apr 27, 2018 101 $306 +538% 1 $306   $107,807 17
May 4, 2018 100 $170 -44% 1 $170   $107,977 18

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/27/2017 $4,715 3 3 16 $28,215 8/6/2018
France 4/14/2017 $179,299 0 0 0 $765,939 9/23/2018
Italy 4/5/2017 $64,148 0 0 0 $468,144 5/11/2017
Netherlands 1/5/2018 $28,107 24 24 45 $68,347 9/12/2018
New Zealand 8/25/2017 $1,881 5 6 21 $7,408 7/31/2018
Spain 11/25/2016 $28,437 23 25 119 $194,308 4/28/2017
United Kingdom 9/22/2017 $23,371 7 7 7 $23,371 9/28/2017
 
International Total$1,555,732 9/23/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Mouna Hawa    Lalia
Sana Jammelieh    Salma
Shaden Kanboura    Nur

Supporting Cast

Mahmoud Shalaby    Ziad
Henry Andrawes    Wissam
Aiman Sohel Daw    Salah
Riahd Sliman    Qays
Ahlam Canaan    Dunya
Ferass Naser    Rabia
Khawlah Dipsy    Salma’s mother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Maysaloun Hamoud    Director
Shlomi Elkabetz    Producer
Maysaloun Hamoud    Screenwriter
Calith Cahlon    Co-Producer
Tony Copti    Co-Producer
Sandrine Brauer    Co-Producer
Catherine Van Bree    Costume Designer
Itai Gross    Director of Photography
Lev Goldser    Editor
Nili Feller    Editor
MG Saad    Composer

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Limited and VOD Releases: In Between a Rock and a Hard Place

January 4th, 2018

In Between

It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.

Metrics

Opening Weekend:$5,888 (5.5% of total gross)
Legs:13.56 (domestic box office/biggest weekend)
Domestic Share:6.5% (domestic box office/worldwide)
Theater counts:2 opening theaters/8 max. theaters, 8.4 weeks average run per theater
Infl. Adj. Dom. BO $127,765

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,701-12,800) 12,788 $107,977
All Time International Box Office (Rank 9,701-9,800) 9,727 $1,555,732
All Time Worldwide Box Office (Rank 13,801-13,900) 13,887 $1,663,709
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) 4,607 $107,977

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: January 5th, 2018 (Limited) by Film Movement, released as In Between
International Releases: November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy)
April 14th, 2017 (Wide) (France)
August 25th, 2017 (Wide), released as In Between (New Zealand)
September 22nd, 2017 (Wide), released as In Between (United Kingdom)
... Show all releases
Video Release: May 1st, 2018 by Film Movement Video, released as In Between
MPAA Rating: Not Rated
Running Time: 96 minutes
Comparisons: vs. Lowlife
Create your own comparison chart…
Keywords: Set in Tel Aviv, Set in Israel, Muslims, Romance, Orthodox Religion, Domestic Abuse, Dysfunctional Family, Relationships Gone Wrong
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Deux Beaux Garcons Films, Compagnie des Lamas
Production Countries: Israel
Languages: Arabic, Hebrew

Leading Cast

Mouna Hawa    Lalia
Sana Jammelieh    Salma
Shaden Kanboura    Nur

Supporting Cast

Mahmoud Shalaby    Ziad
Henry Andrawes    Wissam
Aiman Sohel Daw    Salah
Riahd Sliman    Qays
Ahlam Canaan    Dunya
Ferass Naser    Rabia
Khawlah Dipsy    Salma’s mother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Maysaloun Hamoud    Director
Shlomi Elkabetz    Producer
Maysaloun Hamoud    Screenwriter
Calith Cahlon    Co-Producer
Tony Copti    Co-Producer
Sandrine Brauer    Co-Producer
Catherine Van Bree    Costume Designer
Itai Gross    Director of Photography
Lev Goldser    Editor
Nili Feller    Editor
MG Saad    Composer

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Limited and VOD Releases: In Between a Rock and a Hard Place

January 4th, 2018

In Between

It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 57 $5,888   2 $2,944   $11,498 1
Jan 12, 2018 55 $7,020 +19% 4 $1,755   $23,886 2
Jan 19, 2018 61 $5,898 -16% 7 $843   $33,660 3
Jan 26, 2018 75 $2,803 -52% 5 $561   $39,708 4
Feb 2, 2018 59 $5,247 +87% 5 $1,049   $48,300 5
Feb 9, 2018 70 $2,142 -59% 3 $714   $52,763 6
Feb 16, 2018 73 $3,023 +41% 3 $1,008   $58,258 7
Feb 23, 2018 66 $6,779 +124% 8 $847   $68,225 8
Mar 2, 2018 67 $5,029 -26% 6 $838   $78,725 9
Mar 9, 2018 70 $3,372 -33% 8 $422   $84,901 10
Mar 16, 2018 64 $7,962 +136% 5 $1,592   $94,821 11
Mar 23, 2018 81 $3,660 -54% 5 $732   $102,037 12
Mar 30, 2018 92 $718 -80% 2 $359   $104,451 13
Apr 6, 2018 93 $641 -11% 1 $641   $105,776 14
Apr 20, 2018 102 $48   1 $48   $107,501 16
Apr 27, 2018 102 $98 +104% 1 $98   $107,599 17
May 4, 2018 101 $24 -76% 1 $24   $107,831 18

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jan 5, 2018 - $1,131   2 $566   $6,741 1
Jan 6, 2018 - $2,604 +130% 2 $1,302   $9,345 2
Jan 7, 2018 - $2,153 -17% 2 $1,077   $11,498 3

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 5, 2018 53 $11,256   3 $3,752   $16,866 1
Jan 12, 2018 59 $10,896 -3% 4 $2,724   $27,762 2
Jan 19, 2018 63 $9,143 -16% 7 $1,306   $36,905 3
Jan 26, 2018 68 $6,148 -33% 8 $769   $43,053 4
Feb 2, 2018 62 $7,568 +23% 8 $946   $50,621 5
Feb 9, 2018 66 $4,614 -39% 8 $577   $55,235 6
Feb 16, 2018 71 $6,211 +35% 4 $1,553   $61,446 7
Feb 23, 2018 65 $12,250 +97% 8 $1,531   $73,696 8
Mar 2, 2018 66 $7,833 -36% 7 $1,119   $81,529 9
Mar 9, 2018 77 $5,330 -32% 8 $666   $86,859 10
Mar 16, 2018 67 $11,518 +116% 7 $1,645   $98,377 11
Mar 23, 2018 83 $5,356 -53% 5 $1,071   $103,733 12
Mar 30, 2018 88 $1,402 -74% 1 $1,402   $105,135 13
Apr 6, 2018 89 $2,245 +60% 1 $2,245   $107,380 14
Apr 13, 2018 100 $73 -97% 1 $73   $107,453 15
Apr 20, 2018 101 $48 -34% 1 $48   $107,501 16
Apr 27, 2018 101 $306 +538% 1 $306   $107,807 17
May 4, 2018 100 $170 -44% 1 $170   $107,977 18

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/27/2017 $4,715 3 3 16 $28,215 8/6/2018
France 4/14/2017 $179,299 0 0 0 $765,939 9/23/2018
Italy 4/5/2017 $64,148 0 0 0 $468,144 5/11/2017
Netherlands 1/5/2018 $28,107 24 24 45 $68,347 9/12/2018
New Zealand 8/25/2017 $1,881 5 6 21 $7,408 7/31/2018
Spain 11/25/2016 $28,437 23 25 119 $194,308 4/28/2017
United Kingdom 9/22/2017 $23,371 7 7 7 $23,371 9/28/2017
 
International Total$1,555,732 9/23/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.